San Holo We Will Meet Again

[Claribel Lizama]

SanHolo & Jai Wolf - We Will Meet AgainOut now: : You ever wonder where time wentLost in the stars with all your friendsThis life might be out of our handsBut I know that we will meet againWe will meet againWe will meet againWe will meet againWe will meet againWe will meet againYou ever wonder where time wentLost in the stars with all your friendsThis life might be out of our handsBut I know that we will meet againWe will meet againWe will meet againWe will meet againWe will meet again+ San Holo +Spotify: Music: : : : : : : : + Jai Wolf +Website: : : : : : :

Just lost my amazing friend @DUBBS (the first guy who commented on here) he introduced me to San Holo, i was listening to what hed sent me and this came up he commented the day he passed...RIP my sweet friend ill miss you so much ??

An inquisitor shows up suddenly and seems somewhat surprised to see them. A battle half-begins which introduces us to our first look at helicoptering lightsabers, which are apparently a thing. Ezra ends up falling through the floor and getting separated from Ahsoka and Kanan:

Maul and Ezra head out to the Sith temple, and there is a whole bunch of silly Rule of Two stuff where they both have to turn their figurative key to move forward. Then Maul dumps a whole bunch of Sidiousesque nonsense about using your power for eeeevil.

The group needs to travel up to the top of the Evil Sith Pyramid and this requires them to take a couple lifts up to different levels of the pyramid on their way up. I feel like I would be doing a disservice to this recap and the universe as a whole if I did not point out that this means that Ezra and Kanan get to spend time in an elevator arguing with each other in this episode, because of course they do:

And he declines, so Maul does it for him, then lectures him on how the next time he hesitates, he might get himself killed. They see that Kanan and Ahsoka are getting ambushed, and Maul sends Ezra to the Holocron Chamber of Secrets while he goes down to totally help and not betray them. Maul is also getting like, weirdly antsy about something or someone being on the way.

Ezra watches the two of them tussle and says this completely doofus-y line, because clearly when Evil Incarnate shows up to murder your friend in front of you, you should be thinking up one-liners while you watch it go down.

Ezra and Kanan, who have set the holocron free, now note that the temple is collapsing around them and make for the exit. Vader shows up and, Frankenstein-style, starts trying to force-grab it away from them.

Kanan and Ezra meet up with the rest of the Rebels crew, and everyone is devastated to see that Kanan has been blinded (especially Hera, and OH WHY STAR WARS.) Rex makes sad eye contact with Ezra as Rex takes note of the fact that only the two of them have come back. AGAIN: OWSW.

Sander van Dijck (born November 26, 1990) commonly known by his stage name San Holo, is a Dutch DJ, composer, musician and record producer. He gained international recognition for his remix of Dr. Dre's "The Next Episode", which currently has over 258 million views on YouTube released October 20, 2014. He has released music on several record labels including Spinnin Records, OWSLA, Barong Family, and Monstercat. He also founded bitbird, a label which has released several of his singles including "Still Looking" and "Light." San Holo's first EP, Cosmos, was released via Heroic on September 18, 2014 and was in the Top 100 Electronic category of iTunes. San Holo's second EP, "The Trip" was released via Bitbird on December 26, 2017. San Holo's debut album "album1" released September 21, 2018. During the coronavirus pandemic San Holo set out to make a new song every week, these songs were released weekly in his "stay vibrant" EP, the EP was finished May 14, 2020. San Holo's second album "bb u ok?" (also dubbed album2) released June 4, 2021. San Holo's lastest releases include "We will meet again" featuring Jai Wolf, and "All The Highs."

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Forty-seven years later, I began to hear about concerts that made me think of that organist again: tours featuring Roy Orbison, Frank Zappa, Amy Winehouse, classical pianist Glenn Gould, Maria Callas, Buddy Holly, Whitney Houston and heavy metal belter Ronnie James Dio. All of the performers had one defining commonality: They were dead. And yet they were all back on the tour circuit, or would be soon, in hologram form, thanks to a new crop of companies that were putting Hollywood-style digital re-creations of famous musicians onstage.

Presumably Dio did a lot of gesturing with his left hand, a lot of leaning to that side of his body, since the hologram kept doing that. A lot of devil horns flashing. The hologram covered a small area when he moved, which I understood for technical reasons, but it was also akin to watching a big cat at a zoo relentlessly pacing back and forth.

The hologram often disappeared during guitar solos; sometimes it turned into flames or mist or ice particles. At one point, the dexterous bassist, Bjorn Englen, walked over and appeared to be inches away from Dio. Until then, the hologram mostly seemed to exist outside of the band, since the musicians rarely looked its way, so this gesture by Englen felt inspired. The problem was that Englen stayed in that position for several minutes, and after a while I became aware that the hologram never looked his way, so I was knocked out of that authentic-feeling moment all over again.

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