Voodoo Child Jimi Hendrix
Theodora Wallingford
"Voodoo Child (Slight Return)" is a song written by Jimi Hendrix and recorded by the Jimi Hendrix Experience in 1968 that appears as the final track on the groups's third studio album, Electric Ladyland, released that year. It contains improvised guitar and a vocal from Hendrix, backed by Noel Redding on bass and Mitch Mitchell on drums. The song is one of Hendrix's best known; it was a feature of his concert performances throughout his career, and several live renditions were recorded and released on later albums.
After his death in 1970, Track Records released the song as a single in the United Kingdom using the title "Voodoo Chile" (see confusion over title). It became Hendrix's only number one single on the UK Singles Chart, reaching the top position during the week of November 15, 1970.[5] Several artists have performed or recorded versions of the song. Rolling Stone magazine included it at number 101 on their original 2004 list of the "500 Greatest Songs of All Time".
"Voodoo Child (Slight Return)" was developed from "Voodoo Chile", which had been recorded May 2, 1968, during a studio jam with Steve Winwood on organ and Jack Casady on bass.[6] The next day, Hendrix returned to the studio with Redding and Mitchell for the filming of a short documentary by ABC television.[6] Noel Redding explained, "We learned that song in the studio ... They had the cameras rolling on us as we played it".[6] Hendrix added,
According to Hendrix biographer Steven Roby, eight takes of the song were recorded by Hendrix, Redding, and Mitchell, and the final one was chosen as the master, which appeared on Electric Ladyland.[8]
Well I stand up next to a mountain, and I chop it down with the edge of my hand (2)
Well I pick up all the pieces and make an island, might even raise just a little sand
'Cause I'm a voodoo child, Lord knows I'm a voodoo child[10]
During a January 1, 1970, performance with the Band of Gypsys, Hendrix introduced the song as the "Black Panthers' national anthem" (included on the album Live at the Fillmore East). At the time, he was being pressured to make a statement about racial issues in the U.S.[11]
"Voodoo Child (Slight Return)" became a staple of Hendrix's concert performances, varying in length from seven to 18 minutes.[12] Recordings from the Winterland Ballroom, Royal Albert Hall, Woodstock, and the Fillmore East were later released on The Jimi Hendrix Concerts, Hendrix in the West, Woodstock, and Live at the Fillmore East. Many more recordings have also been issued[12] (see List of songs recorded by Jimi Hendrix Voodoo Child (Slight Return)).
An AllMusic reviewer described the song as "a perfect example of how Hendrix took the Delta blues form and not only psychedelicized it, but cast an even more powerful spell by delivering the lyric in the voice of a voodoo priest".[1] Also noted is Hendrix's guitar work: "Opening with a simple riff on the wah-wah pedal, the song explodes into full sonic force, the guitarist hitting the crunching chords and taking the astral-inspired leads for which he became infamous. The real guitar explorations happen midway through the song, while the basic, thundering riff is unrelenting".[1]
Joe Satriani said of the song: "It's just the greatest piece of electric guitar work ever recorded. In fact, the whole song could be considered the holy grail of guitar expression and technique. It is a beacon of humanity."[13] Rolling Stone magazine included the song at number 102 on their list of the 500 Greatest Songs of All Time.[4] Many musicians have covered "Voodoo Child (Slight Return)" both on record and in live performances, sometimes with the title changed to "Voodoo Chile (Slight Return)" or shortened to "Voodoo Child".[14]
Wrestler Hulk Hogan used a portion of the song as his theme music during his time as leader of the heel faction group, the new World order (nWo) while wrestling in WCW, and then during his comeback run in WWE (previously the World Wrestling Federation). According to a 2020 interview with wrestling impresario Eric Bischoff, he acquired a license for Hogan to use the song from Hendrix's stepsister and manager of his recording legacy, Janie Hendrix.[25] Bischoff claimed that the agreement allowed him to use up to three minutes of the song in various contexts in 1997 for $100,000: "People thought I was insane, [they] thought I was burning Ted Turner's money [in 1997, but] if someone were to try to cut that deal right now [in 2020] it'd be in the millions".[25] The song was also featured in the 2001 film Black Hawk Down.
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