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? Hi, this is Gergely with a free, bonus issue of the Pragmatic Engineer Newsletter. In every issue, I cover challenges at Big Tech and high-growth startups through the lens of engineering managers and senior engineers.
In a clever introduction, the documentary opens with Chantastic, the host of the React Podcast - which is currently on a break. Chantastic is seemingly recording an episode of the podcast and setting the scene by taking us back in time:
Just a week before publication of this article, the documentary premiered in Amsterdam to an audience at the JSWorld conference. Ida said the premiere was always intended to be on a difference scale from previous releases:
As we wrapped up, I asked Ida how long the documentary took to make. She shared that preparations started in early 2022, filming took place during summer last year, and she then spent 3-4 months editing the footage down to a final cut.
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Today\u2019s Scoop is a little different and also lighter than usual. Instead of the usual news and goings-on from inside the tech industry, a filmmaker takes us behind the scenes of a new documentary which lifts the lid on the creation of React.
\u201CReact is here to stay, and Next.js is on a meteoric rise. 76% of respondents said they used and liked React the past year, and 43% said the same about Next.js \u2014 whose framework is built on top of React. The popularity of Vue remains almost unchanged in this survey at 28%, compared to 29% years ago. Svelte seems to be becoming less popular, with 22% of respondents saying they used and liked it, versus 33% two years ago.\u201D
React was created by Jordan Walke, a software engineer at Facebook. He built a framework called FBolt in 2011, and this project evolved into React, which was open sourced in 2013, at JSConf US. From then on, React\u2019s popularity rose steadily.
While the history of React is documented on sites like Wikipedia, there\u2019s been few inside details on how the project came to be, unless you happen to know a React team member. But this changed on 10 February, with the release of React.js: the Documentary, available to watch for free on YouTube.
So where did the idea of creating the documentary come from, and what did it take to make it happen? I talked with the woman responsible, filmmaker Ida L\u00E6rke Bechtle. Here\u2019s what she shared, including the role played by Honeypot, a developer-focused job platform.
\u201CWe\u2019ve been making tech stack documentaries and developer portraits for the past 4 years. Emma Tracey, one of the co-founders of Honeypot, has a journalistic background. She knew the creator of Elixir, Jose Valim. Emma and a former colleague of mine, Josiah McGarvie \u2013 also a super talented filmmaker! \u2013 made a short documentary about Jose Valim and put it on YouTube, called Elixir: The Documentary.
That movie was an experiment. It got positive feedback, so they decided to create more documentaries like it to shine a light on the people who contribute to tech, focusing especially on open source.\u201D
\u201CHoneypot funded the entire documentary, which is super cool. They really like the idea of giving back to the community and inspiring people. Honeypot is also a job platform for developers in Europe, so of course there\u2019s also the hope people will remember us when they\u2019re looking for new job opportunities.
People have been asking for the React documentary for years and years, so even though it was a big project to take on, we also knew that there was a lot of interest from the community.\u201D
\u201CThe documentary turned out quite a bit longer than I had planned, so I was still editing until the very last moment, right before the premiere! Normally, we put our content on Youtube right away and it\u2019s rare that we have even a small screening. This time, however, my team went all out.\u201D
\u201CThe premiere was at JSWorld in Amsterdam, in the same place where Josiah McGarvie premiered his Vue.js documentary, three years ago. It was really cool to be back at the location. Shane O\u2019Sullivan, Tony Casparro and Dan Abramov all came and we did a little Q&A afterwards. It was really nice that they were also present.
After the premier, my team set up a few other cinema premieres in Berlin, Barcelona and Vienna. These were a bit more intimate and it was great to be able to chat with people and hear their feedback in person.\u201D
\u201CSo far, the feedback has been really good. People are writing plenty of nice comments and sharing the documentary with people they know.
For me, the reception of the cast has been the most important thing. I\u2019m really thankful that they chose to trust me with their stories and that they like the end result. I think they\u2019ve really enjoyed seeing people\u2019s comments on YouTube as well.
React changed so many people\u2019s lives and now we can more easily see the faces and hear the stories of those who really fought to get it out there, so I\u2019m happy the team is getting proper credit for that!\u201D
\u201CThis documentary is the longest one we\u2019ve put out on our channel, so far. I\u2019ll be honest, I was a bit worried people wouldn\u2019t watch it because of the length. Originally, I planned for it to be shorter. However, once I was editing the interviews, I really felt like this was the story I wanted to tell. If I removed anything more, the story would have been missing parts that needed to be told.
In the end people don\u2019t seem to be scared by the length of the movie, at just over an hour. We\u2019ve gotten many comments along the lines \u201CI didn\u2019t even notice the time pass by!\u201D
My biggest learning is that people will watch longer movies on YouTube, as long as the topic is on point and the storytelling is good.\u201D
Personally, I very much enjoyed the documentary and can attest the viewing time flew by. Plus, after watching the movie, I now know how Jordan Walke \u2013 creator of React \u2013 answered the question, \u201CWhat is the most difficult thing to do in the frontend world, right now?\u201D in 2011.
The Minimalists are living the life they preach about. I think that lends them great credibility. As one who makes a point to live simple, this review of the documentary, Minimalism, reflects my honest thoughts and opinions.
Overall, I loved the message of this film. We buy too much. We spend too much time using media. And we live too big. We allow our kids to have too much. The documentary was fast too point out all of these things and more.
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Cowspiracy: The Sustainability Secret is a groundbreaking feature-length environmental documentary following intrepid filmmaker Kip Andersen as he uncovers the most destructive industry facing the planet today \u2013 and investigates why the world\u2019s leading environmental organizations are too afraid to talk about it.
Given how we manage our homes is so very connected to our own past and our own beliefs, this work is truly a never-ending conversation. The Fair Play Documentary is an important next stop on any division of labor journey you may be traveling.
"Westside Story" was the first official single to be released from The Documentary. The song features guest vocals from American rapper 50 Cent, while the production was handled by Dr. Dre and Scott Storch. The single entered on the US Billboard Hot 100 at number 93, charted at number 55 on the Hot R&B/Hip-Hop Songs, and at number 29 on the Rhythmic Top 40 charts.[25] Rolling Stone described it as "a kind of L.A. version of "In Da Club" with "a simple keyboard part, a spare 808 beat and strings that manage to sound both stressed-out and catchy."[9] The Game has stated that this song is a tribute to Tupac Shakur, with a direct reference to him, saying "I got California love fuckin bitches to that Pac shit." The Game also makes references to Tupac's songs "California Love" and "Against All Odds". Other references includes, Nate Dogg, Tha Dogg Pound (D.P.G.) and their song "New York", Westside Connection, Michael Jackson with his album Thriller, DJ Pooh, and Kool G Rap. There is a remix featuring Snoop Dogg singing the hook and a version with both Snoop Dogg and 50 Cent on it.
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