Dhadkan Hindi Song
Kathleen Denson
Anjali Chauhan (Shilpa Shetty) is the only daughter of a wealthy businessman in love with Dev Chopra (Suniel Shetty). Dev is of humble means but Anjali's father reluctantly agrees to meet him. However he rejects Dev for apparent rudeness and uncivilized behavior. An attempt to elope with Dev is foiled. Her father emotionally manipulates her into an agreement to marry Ram Verma (Akshay Kumar) a man chosen by him. Dev is left heartbroken.
Anjali marries Ram and joins his household; a stepmother and step-siblings who detest him. Ram however loves his step-family with a pure heart. He gives Anjali time to find her space within the new family but she cannot return his affection.
Three years later at their wedding anniversary celebrations, Dev, now wealthy, returns as a rival in business and still in love with Anjali. Dev, unable to see Anjali's fulfilled happiness tries to reach out to his first love. He cannot bear to hear her pleas to leave her be.
Dhadkan is an intense love story and director Dharmesh Darshan has handled it with the sensitivity it deserves ... Despite the flaws, one has to acknowledge the fact that Dharmesh Darshan succeeds in melting the heart at several places. The entire marriage song-sequence in the initial reels, prior to it the scenes involving Sharmila Tagore, Sunil's portions in the second half, clearly indicate that the director knows his job well. He relies more on close-ups to capture expressions, which is the hallmark of a seasoned technician.
Adarsh described Shilpa Shetty as the "life of the enterprise", adding that she "looks good, delivers her lines effectively and emotes with utmost conviction."He said Sunil Shetty's performance is one of his best, especially the scenes between Sunil and Shilpa are fabulous." He also remarked "Akshay Kumar shows vast improvement as an actor. He is very controlled and handles this difficult role with sincerity."[9]
Padmaraj Nair of Screen felt the film had a "nostalgic feel to it, what with the effect of watching social drama from the good ol' 60s." He added that the film was "fairly interesting in the first half, with its slick screenplay, But the director does seem to lose his grip towards the end, as the film climaxes rather tamely. It seems as if he developed cold feet as far as justifying the grey role of Sunil Shetty is concerned, and ends up portraying him on a positive note." He felt, performance-wise, Shetty "scores over the rest", while adding, "Shilpa gets the best role of her career and doesn't disappoint. Akshay Kumar, in the role of the cool-headed husband, is impressive." On other departments of the film, he concluded writing, "Nadeem-Shravan's music is the very lifeline of the film, and all the tracks are melodious and situational. Cinematography by W. B. Rao is outstanding."[10]
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It is no secret that I am greatly amused by covers and derivatives of A Whiter Shade of Pale. After all,it would be somewhat ironic if we, long time defenders of theright to be inspired by Bach, were toscorn the right to ruin or otherwise reconstruct Procol Harum'salbatross-cum-pot-of-gold.
Cross-cultural transformations are of particular interest tosee what gets lost and what is new in the setting. By now thereare many interesting reggae versions, some of them quiteentertaining, but no South Asian version. In idle moments I haveoften contemplated the shock appearance of the familiardescending sequence played on a highly-strung sitar, withparticular interest over what would fill the place of the organsolo which is the usual major weakness of covers.
On a routine web search using the 'variant spellings of theband-name' strategy I came across a reference to AWSoP ina feature in an Indian newspaper listing film music which had'borrowed' from European music. The film Manzil appearsnot to be available for purchase on video so I sent out varioushelp-messages to people who might know people who might have thefilm or the music [including sticking a note on my office door].
Eventually the organiser of language courses at BradfordUniversity gave me the fax number of the Hindu Cultural Societyin my local area which eventually provided [notwithstanding theinexplicable desire of the taxi driver to take me to a Sikhtemple] the cassette which is the source of the followingdescription.
You don't expect finding the right doorbell to ring to be aneasy task on a mission like this. Nor was it, but this at leastgave me the chance to be amused by seeing that the buildingopposite was the 'Southend Hall' and thereby indulge my incurableepiphany-addiction.
There is no discernible resemblance to AWSoP in thearrangement, which sounds like very mild tabla, western acousticguitar, those kind of sandpapered muzaky strings you will befamiliar with from curry restaurants and one of those flute typethings with the bulbous neck. None of these attempt to replicateFisher's organ solo or any of the basic song structure.
The vocal does start off carrying the basic melody of theorgan introduction to AWSoP long enough for it to berecognisable, and the word sounds fall rhythmically into apattern you could karaoke with to the Procol original. But by thetime it gets to where the singing would start on the originalProcol Harum song, it begins to deviate: although the passagewith the resemblance does come back after some lengthy absences.So that is that, at least assuming that something crucial has notbeen edited out for this release.
But there is one more rock-and-roll link to this filmsoundtrack. The previous song, Man Mera Chahe, is sung byAsha Bhosle whose bosom was immortalised into mondegreenproportions in the 1998 chart smash Brimful of Asha byCornershop.
Manzil, a film from the 70s, stars Amitabh Bachchan andMaushami Chatterjee. It is a story about an ambitious andaspiring entrepreneur salesman, Amitabh, who has a simultaneouslove interest with a rich girl, Maushami. Coming from a humblebackground, the often dreamy and romantic Amitabh relies on hisrich roommate / friend for borrowing his car, plush flat, andmoney to impress Maushami and her parents. They are impressedwith this young and 'successful' businessman and his materialsuccess, not realising his half-truths and hypocrisy. WhileAmitabh has secured their approval, he fails miserably in hissmall business - facing bankruptcy and debt. The climax occurswhen Maushami's father finds out the truth about their soon-to-beson-in-law. What ensues during and after the climax is bothsurprising and inspiring.
The film is probably one of Amitabh's best (buildinggalvanometers, reading physics book, sales / repair man).Maushami is at her best in this film, being a sweet and naivegirl who loves him for who he is and not for his apparent success.The song Rim, Jhim Gire Saawan ... sung by Lata Mangeshkarand Kishor Kumar is one of the best rain songs I ever heard. Itis decently filmed, the director Basu Chaterjee wouldn't havedone it better. The movie portrays reality and teaches a lessonin values, and it is a must-see for everyone, especially aspiringand ambitious young men who have simultaneous love interest.
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