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Have you ever canned your bloody mary mix? My husband and I have a very large garden with a massive amount of fantastic tomatoes this season. We have already juiced 3 gallons and are ready to make the bloody mary mix, but would like can so we have enough through the winter (and entertaining through football Sundays and the holidays). Thanks!
Dude, when I found this recipe while grocery shopping, I got what I needed and made this for the misses. She absolutely loves it. Said it was the best bloody mary she ever had. Good job my friend with your winner.
Absolutely divine. I made this for a brunch I was having this weekend. I made the mix the night before and the next morning, I added it to some tomato puree that I had canned this past summer. It was indeed fantastic. I will certainly make this again. Everyone, including myself loved it!
This is an Awesome recipe! I googled because I was canning tomatoes and was trying to figure out something to do with all the extra tomato juice. So I made this recipe and canned it to go with my spicy pickles as a hostess gift or thank you gift. Thanks!
Im a big fan of micheladas (bloody Mary with beer) and have had many made at various bars and restaurants. I made a pitcher of this mix and it is by far the best I have tasted. I drink it with my beer and my wife drinks it without any alcohol and she loves it. Thank you for sharing.
Love this recipe and here are my tweaks.
I use the low sodium trader joes mix and do not add any extra salt.
I add a few tbsps lea and perrins (could use anything) of steak sauce.
Other than that I have stuck to the recipe and love it.
Thanks!
Thank you for the extra tip about the bloody margarita! I never buy prepackaged bloody mary mix anymore. I love playing with the ingredients to modify my mood as well as my guests. The bloody margarita is exceptionally tasty!
I modified the recipe a bit and used chipotle Tabasco sauce and I added 1 tsp of chili powder which added a nice smokey flavor. Being from Texas, we tend to like things a little more spicy so I added a little more Tobasco, horseradish, and worchestershire. My friends and family loved it. What a fabulous recipe, thanks for sharing!
I make it in double recipes. I use less salt. I put it in squeeze ketchup type bottles and keep it in the bar. 4 squirts in a tall glass with 2 oz vodka. Shelf life is not an issue due to total salt content. This is the kickass sauce to Demetries. Much more cost effective. Thanks f0r sharing.
Kickass Cilantro will kick up your favorite dish with a perfect mash-up of Garlic, Jalapeo, and Cilantro. This verde style sauce will have your mouth watering with one smell, before you know it the bottle will be gone and you will be left wanting more sauce.
The years that lie behind you, with all their struggles and pains, will in time be remembered only as the way that led to your new life. Then, also, the need to tell your story will become less pressing. You will see that you are no longer there: the past is gone, the pain has
For any of you who have followed this blog from the beginning, you know before the amazing husband I have now, my first husband of 8-years disappeared. He told me he was running to the store, and then proceeded to quit his job, empty the bank account, leave his car in a parking lot, shut
"Kick-Ass 2" is one of the year's worst films. I would like to get that pertinent fact out of the way before we discuss it properly. But for those with horrid taste in cinema, questionable politics, and terribly short attention spans, i.e. the target audience of this movie, I feel it is my duty to say: Don't see this film. Do something else. Enjoy the final days of the summer. Solve a crossword puzzle. Call grandma. Do whatever you like. But don't see this reprehensible movie.
I believe the latter to be the case. The superheroes present a very simple solution to the complexities of the modern world. The various shades of grey that line the surface of apparently "deeper" superhero films, such as Christopher Nolan's Batman trilogy, are mere distractions from the utter ridiculousness of the core concept: a man in a costume fighting crime! As such, taking superhero fare seriously amplifies both its absurdity and fascist overtones. The word fascist is frequently misapplied, but it does fit with the superhero aesthetic, which is about one thing and one thing only: violence. Superheroes overpower their opponents with brute force, and as such are the most hideous display of power-worship.
Directed by Matthew Vaughn and based on the work of former enfant terrible of comics, Mark Millar, 2010's "Kick-Ass" was a transgressive take on the superhero concept, exploring a world where comic book nerds of various ages and intellects donned skin-tight costumes to fight mobsters. The film's philosophy and its approach towards justice was problematic, but Vaughn had a deftness of touch that propelled the story. Equally interesting was the pairing of Nicolas Cage and the then pre-teen Chlo Grace Moretz as Big Daddy and Hit-Girl, respectively. This father-daughter team of benevolent psychopaths was a highlight not necessarily because of the characters, but because of the obvious quirkiness of the actors and their chemistry. On the whole, though, "Kick-Ass" wasn't a very good movie.
Meanwhile, Mindy joins a group of her own when she hangs up her purple Hit-Girl outfit, and starts to attend high-school: a triumvirate straight out of "Mean Girls," who take her under their wing for "re-education."
A further subplot involves Chris D'Amico (Christopher Mintz-Plasse), former sidekick to Kick-Ass, who has gone into the family business after Dave murdered his mob-boss father in the previous film in a particularly spectacular manner. Chris refashions his mother's S&M gear into a costume, and reinvents himself as the world's first super-villain, adopting a name which, in the '80s, would have been dubbed on British television as "The Melon Farmer." These three plots plod along in a tale of vengeful one-upmanship to eventually converge in one of the least interesting action scenes of recent times.
At its most basic level, the film feigns concern towards how revenge can be a bottomless pit. Violence doesn't merely escalate in the film, it consumes all. The level of terror multiples geometrically, as one death begets two, and then four, etc. Millar's original comic is considered by halfwits as a post-structuralist work, but this sort of reading is only valid for armchair proponents of even the real-world history of violence being its own fiction. Of course, this is all rubbish. The uneven tone of the violence contributes to the confusion. During one memorable scene (for all the wrong reasons), a gigantic ex-KGB agent called Mother Russia dispatches ten police officers in increasingly violent ways as a sped-up, trance version of the Tetris theme plays. I am not sure what reaction Wadlow was going for, but I was sickened. This did not make me reassess my position towards vigilantism or violence, seeing as I am not a sociopath. I don't need a superhero film to tell me that kicking the living crap out of people is wrong.
So there is a pitch, an angle to all this, but frankly, it's hackneyed. Rejection of authority, ignoring the squares, being your own man, the idolization of the self: yes we've all become depressingly familiar with those tired old refrains. We can do anything we want; there is nothing holding us back; and we're just boring and irrelevant if we don't sign up. This is not the '90s, and it's definitely not ten years ago, either. We're in a post-crisis economy. The only people who would buy into "Kick-Ass 2"'s insipid afterthought of a philosophy occupy the same counter-cultural bubble as Wadlow and Millar, whose film expects blithely that no one could possibly disagree with these self-evidently correct beliefs. It's all rather insulting.
Also insulting is the film's view towards women and girls. I was not expecting the film to treat them as transcending their circumstances and being worshipped as life-giving earth mothers, but was it really necessary to have three girls vomiting and defecating simultaneously? Also, it would have been OK to have at least one female character that was not a complete buffoon or in need of validation through male acceptance. The film's misogynistic take on women reaches its apex in a rape scene that is played for laughs. Wadlow keeps the camera tight on the wannabe rapist's face at first, and stays on him as he masturbates furiously to try to get an erection. All the while, there is a woman in the corner, fearing the worst. But Wadlow refuses to cut to her: our attention is on the potential rapist. Wadlow's mastery of film grammar is generally questionable anyway, but someone should have had words with him about this scene. Possibly his mother.
Also icky is the sexualization of Chlo Grace Moretz, a trend that began in last year's "Dark Shadows" and continues here, where the hormonal vagaries of Mindy's body are brought to the screen in fairly graphic ways (I was surprised to discover that the boy-band who inspires her sexual awakening is in fact real). Grace has been good before, but here she seems to be mimicking emotions she was yet to experience, rather than acting. Considering how grating Christopher Mintz-Plasse's and how bland Aaron Taylor-Johnson's personae are, her subpar performance is particularly conspicuous.
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