Rachel Treannie
Mrs. Connors
Honors English 10
May 4, 2012
Laws Unbound Piece by Piece
Death is by any amount scary and tragic, a monster that grimaces upon the light of life. Though, if death’s innumerous fatalities could be put to rest without any casualties than there would be no objection to the solution. That is until one finds themselves on that other end consisting of the legitimate cure. Throughout the very well put together novel “Unwind” by Neal Shusterman, three teens are followed as they struggle with this issue. Connor, Risa, and Lev stand on the outskirts of society, no more than young out casts. They are the cure. As the story progresses the one major question embraced in the text is whether the unwinding of each teen, which is just an extreme level of organ donating, is worth the price. The true issue confronted here is: the principal purpose of unwinding was to save lives but is that counterproductive when lives must be taken “apart” and given to others? Now life has been downgraded as a matter of convince. Thus the rights of the individual are embezzled. This concept of unwinding is a chain of links that all form a loop, the catalyst of this cycle is society and what is just suspected of the public. The cultural morals and the values of man affect the government. This hypothetical future in America has allowed itself to pass laws that have gone against what the country stands for; “the right of life” and “the rights of the individual”. Value in real life has stooped to the dust, having no worth but that of which is popular agreement in this novel. With expectations lowered and patience sparse, the value of worthwhile life is few and far between.
Death is the worst possible outcome to any accident. Death is a regulator though; it ensures wariness and caution for mortals. Life would be undermined and treated poorly if no consequence would be dealt. All of this though can be fixed! If anything from head to toe, even the hair atop your head, is damaged it can be replaced to be good as new. This should be a good thing, but of course anything good has something to balance that out. Carless is one result of this ability to practically play God. People will not be as tentative when driving, handling weapons, or machinery. To forget the mortality of man is horrible, the respect for other’s lives or personal lives would become obsolete. The time frame in which this advancement began in the novel has yet to display the long term affects. Though surgeons can replace the damages, a death can never be brought back. Death is the dark wine stain on the rug, it is irremovable. People have grown less vigilant because they know they have nothing to really lose, they forget that one wrong hit and they are dead. This is lowering the standard for life because no one needs to worry or care about losing anything or anyone. They can just patch up what is broken and be on their way. The citizens beat around death with new solutions not caring that people’s lives must be “taken apart”.
(Quote that)They forget about those people who gave up a piece of themselves for the wounded. The law states in this novel that 99.4% of the body must be used (things such as the appendix are the other 0.6%). Those people who have new parts believe that the unwind is still alive, but in a divided state. That is what the law claims, living but in a divided state. Naturally that is what is believed and in believing this, it is assumed that there is no death or taking of another’s life. Though the unwind’s life is taken away because they are not living their own, they have no possession of their body. Thus, it makes sense that their lives are taken away, no one thinks that way in this society though. They do not view any of this as death they are not guilty or grateful for their new body part. They ignore the source and place life at a lower standard because that is how everything has become. The unwinds do not die, they just live divided. So no one ever questions. Like the meat in fast food, no one cares to think about what is in their food while they eat it, they know some ware deep down it is not good for the body, but they ignore that because they have already eaten, and it was okay to eat because so many others have eaten this artificial food before, plus no cow died really. Why bother questioning when they have eaten and are full. The food fulfilled the purpose; let them leave it at that. That is how this society treats Unwinds, who really cares how he got these nice legs; he can walk again that is all that matters. No one died, everyone is saved.
Quote part with girlfriend’s eyes/description: relate to how the society views beauty v. the person. The effect overall, feelings, honesty, respect; worth-worth effects kids-the product of environment. Thus reactions, personality, beliefs are contaminated. With worth shot effort down grades, product: more unwinds, more troubled children. An endless cycle-from thesis- connections, Back up with some of Connor’s outlooks, or shark guy Look under the box scene when they all discuss things that most refuse to really admit. = outlook= products of environment (the minorities)
Lev and Sy-Fi, Sy-fi is a product of environment, quote it. How? He was greatly affected, he has a piece of brain form an unwind, the unwind is who we must focus on alright? He was going to that unwinds home, that part wanted to go home to say goodbye to his parents, to receive an apology: never die they say: here is the consequence. The damage is worth more then the pain? Does society ignore or really don’t see the negative affects.
Due to the obsession of the outwards appearance the value of “inner beauty” is undervalued. Thus, looking for the good in a person is ambiguous to society, they no longer search for what is on the inside. Since society has advanced this way, parents forget the importance in looking into their child to find redeemable qualities that they would love. Parents love their children, but in this society no one cares to know each other unless they are appealing to the eye and not the heart. The parents will not love their children as much as they should therefore when the going gets tough they will just solve their troubles by sending their problem child to a harvest camp. An easy solution, but a large toll on the heart. Quote the general’ story….. the general had been one of those parents at one point who had not really bothered to put time in with his son. When he had become quite an issue for his wife and him they sent him off to be unwound. He regretted that choice; once his son was gone he realized how much his presence, his personality-both the good and the bad moods- meant to the General. But it took his son’s unwinding to wake him up. That is what society has become.
Liesel experiences her second trauma almost immediately after her first. She is forcefully separated from her mother and given to another family to be taken care of by her mother. Because of this, Liesel develops separation anxiety right alongside PTSD as well. Separation anxiety is defined as “a developmental stage during which the child experiences anxiety when separated from the primary caregiver (usually the mother)” (Separation Anxiety 1). Although separation anxiety “usually ends when the child is around 2 years old” (Separation Anxiety 1), Liesel experiences and suffers from separation again.
In the chapter titled “Arrival on Himmel Street”, the narrator states that on the car ride to Liesel’s new home without her mother, she experiences a “constant rise and fall of her stomach, and the futile hopes that they’d lose their way or change their minds”(Zusak 26). This is a form of separation anxiety, and is happening because Liesel is currently separated from her mother, though in her mind the separation is not permanent yet. A.D.A.M. Medical Encyclopedia states, “Most children will experience some degree of separation anxiety when in unfamiliar situations, especially when separated from their parents” (Separation Anxiety 1). Liesel is experiences these feelings because of the current, unusual situation she is in and because she is not currently with her mother. This is only the initial reaction to the separation from her mother, and therefore she is in the beginning stages of separation anxiety.
In that same chapter titled “Arrival on Himmel Street”, the narrator talks about how Liesel would not get out of the car once they had arrived to her new home. Then, when she finally came out after fifteen minutes of being coaxed out by her foster father, she clung to the gate and after a while walked inside her new house (Zusak 28). These actions are a direct result of the distress that she feels because of separation anxiety. The A.D.A.M. Medical Encyclopedia states, “When children are in situations (such as hospitals) and are experiencing stress (such as illness or pain), they seek the safety, comfort, and protection of their parents. When parents cannot be with their children in these situations, the children experience distress” (Separation Anxiety 1). Liesel is an unfamiliar environment with unfamiliar people with her mother nowhere in sight, and this is a main cause of the way she is feeling due to separation anxiety.
As stated by the A.D.A.M. Medical Encyclopedia earlier, separation anxiety is only a developmental stage, and is therefore temporary. In order for a child to get over separation anxiety, they must do three things. They need to “Feel safe in their home environment, trust people other than their parents, and trust that their parents will return” (Separation Anxiety 1). As the novel progresses, Liesel begins to no longer suffer from separation anxiety and eventually no longer has those feelings. Both of Liesel’s new foster parents gain her trust and love, and become the parent figures in her life that she looks up to. She makes new friends and begins trusting people other than her foster parents as well, and feels completely safe in her home environment. Because of this, Liesel eventually comes to a more normal mental state and no longer suffers from separation anxiety.
Rachel Ashley
May 4, 2012
Mrs. Connors
Humans of all kind feel a need to be accepted; they want to belong. This concept is one that lies at the very core of one’s human nature. While a few rise above this urge encoded in to the very fabric of the human heart, millions succumb to this insisting desire, yielding to the demons of conformity. There is a line that exists between wanting this acceptance from others and becoming totally dependent upon this urge for acceptance. For most, there is a clear distinction between these two things, but for some this line becomes blurred. These people are known as Neurotics; they suffer from “a mental and emotional disorder that affects only part of the personality, it is accompanied by a less distorted perception of reality than in a psychosis, does not result in disturbance of the use of language, and is accompanied by various physical, physiological, and mental disturbances.”[1] So what is it that brings on these severe mental disturbances? Several philosophers have decided to examine this issue and see it they can learn what brings this on. One of the key researchers in this filed is Karen Horney, who has come up with the most logical way of defining both how people first become neurotics and has been able to come up with three categories into which neurotics generally fit. However, people are not the only ones that can fit in to these categories, since characters in novels often take on very humanistic traits it is only natural that a handful of them would also suffer from neurosis without ever even realizing it. In the series, The Nightside, by Simon R. Green it becomes apparent that the character John Taylor is one that suffers from this mental disorder.
What is it that first made John Taylor into the neurotic that he is? According to Karen Horney, “The key to understanding this phenomenon is the child's perception, rather than the parent's intentions.” [2] What this means is that in order to understand how this phenomenon occurs, it is vital to look into the patients childhood, not just what occurred during that time, but rather what their frame of mind was.
During his childhood John Taylor was raised by a single father, whose wife left him only a year after John had been born. Charles Taylor, John’s father, turned to alcohol and over the next few years he slowly poisoned himself with the drink, until inch by inch it killed him.
Now that the stage is set it becomes important to examine the two opposing view points. These points each pertain to what happened during the time bracket, that led up to the death of Charles Taylor.
For Charles Taylor, the story is not one of the reckless abandonment of his son, but rather a tale filled with tragedy and horror. Just shortly before he began his downward spiral, his two greatest friends betrayed him, leaving him to try and collect the shattered puzzle pieces of what had once been his heart. During this troubled time all he had left in his life was his young wife and new born child. “Your mother was my last chance. To be a man, to be sane again… She was my life, my hope, and my dreams. I never loved her like I loved anybody.” (Green 236) Her mere presence in his life reminded him that there was more to live for. It was with her constant reassurance he was gradually able to fuse the pieces of his heart together again. Though just as he was finally capable of climbing back upon his feet the cruelty of fate struck him. It was during this time that he learned that his wife Lilith was simply using him, biding time until she could gain the power that she needed to once again take over the world in which they lived. He later recounted to his son saying, “You’d meant so much to me, and now I was afraid that you were a lie, too. Because if I could not depend on my wife to be my wife, if she wasn’t even human…how could I depend on you to be my son? I was afraid that you would turn out to be a monster, like your mother.”(Green 236) Terrified that John might turn out to be a monster like his mother, Charles found, himself like so many others before him, turning to alcohol to try and hide his fragile heart from the cruel and uncaring world. Even though the consequence meant that he would have to estrange his only child at a young age. He decided that it was more important to protect himself from being destroyed by the one person that he has left, then attempting to maintain the burden of being there for his son.
Although this may not be the correct solution to the problems that Charles faced, one can easily see where it is that he was coming from. After all, in times where the world its self has turned its back on you, doesn’t it become tempting to try and bury those feelings of regret and loss away rather than face them. To many alcohol is simply another one of these outlets a method for the heartache that they face to be repealed. It causes a variety of feelings such as happiness, relaxation, sleepiness and allows for people to forget about their worries for a short amount of time.[3]While they are part of this world they do not have to face the burdens of reality. It was for this reason that Charles Taylor first turned to alcohol when his wife left him.
For Charles Taylor this might be a tale of heartache and woe, but to John this same tale is told under a slightly different light. John was just a child when his mother first left the family and because of his fathers shutdown he only ever knew that she was a monster. As a child he was forced to watch in wonder, as his father slowly began to drift farther and farther into the never ending darkness. This same wonder was one that would plague him for the rest of his life. Years after childhood john is forceds to seek out his father, to save the world from eminent danger, yet upon confronting him the very first thing that he asks is “You went away. Abandoned me to my enemies, when I was just a child. You left me alone when I needed you most. You drank your self to death rather than raise me, why?” (Green 236) This question barely scratches the surface of the years that John has been tormented by these questions. Although it was not always on his mind thoughts such as this have always been present in the back of his subconscious weaving their way into the very fabric of his existence. The evidence of this inward struggle becomes apparent when examining his career choice, as a private detective. His modo is “The truth always comes first no matter who it ends up hurting.” (Green 117) Living a life where the truth has always been kept from him, it has become his obsession to try and find the answer for others, that he never was able to obtain about himself because his father chose to hide from the world after finding out the truth about his wife. It is the difference between these two stories that catalyzes the change of John Taylor from being a normal functioning person to somebody suffering from neurosis. (find a better way of wording)
Now that a basic understanding of why John Taylor became a neurotic to begin with is set, it is important to being understanding what kind of neurotic he is. Karen Horney took common attributes that accompany patients who suffer from neurosis and developed three different categories of coping methods compliance, aggression, and withdrawal. These coping methods were developed as a defense by the child against the incredible indifference of a parent. Let’s break down the first of these coping strategies, compliance. .[4] Compliance is the need that drives many of us, it is the desire to have others respect and love us. Although this need is present in all of us, to a neurotic who has chosen to cope using the compliance method it is more than just a want and desire, it becmose a must. They devote every second of their waking lives to this intences need. They live for others recognition, completely bending to try and fill the role that others want for them. They become completely unable to do anything on their own, instead they rely on others to do every thing for them.