Food & drinks in the Replay Studio can be used as small speed boosts for the price of 1 coin, just like the food & drinks on the Eso Hotel map.
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This doughnut box has 5 doughnuts in it. So it can probably be used 5 times by different players before it despawns. This is good because there is not as many food & drink models in the studio compared to the Eso Hotel map.
The problem that may prevent the studio from becoming a Murder Mystery map is this area is a little too open. It may be difficult for murderers to dodge incoming bow shots from a distance in this specific location.
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I'm currently working on our podcast studio revamp and I have a dilemma about which camera is the best option for us. We already have ATEM mini Extreme ISO from Blackmagic and we would like to buy cameras of the same brand. Mostly we are making just camera records and then I post-process the whole thing but live-streams are not uncommon too. I mosty work in Adobe enviroment if that is something worth mentioning.
New Line Productions, Inc., doing business as New Line Cinema, is an American film and television production studio owned by Warner Bros. Discovery (WBD). Since 2008, it has been operating as a unit of Warner Bros. Pictures.
It was founded in 1967 by Robert Shaye as an independent film distribution company; later becoming a film studio after acquired by Turner Broadcasting System in 1994; Turner later merged with Time Warner (later known as WarnerMedia from 2018 to 2022, and Warner Bros. Discovery since 2022) in 1996, and New Line was merged with Warner Bros. Pictures in 2008.[5] The studio has been nicknamed "The House that Freddy Built" due to the success of the Nightmare on Elm Street film series.[6] However, their most successful property was their film adaptation of The Lord of the Rings trilogy by J.R.R. Tolkien with considerable commercial success and numerous Academy Awards.
New Line Cinema was established in 1967 by the then 27-year-old Robert Shaye as a film distribution company, supplying foreign and art films for college campuses in the United States. Shaye operated New Line's offices out of his apartment at 14th Street and Second Avenue in New York City. One of the company's early successes was its distribution of the 1936 anti-cannabis propaganda film Reefer Madness, which became a cult hit on American college campuses in the early 1970s. New Line also released many classic foreign-language films, like Stay As You Are, Immoral Tales and Get Out Your Handkerchiefs (which became the first New Line film to win an Oscar).[7] The studio has also released many of the films of John Waters.
In 1983, Bryanston Distributing Company, the company that first distributed the original The Texas Chain Saw Massacre, lost the rights to that film, and the rights reverted to the original owners. New Line bought the rights and re-released the film to theatres that same year. It became very successful for the studio.[10]
New Line expanded its film production in the early 1980s, producing or co-producing films including Polyester, directed by John Waters, and Alone in the Dark. Polyester was one of the first films to introduce a novelty cinema experience named Odorama, where members of the audience were provided with a set of "scratch and sniff" cards to be scratched and sniffed at specific times during the film, which provided an additional sensory connection to the viewed image.[8] In 1983, Lynne joined the board.[7] In 1984, Dawn Altyn and Jeff Youngs joined New Line, respectively as sales manager, eastern and southern divisions of New Line Distribution, and national print controller of the studio, to distribute new projects.[11]
The third film in the series, A Nightmare on Elm Street 3: Dream Warriors, was released in 1987, the studio's first national release,[18] and opened at number one, grossing $8.9 million for the weekend, a record for an independent film at the time,[19] and went on to gross almost $45 million at the US box office. A further six films have been made. The first six grossed $500 million worldwide[12] and the next three $250 million, for a total of $750 million.
In early 1991, Fine Line Features was set up as a wholly owned subsidiary headed by Ira Deutchman and released films including Jane Campion's An Angel at My Table and Gus van Sant's My Own Private Idaho.[25] Halfway through the year, Carolco Pictures, entered into a joint venture with New Line to start Seven Arts, a distribution company which primarily released much of Carolco's low-budget output.[26] In 1997, Shine received the studio's first nomination for the Academy Award for Best Picture[7] and their second film to win an Academy Award with Geoffrey Rush's win for Academy Award for Best Actor.[27]
On January 28, 1994, New Line Cinema was acquired by the Turner Broadcasting System for $500 million,[31][32] which later merged with Time Warner in 1996. New Line Cinema was kept as its own separate entity, while fellow Turner-owned studios Hanna-Barbera Productions and Castle Rock Entertainment eventually became units of Warner Bros.
The studio was also a partner in founding a new distribution company named Picturehouse in 2005. Specializing in independent film, Picturehouse was formed by Bob Berney, who left distributor Newmarket Films, New Line, who folded their Fine Line division into Picturehouse, and HBO Films, a division of HBO and a subsidiary of Time Warner, who was interested in getting into the theatrical film business.
On February 28, 2008, Time Warner's CEO at the time, Jeffrey Bewkes, announced that New Line would be shut down as a separately operated studio. Shaye and Lynne said that they would step down with a letter to their employees. They promised, however, along with Time Warner and Jeffery Bewkes, that the company would continue to operate its financing, producing, marketing and distributing operations of its own films, but would do so as a part of Warner Bros. and be a smaller studio, releasing a smaller number of films than in past years.[35] The box office disappointment of The Golden Compass (2007) was largely blamed for the decision, in which New Line spent $180 million on its development, yet it only grossed $70 million in the United States market.[36] In March, Emmerich became president and chief operating officer, whilst both founders Robert Shaye and Michael Lynne had left the company.
With the growth of the home theater and private cinema market, a projector screen is the optimal choice to replicate the experience of the big movie theaters. Projector screens also pose potential acoustical issues due to screen size and material and whether they're acoustically transparent or not. This can require unique solutions and workarounds regarding speaker placement and positioning, especially while working with multiple rows of seating in larger rooms. The new Theatrus Speakers adapts to these listening conditions by replicating the type of speaker to be used in a professional listening studio. Each Theatrus speaker has a focused sound stage to accommodate listening distances both long, or short, allowing a uniform sound stage throughout the room. The Theatrus speaker is able to be mounted On-Wall or In-wall, which naturally will also have an affect on the acoustic response. If mounting in the wall, the bass response was over-boosted, which is not acceptable for professional performance. To address this issue, the Theatrus speaker went through many design adjustments to perfect the crossover network. This ultimately needed two settings: Baffle-Wall (In-Wall) or Free-Field (On-Wall). Along with the bass adjustment, we also included a high frequency adjustment to compensate the high frequency when the speaker is placed behind a projection screen. These subtle yet effective customizations allow Theatrus to perform at it's optimal level in various configurations.
Blackmagic Pocket Cinema Camera can do much more than shooting as it can also transform into a studio camera for live production. Multi camera production is exciting as you can use multiple cameras connected to a switcher to select different camera angles in real time. Unlike shooting and editing, this means you can live stream! Live switching is also an incredibly fast way of producing programing, as when the event is finished the program is also finished and ready for distribution. There is no lower cost way to generate hours of high quality television programing! Now Blackmagic Pocket Cinema Camera can be used as a digital film production camera or a broadcast studio camera!
The new ATEM Mini makes it easy to create professional multi camera productions for live streaming to YouTube! You can connect up to 8 Blackmagic Pocket Cinema Cameras for amazing studio quality and control them from the ATEM Mini switcher. You can also connect computers for slides and graphics, or gaming consoles. There's even a built in DVE for picture in picture effects. The USB webcam output allows you to use any streaming software, or the ATEM Mini Pro or Extreme models can stream directly via Ethernet. ATEM Mini has many more features such as a professional audio mixer with EQ and dynamics, standards conversion on all inputs, chroma key, wipes, macros and internal graphics for titles.
When plugged into the ATEM Mini switcher, the camera is switched into studio camera mode, so you can operate the Pocket Cinema Camera as a studio camera with features optimized for live production. One of the changes is the front mounted record light, which will stop being a record light and change to a tally light. That means your talent can see which camera is on air and make sure they look into the correct camera when presenting! On the rear LCD the camera operator will also see an on-air label letting them know when the camera is on air, as well as a preview label when the camera is selected on the preview bus. Of course on the LCD you can also see when the camera is recording!
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