Control Lab 1 Song

[Luisa Rodocker]

Jointhe aap! (Anti autosave ( feature request) party). Still not huge surprisingly but maybe growing with digi songmode.

One day the masses will liberate themselves from autosave. Its written in the stars.

I have over 100 stations but due to so many song repeats I don't get to hear many songs from the many stations in my account. I suggest a way to control song repeats. I would like an option that lets me establish limts on song repeats, anywhere from 1 day to 1 month. Ie. A drop down stating: No song repeats for 1-30 days.

However, many artists I seed because I have never heard them before. I probably want Pandora to put their best foot forward. However, what Pandora usually does is simply not to play the artist at all, despite the Deep Cuts feature. I think there should be ways to suggest familiarity with the music, and this is where being able to select albums in the mix should come in.

It should also be possible to select that one simply wants to listen to albums that performed poorly, or music that the critics rejected, such that I come looking for 1-3 star albums instead of 4-5 star albums, where 5 stars represents the highest possible rating.

With that said, my issue. When I start a station, I do not after the first 45 minutes of the station, hear the same song repeat. I am a 60 trial premium subscriber, and looking to becoming a paid subscriber. And I love Pandora radio, but with the tens of thousands of songs out there, no track should be repeating, especially after only 45 minutes.

Interesting idea; listening to music with no repeats. Sometimes that would be totally awesome! Most average songs I know bore me after like 5 listens. It does seem a bit extreme. However, I do think it should be possible to be able to select just how long you want to put an artists, albums or songs on the shelf. That probably should not include months though, because most people listen to different stations, meaning that maybe one month you never listened to that music, it is not the day count that is important, but rather the hours of listening count for a particular station. For instance, if you have a station that has been listened to for 24hrs, you are probably better able to be able to select that you don't want to hear that song played in the next 24hrs of listening, as opposed to just a regular day, a month's of time, or 3 months' time.

Thanks for this plug. Glad we see this is needed! I personally really get annoyed at the albums part. I have listened to so many albums thoroughly and would like to space out the songs out of those mixes sparsely, but I bought the popular albums, such that the exact opposite comes. I have to put stuff on the shelf too much. Its like cleaning to try to get the songs I don't want to hear often from bands out of my feed.

i am new to Pandora, and loathe the repeated songs. The same songs over and over and over. They play the same song from the same album for example but the Rolling Stones - how many albums do the stones have but Pandora plays the same song sometimes twice in an hour.

Now that I have become frustrated, I use the "I'm Tired of This Song Feature" very often. It suggests that I like the style and the song, but just don't want to hear it nearly as frequently. I have experimented with everything else, and at this time it is the only way. Hopefully, Pandora beefs up that feature in the future. I would really like to be able to select how many hours of listening I could go without Pandora throwing it in the mix again. That would be ideal. I want to be the one who is in control of my music! much like everyone else in this thread!, and I imagine that if Pandora keeps it up they will stifle their business.

I should also say that when I started using the "I'm Tired of this Song Feature," much more frequently it is not like I miss those songs. Usually, what fills their place is more songs that I'm tired of at first, but if I have found that if I persist I seem to get what I want. That's enough for me now. I recommend trying this, as I bet if you use the feature enough you will get closer to having your desired stations. The biggest drag though is the continuance of not being able to have featured albums, artists, and songs in the mix. Seeds don't seem to cut it. I feel like I could listen to a station for a year and still not hear what I have seeded as opposed to what Pandora thinks I want to listen to.

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We have traced central nervous pathways controlling bird song in the canary using a combination of behavioral and anatomical techniques. Unilateral electrolytic brain lesions were made in adult male canaries whose song had been previously recorded and analysed on a sound spectrograph. After several days of postoperative recording, the birds were sacrificed and their brains processed histologically for degeneration staining with the Fink-Heimer technique. Although large lesions in the neostriatum and rostral hyperstriatum had no effect on song, severe song deficits followed damage to a discrete large-celled area in the caudal hyperstriatum ventrale (HVc). Degenerating fibers were traced from this region to two other discrete nuclei in the forebrain: one in the parolfactory lobe (area X, a teardrop-shaped small-celled nucleus); and a round large-celled nucleus in the archistriatum (RA). Unilateral lesion of X had no effect on song; lesions of RA, however, caused severe song deficits. Degenerating fibers from RA joined the occipitomesencephalic tract and had widespread ipsilateral projections to the thalamus, nucleus intercollicularis of the midbrain, reticular formation, and medulla. It is of particular interest that direct connections were found onto the cells of the motor nucleus innervating the syrinx, the organ of song production. Unilateral lesions of n. intercollicularis (previously implicated in the control of vocal behavior) had little effect on song. One bilateral lesion of HVc resulted in permanent (9 months) and complete elimination of the audible components of song, although the bird assumed the posture and movements typical of song. Preliminary data suggest that lesions of the left hemisphere result in greater deficits than lesions of the right one. This finding is consistent with earlier reports that the left syrinx controls the majority of song components. Results reported here suggest a localization of vocal control in the canary brain with an overlying left hemispheric dominance.

Hi everyone, new Poweramp user here. I've been hearing great reviews about the app and I've yet to explore all the features. Just wanted to know if it supports setting a different start time (on a per-song level) and crossfade per song (ex. not just 10 secs fade in and out between songs). I wanna make a playlist of different mixes but want to jump to the middle of a track for some songs. Is this possible?

Thanks!

Always starting a particular song part-way though (such as skipping a long boring intro when you are playing an album track for example) is not a Poweramp feature at present. However there is a Bookmark feature, which lets you set a remembered position for a given track, but you need to start playback by using the bookmark entry rather than it always happening for that song - so it wouldn't happen when playing from a Playlist for example.

The addition of A-B repeat, including a facility to permanently remember the 'A' start point for a given song, is a regularly requested feature though, and hopefully it will appear at some point fairly soon:

"Control" is a song by American rapper Big Sean, featuring American rappers Kendrick Lamar and Jay Electronica. It entered US mainstream urban radio on August 14, 2013, via GOOD Music and Def Jam Recordings, as a promotional single originally meant for Big Sean's second studio album Hall of Fame (2013), but was ultimately cut from that album due to sample clearance issues.[1]

Written by all three artists and its producer No I.D., "Control" contains samples such as "Where I'm From" (1997) by Jay-Z, "El pueblo unido jams ser vencido" (1974) by Quilapayn and Sergio Ortega, and an interpolation of "Get Bizy" (2011) by Terrace Martin. Receiving widespread critical acclaim from music critics and media scrutiny, Lamar's performance in particular was lauded as a "wake-up call" for the hip hop industry.[2][1] Lamar's Twitter account and Wikipedia article received increased internet traffic as a direct result of the release of this track.[citation needed]

Def Jam Recordings serviced "Control" to American mainstream urban radio on August 14, 2013,[3] while a release to urban contemporary radio followed on August 27.[4] It peaked at number 11 on the United States Billboard Bubbling Under Hot 100 Singles chart and at number 43 on the Billboard Hot R&B/Hip-Hop Songs chart.[5][6]

Several rappers, regardless if they were mentioned on "Control", released songs responding to Lamar's verse or a diss track in the weeks following the song's release. Many of the responses were labeled as "Kendrick Lamar Response" or "Control Response." According to Lamar, the best responses came from King Los, Joell Ortiz, Joe Budden and Kevin Hart's hip hop pseudonym Chocolate Droppa. He found Papoose's response to be the "comical joint".[25] In a retrospective analysis, Rolling Stone dubbed "Control" as the modern Roxanne Wars.[26]

@b0n3 , I use OpenSongApp as it has great features for songs and Chord charts. The Midi is not extensive, but extremely helpful. I have set it so that when I select a song in the App, it sends the track/song number to the BeatBuddy and sets the tempo. (I use the Midi Maestro for moving between parts)

Camelot Pro supports remote control from pedals and virtually anything else connected to your midi environment. You could, for example, say that a given control on a keyboard will start a song or move to the next scene or song.

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