The amplifier is integral to the tone of an electric guitar or bass. Guitar Rig provides you with an extensive selection of classic amplifiers spanning decades from the 1950s to the present. The Amplifier Components in Guitar Rig are meticulously modeled after the sound and behavior of the original devices, including the interaction between their controls. Additionally, Expert panels provide controls that further expand the sonic possibilities.
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Power Supply: Switches the frequency of the AC mains voltage powering the amplifier between 50 and 60 Hz. The AC mains voltage introduces ripple to the internal voltages of the amplifier at double this frequency, which imparts a subtle modulation to the sound.
Variac: Emulates the effect of inserting a variable transformer in the AC mains power line, thus reducing the supply voltage for the famous "brown sound", or increasing it to make the sound stronger.
Sag: Emulates the effect of sending excessive signal levels to the amplifier and briefly exceeding its power limit. Turning Sag to the right adds a compressed feel to the sound, similar to a a tube-based rectifier circuit. Turning Sag to the left reduces the amount of compression, similar to a diode-based rectifier circuit.
Response: Adjusts the power storing capacity of the power supply capacitors. Turning Response to the left decelerates the response of the supply voltage to dynamic playing. Turning Response to the right accelerates the response of the supply voltage to dynamic playing for a looser feel.
Bias: Adjusts the grid bias of the output tubes. This influences crossover distortion and determines the amplifier class rating of the circuit. Turning Bias to the right lets the circuit run hotter for a raw sound character.
AC BOX XV models the sound of a hand-wired amp from one of the most renowned British manufacturers. Its acclaimed tube sound and distinct vibrato produce unique tones that have been sought after by guitarists in rock & roll and beyond.
Vibrato/Tremolo: Switches between the vibrato and the tremolo effect. Vibrato can be adjusted using the Speed control, while Tremolo can be adjusted using the Depth and Speed controls.
Speed: Adjusts the rate of the vibrato or tremolo effect, depending on the setting of the Vibrato/Tremolo switch. When Sync is activated, Speed is set in note lengths relative to the tempo of the Metronome.
Bass Invader models the sound of a versatile amplifier associated with the Rock and Indie sound of the late 1980s and 1990s. It includes extensive tone shaping controls that allow you to precisely tailor the sound. Even though its character can be described as clean and sweet for most its range, it also produces very interesting distortion sounds when the controls are cranked up.
When required, you can reduce the CPU load by deactivating stereo processing for this Component. For more information, refer to Component Controls. You can also set an option in the Preferences to load Components using ICM in mono by default. For more information, refer to General.
Graphic equalizer: Boosts or cuts nine specific frequency bands: 40 Hz, 90 Hz, 180 Hz, 300 Hz, 500 Hz, 1 kHz, 2 kHz, 4 kHz, and 10 kHz. Moving a slider up boosts the respective frequency band by up to 12 dB. Moving a slider down cuts the respective frequency band by up to -12 dB. When a slider is centered, the respective frequency band remains unaffected.
Volume: Adjusts the output level of the graphic equalizer. Moving the slider up increases the level by up to 8 dB. Moving the slider down decreases the level by up to -10 dB. You can use this control to compensate for strong boosts or cuts made with the graphic equalizer.
Bass Rage models the sound of one of the most highly regarded bass amps. Its harmonically rich tube sound has been endorsed by many artists including George Clinton, Gene Simmons, and Dave Farrell. This powerful 300 watt amplifier delivers a wide range of classic bass tones that can be accessed using its flexible controls.
Chicago models the sound of a vintage amp from the 1950s. Its dirty and fuzzy sound is reminiscent of early Rock and Roll guitars, but can also be used to add character to other sounds, for example drums.
Normal/Mod: Switches between two basic modes of the amplifier. When Normal is selected, the original sound character of the amplifier is preserved. When Mod is selected, the sound character is tighter with a more controlled low-frequency response.
Tone: Adjusts the frequency response by changing the balance between low and high frequencies. Turning the control to the left emphasizes low frequencies. Turning the control to the right emphasizes high frequencies.
Cool Plex models a clean vintage sound with mild saturation, transparent but charismatic. Two different channels can be used simultaneously and blended using the Volume I and Volume II controls. The first channel has a brighter sound, while the second channel has a warmer sound.
Fire Breather models the sound of a contemporary amplifier that builds on British legacy. Its clear and detailed character with a tight low-frequency response can be used in a variety of styles, from Blues and classic Rock to Hard Rock and Heavy Metal.
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