Manypositive messages about faith and caring for children, immigrants, and others in need. Shows how even an unlikely hero can stand up to powerful bullies and make a lasting impact on the world. Poses the questions, "What kind of world do we want to live in, and what will we do to achieve it?"
Mother Cabrini is brave, determined, humble, shrewd, empathetic. She believes that it's her religious purpose to help orphans and other downtrodden people of the world. She perseveres and does everything possible to take care of the orphaned children in her care and advocate tirelessly for them and for immigrants in general. The nuns in her order are all devoted to Cabrini's mission. Archbishop Corrigan is initially frustrated with and hostile toward Mother Cabrini but eventually learns to respect her. Dr. Murphy is a kind and generous ally to Mother Cabrini who introduces her to wealthy immigrants who can invest in her programs. Mayor Gould is selfish and racist, but even he ultimately comes to respect Mother Cabrini.
Takes place in late 19th century United States, when Italian immigrants were widely discriminated against due to their darker skin color, Catholic religion, and poverty. Even though Mother Cabrini doesn't always have agency (e.g., where and when she's ordered by the Catholic Church hierarchy), she's brave and refuses to be cowed by powerful men. She doesn't let her disability (she's sickly and frail) keep her from following her mission. Director Alejandro Monteverde is Mexican American.
Glimpses of several dead bodies. People of all ages (including children) die of sickness and exposure. Sex worker Vittoria warns the nuns about her pimp, Geno, who nearly knocks down a door and threatens the nuns more than once. Geno also brutally beats Vittoria more than once, nearly killing her the second time. A child shoots a man but doesn't kill him. A character fatally stabs another character. Mother Cabrini is frail and sickly, and there are several flashbacks to the moment she nearly drowned as a child. An explosion at a coal plant leads to many injuries and sad deaths. Police officers break up an Italian festival and arrest and injure citizens. Arguments.
Cabrini was an outstanding film that tells a story of a difficult time and the leader who overcame obstacles to make her bit of the world better. our family all loved it, from kids who were barely ten to adults. highly recommended.
CABRINI begins with Lombardy-based Sister Francesca Cabrini (Cristiana Dell'Anna) being invited to Rome to meet with Pope Leo XIII (Giancarlo Giannini). She hopes to secure a mission to China to open orphanages with her Order of Missionary Sisters of the Sacred Heart of Jesus. At first, the pope declines, but she persists and convinces him to grant her a mission. But he asks her to go not to China, but to America, where the Catholic Italian immigrants in New York City are in desperate need of help and hope. Cabrini and her sisters land in New York in 1889 and immediately head to the infamous slum of Five Points, a neighborhood so notorious that a young sex worker named Vittoria (Romana Maggiora Vergano) takes pity on them, incurring the wrath of her pimp. The archbishop of New York, Michael Corrigan (David Morse), is opposed to Mother Cabrini's ambition and prohibits her from soliciting non-Italians for donations. As Cabrini begins to care for more and more children, she refuses to stop advocating for more space and aid, angering not only the archbishop, but also the racist Mayor Gould (John Lithgow), who wants "those dirty Italians" kept to the slums. At every turn, Cabrini refuses to back down, staying true to her calling to provide shelter, education, and love to the poorest and most vulnerable.
Propelled by Dell'Anna's nuanced leading performance, this biopic about the influential Catholic missionary is insightful, if too long. Cabrini is a tribute to a selfless woman of tremendous faith and also a reminder of the fact that, to quote Hamilton, immigrants get the job done. Both the character and the film are surprisingly feminist. Mother Cabrini doesn't let her accent, her gender, her size, or her disability (she's sickly and frail) keep her from following her purpose to house, love, and teach the poorest of the poor. That said, the script is a bit heavy-handed, making almost every single interaction Cabrini has with a man into a horror show of vitriol and epithets. (The only exceptions are Patch Darragh's kindhearted Dr. Murphy and, in the third act of the movie, the reluctantly respectful archbishop.)
From 'Bessie' to 'Rafiki' and 'The Skinny,' these films are an indelible part of the queer canon. Black LGBTQ+ stories have become more visible in recent years, as daring creatives and unforgettable characters continue breaking through a white-dominated movie industry. From documentaries and biopics, to romantic comedies and dramas, this unranked list of films are a testament to the beauty and complexity of the Black LGBTQ+ experience, all of which we consider a part of the queer film canon.
Rustin, which revolves around the gay civil rights leader Bayard Rustin (played by out actor Colman Domingo) and his help in organizing the 1963 March on Washington alongside Martin Luther King, Jr., was written by Julian Breece and Dustin Lance Black.
Moonlight made history at the 2017 Academy Awards, becoming the first LGBTQ+-related film and the first with an all-Black cast to win the Oscar for Best Picture. The three-part narrative follows a young Black man's coming of age in an impoverished Miami neighborhood, where he grapples with his sexuality, manhood, and the abuse he suffered at the hands of bullies and a single mother addicted to drugs. It was based off of the play, In Moonlight Black Boys Look Blue, written by Tarrell Alvin McCraney.
The "Empress of Blues" not only fought against racism, sexism, economic inequality, and violent white supremacists, but she also subversively made music that captured aspects of what it means to be bisexual. Queen Latifah stars as Bessie Smith in this film that highlights the legendary Blues singer's family life, internal struggles, and industry battles, demonstrating the resilience that makes Smith a true trailblazer.
This film explores the secret tribal ceremonies practiced amongst the Xhosa people in South Africa, where boys become men after undergoing circumcision, and receive spiritual and cultural mentoring from male elders. Two of the mentors have a romantic history, and one of them unwittingly gets assigned to a boy who is gay, presenting something of a complex dynamic as the rituals continue at a remote camp.
This iconic 1990 documentary looks at the ballroom scene in New York City during the 1980s. The featured interviews brought ball culture to greater mainstream consciousness through lessons on vocabulary, as well as painting an intimate portrait of the scene and its members. Paris Is Burning highlights the importance of chosen families, as well as creativity and community borne amid struggles with poverty, racism, homophobia, transphobia, and access to health care.
Two Muslim, gay, and closeted teenagers in New York's Bed-Stuy neighborhood have a secret love affair that gets swept up amidst the surveillance of mosques. The film highlights the many twists and turns within a single day in the life of Naz and Maalik, as their petty schemes and alleyway kisses catch the haunting eye of an FBI operative.
This 2014 film follows a gay high schooler raised in Hattiesburg, Mississippi, as he reconciles his sexuality and Christian faith, as well as a complex family dynamic. The teen's sister has gone missing, and experiences affirmation from one parent, while the other (portrayed by Oscar-winner Mo'Nique) lashes out upon realizing her son is romantically involved with a slightly older filmmaker.
Jason Holliday is the title subject of this 1967 documentary where the Black and gay cabaret performer, hustler, and sex worker shares various tales from his life, edited down from a 12-hour interview. Throughout the film, Holliday sounds off on being a Black, gay man during the Civil Rights era, all while casually enjoying drinks, weed, and cigarettes on camera.
Tangerinefollows the lives of two trans women who are close friends and engage in sex work, after one of them gets released from a month-long prison sentence. Sin-Dee (Kitana Rodriguez) learns that while she was in prison, her boyfriend and pimp cheated on her with a cis woman. Sin-Dee and her friend Alexandra (Mya Taylor) embark on a revenge-fueled mission during Christmastime in Los Angeles.
In director Dee Rees' debut, a 17-year-old Black girl comes to terms with being lesbian while navigating friendshps, a complicated romance, and her relationship with a mother that doesn't approve of her butch aesthetic. As she prepares to go to college, she's faced with decisions about coming out and whether it's best for her to change who she is or move on with her life.
The documentary Difficult Love captures the many challenges of being Black and lesbian in South Africa, told from the perspective of activist photographer, and Out cover star Zanele Muholi. Difficult Love features many of Muholi's colleagues and friends, who collectively attest to the harsh environment for creatives and others within their community, which faces pressure to remain silent. The film can be watched here.
In what would be Black gay documentarian Marlon Riggs' final film, Black Is, Black Ain't illustrates how there's no singular, monolithic way for people to be Black within a community that's diverse in its own right. Riggs blends various artforms, scholars, interviews and his own direct addresses to the audience, as he hurries to finish the film while dying of complications from AIDS.
After returning home from prison, a father arrives to a family dynamic that's changed while he was incarcerated. He learns that his wife cheated on him, and that one of his children has transitioned. Together, they navigate various life decisions in an environment that isn't affirming of LGBTQ+ people.
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