Pg-13 Movies 2009

[Maureen Quartaro]

The Motion Picture Association film rating system is used in the United States and its territories to rate a motion picture's suitability for certain audiences based on its content. The system and the ratings applied to individual motion pictures are the responsibility of the Motion Picture Association (MPA), previously known as the Motion Picture Association of America (MPAA) from 1945 to 2019. The MPA rating system is a voluntary scheme that is not enforced by law; films can be exhibited without a rating, although most theaters refuse to exhibit non-rated or NC-17 rated films. Non-members of the MPA may also submit films for rating.[1] Other media, such as television programs, music and video games, are rated by other entities such as the TV Parental Guidelines, the RIAA and the ESRB, respectively.

In effect as of November 1968,[2] following the Hays Code of the classical Hollywood cinema era, the MPA rating system is one of various motion picture rating systems that are used to help parents decide what films are appropriate for their children. It is administered by the Classification & Ratings Administration (CARA), an independent division of the MPA.[3]

In 2013, the MPA ratings were visually redesigned, with the rating displayed on a left panel and the name of the rating shown above it. A larger panel on the right provides a more detailed description of the film's content and an explanation of the rating level is placed on a horizontal bar at the bottom of the rating.[5]

Film ratings often have accompanying brief descriptions of the specifics behind the film's content and why it received a certain rating. They are displayed in trailers, posters, and on the backside of home video releases. Film rating content descriptors are exclusively used for films rated from PG to NC-17; they are not used for G-rated films because the content in them is suitable for all audiences even if containing mild objectionable content.[6]

If a film has not been submitted for a rating or is an uncut version of a film that was submitted, the labels Not Rated (NR) or Unrated (UR) are often used. Uncut/extended versions of films that are labeled "Unrated" also contain warnings saying that the uncut version of the film contains content that differs from the theatrical release and might not be suitable for minors.

The MPA also creates blue feature tags for theatrical and home media use. Theatrical releases show the blue tag after the film, with home media releases showing it prior to the film.[7] They feature the rating block and any content descriptors as assigned by the Classification and Rating Administration, the MPA logo, and links to MPA websites along the bottom.

Jack Valenti, who had become president of the Motion Picture Association of America in May 1966, deemed the Motion Picture Production Code, which had been in place since 1930 and rigorously enforced since July 1, 1934, out of date and bearing "the odious smell of censorship". Filmmakers were pushing at the boundaries of the code with some even going as far as filing lawsuits against the "Hays Code" by invoking the First Amendment. Valenti cited examples such as Who's Afraid of Virginia Woolf?, which used prohibited language including "hump the hostess", and Blowup, which was denied Code approval due to nudity, resulting in Metro-Goldwyn-Mayer, then a member studio of the MPAA, releasing it through a subsidiary. Valenti revised the Code to include the "SMA" (Suggested for Mature Audiences) advisory as a stopgap measure. To accommodate "the irresistible force of creators determined to make 'their films'", and to avoid "the possible intrusion of government into the movie arena", he developed a set of advisory ratings which could be applied after a film was completed.

On November 1, 1968, the voluntary MPAA film rating system took effect,[2] with three organizations serving as its monitoring and guiding groups: the MPAA, the National Association of Theatre Owners (NATO), and the International Film Importers & Distributors of America (IFIDA).[13] Only films that premiered in the United States after that date were affected by this.[14] Walter Reade was the only one of 75 top U.S. exhibitors who refused to use the ratings.[14] Warner Bros.-Seven Arts' The Girl on a Motorcycle was the first film to receive the X rating, and was distributed by their Claridge Pictures subsidiary.[15] Two other films were rated X by the time the MPAA published their first weekly bulletin listing ratings: Paramount's Sin With a Stranger and Universal's Birds in Peru. Both films were subsequently released by subsidiaries.[16]

This content classification system originally was to have three ratings, with the intention of allowing parents to take their children to any film they chose. However, the National Association of Theatre Owners urged the creation of an adults-only category, fearful of possible legal problems in local jurisdictions. The "X" rating was not an MPAA trademark and would not receive the MPAA seal; any producer not submitting a film for MPAA rating could self-apply the "X" rating (or any other symbol or description that was not an MPAA trademark).[13]

In 1970, the ages for "R" and "X" were raised from 16 to 17.[19] Also, due to confusion over whether "M"-rated films were suitable for children,[19] "M" was renamed to "GP" (for General audiences, Parental guidance suggested),[20][21] and in 1971, the MPAA added the content advisory "Some material not generally suitable for pre-teenagers".[22] On February 11, 1972,[23] "GP" was revised to "PG".[19]

In 1989, Tennessee state law set the minimum age to view a theatrically exhibited R-rated film without adult accompaniment at 18, instead of 17, and categorized the admission of minors to X-rated films as a misdemeanor. The statute remained in force until 2013, when it was ruled to be in violation of the First Amendment. The law was amended in 2013 as to prohibit persons under the age of 18 only if the film was considered "harmful to minors".[33][34]

In the rating system's early years, "X"-rated films such as Midnight Cowboy (1969) and A Clockwork Orange (1971) were understood to be unsuitable for children, but non-pornographic and intended for the general public. However, pornographic films often self-applied the non-trademarked "X" rating, and it soon became synonymous with pornography in American culture.[35] In late 1989 and early 1990, respectively, Henry: Portrait of a Serial Killer and The Cook, the Thief, His Wife & Her Lover, two critically acclaimed art films featuring strong adult content, were released. Neither film was approved for an MPAA rating, limiting their commercial distribution and prompting criticism of the rating system's lack of a designation for such films.[36][37]

In September 1990, the MPAA introduced the rating NC-17 ("No Children Under 17 Admitted").[38] Henry & June, previously to be assigned an X rating, was the first film to receive the NC-17 rating instead.[38][39] Although films with an NC-17 rating had more mainstream distribution opportunities than X-rated films, many theaters refused to screen them, most entertainment media did not accept advertising for them, and many large video outlets refused to stock them.[40]

Since September 1990, the MPAA has included explanations, or "descriptors", of why each film received an "R" rating, allowing parents to know what type of content the film contained. For example, some films' descriptors may read "Rated R for strong/graphic violent content, disturbing material, sexual content, graphic nudity, drug use, and pervasive language".[46][47]

Depictions of violence are permitted under all ratings but must be moderated for the lower ones. Violence must be kept to a minimum in G-rated films and must not be intense in PG-rated films. Depictions of intense violence are permitted under the PG-13 rating, but violence that is both realistic and extreme or persistent will generally require at least an R rating.[3]

Snippets of language that go "beyond polite conversation" are permitted in G-rated films, but no stronger words are present. Profanity may be present in PG rated films, and use of one of the harsher "sexually-derived words" as an expletive will initially incur at least a PG-13 rating. More than one occurrence will usually incur an R rating as will the usage of such an expletive in a sexual context.[3] Known as the "automatic language rule", the rule has been applied differently depending on the subject matter of the film. For example, All the President's Men (1976) received a PG rating after appealing it from an R, despite multiple instances of strong language, likely because of its historic subject matter. The automatic language rule is arguably the rule that can most often be successfully appealed.[50] The ratings board may award a PG-13 rating passed by a two-thirds majority if they believe the language is justified by the context or by the manner in which the words are used.[3]

This was satirized in the 2005 film Be Cool, in which the film producer Chili Palmer (John Travolta) says: "Do you know that unless you're willing to use the R rating, you can only say the 'F' word once? You know what I say? Fuck that. I'm done."[60] Often film producers will use the word for a scene of gravitas or humor and then bleep out any further instances with sound effects.[60]

Some forms of media are cut post-release so as to obtain a PG-13 rating for home media release or to feature on an Internet streaming service that will not carry films rated higher than PG-13. In 2020, a recording of Hamilton was released on Disney+ after cuts by Lin-Manuel Miranda to remove two of the three instances of fuck in the musical to qualify it as PG-13 under MPAA guidelines.[61]

A study of popular American teen-oriented films rated PG and PG-13 from 1980 to 2006 found that in those films, teenaged characters use more and stronger profanity than adult ones in the same movies.[62] However, the study found that the overall amount of such language had declined somewhat since the 1980s.[62]

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