The name "Mickey Mouse" was first used in the films' title sequences to refer specifically to the character, but was used from 1935 to 1953 to refer to the series itself, as in "Walt Disney presents a Mickey Mouse". In this sense "a Mickey Mouse" was a shortened form of "a Mickey Mouse sound cartoon" which was used in the earliest films. Films from 1929 to 1935 which were re-released during this time also used this naming convention, but it was not used for the three shorts released between 1983 and 1995 (Mickey's Christmas Carol, The Prince and the Pauper, and Runaway Brain). Mickey's name was also used occasionally to market other films which were formally part of other series. Examples of this include several Silly Symphonies and Goofy and Wilbur (1939).
Disney began secretly producing the first Mickey Mouse films while still contractually required to finish some Oswald the Lucky Rabbit cartoons for producer Charles Mintz. The first two films, Plane Crazy and The Gallopin' Gaucho, were previewed in theaters but failed to pick up a distributor for a broad release. For the third film, Disney added synchronized sound, a technology that was still in its early stages at the time. Steamboat Willie debuted in New York in November 1928 and was an instant success. The revenues from the film provided the studio with much needed resources, and the studio quickly began to produce new cartoons as well as releasing sound versions of the first two.[2]
Production slowed towards the end of the 1930s as the studio began to focus on other characters and feature-length films. The series was informally retired in 1953 with the release of The Simple Things, but was revived in 1983 and 1990 with two featurettes, or three reel short films. 1995's Runaway Brain returned the series to its single reel format, while the latest installment, 2013's Get a Horse!, was produced in the black-and-white style of the early films and combining color CGI animation scenes.
The cartoons were directed by 20 different people. Those with the most credits include Burt Gillett (34), Wilfred Jackson (18), Walt Disney (16), David Hand (15), and Ben Sharpsteen (14); the director of the most recent installment, Lauren MacMullan, was the first female director. Notable animators who worked on the series include Ub Iwerks, Norm Ferguson, Ollie Johnston, Frank Thomas, and Fred Moore. Mickey's voice is mostly provided by Walt Disney, with some additional work by Carl Stalling and Clarence Nash. By 1948, Jimmy MacDonald had taken over Mickey's voice. Wayne Allwine voiced the mouse in the three films released from 1983 to 1995. In the most recent film, Get a Horse!, Mickey's dialogue was compiled from archival recordings primarily of Walt Disney's voice work.
The list does not include shorts where Mickey Mouse appears outside of the Mickey Mouse series, such as appearances in short films starring other characters in their own film series, segments from feature films (such as The Sorcerer's Apprentice), nor shorts of Mickey Mouse made as part of the episodes of the television series Mickey Mouse Works.
Notes: This is the first to be animated in the series, marking the debut of Mickey and Minnie. The cartoon was released on May 15, 1928; the sound version followed on March 17, 1929. The silent version of the cartoon entered the public domain on January 1, 2024, while the sound version will enter the public domain the following year.
Mickey is an Argentinian gaucho who rides a rhea instead of a horse. He stops at a cantina where he finds Minnie and dances with her. Pete arrives, abducts Minnie, and takes her away on a donkey. Mickey follows after him, but the rhea has become drunk and slows Mickey down. Finally Mickey confronts Pete in a fencing duel and saves Minnie.
Mickey works aboard a river steamboat captained by Pete with the mission of transporting livestock. Along the way Mickey picks up animals and Minnie and the two come up with creative ways to play "Turkey in the Straw" with a goat, Mickey plays along to the beat. Pete is unamused and puts Mickey to work skinning potatoes.
Mickey joins an army of mice dressed like the forces of the Confederate States of America to battle an army of cats donning Pickelhauben, helmets like those worn by soldiers of the German Empire until early in the First World War. Kommandant Pete leads the cats in a raid on Mickey's farm. Mickey mounts a spirited defense of the farmhouse.
Mickey sells animated hot dogs at a carnival and heckles rival barker Kat Nipp. Also at the fair is Minnie who performs as a shimmy dancer. Mickey gives here a free hot dog, and later under the pale moonlight with the help of two alley cats, serenades Minnie outside her trailer with the 1904 hit song Sweet Adeline.
Mickey goes on a hunting expedition to the jungle, but when his rifle malfunctions, Mickey is left facing several angry and vicious animals. To appease them, Mickey starts playing music, and soon has all of the animals joining him.
Mickey works as a beach lifeguard who saves Minnie from being drowned by a wave. After Minnie is rescued, she fusses, Mickey tries to cheer her up by dancing, playing music and scat sings to "Rocked in the Cradle of the Deep". Also present are a wide variety of sea birds and marine mammals who accompany Mickey.
Notes: First film released by Columbia Pictures. This is the only film to feature Mickey without supporting characters, copyrighted as Fiddlin' Around,[11] billed as Fiddling Around.[12] This is the first short made without Ub Iwerks.
Set in the desert of Mexico or the southwestern United States; Mickey enters "El Adobe Cafe" where Minnie works as a bar tender. Pete arrives and abducts Minnie after a brief gun fight with Mickey. Mickey rides after Pete on Horace and eventually saves Minnie.
Mickey is the fire chief of a fire department which receives an alarm in the middle of the night. The group of fire fighters race to the blaze which engulfs a seven-storey building, but on the way the engine loses its water tank. Mickey saves Minnie, trapped on the top floor, by way of a clothes line connected with another building.
The friends from the barnyard attend a dance in the barn. Clarabelle Cow attends as Horace Horsecollar's date and the pair take center stage for one of the dances. Mickey and Minnie provide music on fiddle and piano, and Mickey later joins the dancing.
Mickey is a prisoner forced to work on a chain gang with other prisoners. When the guard Peg Leg Pete falls asleep, Mickey leads the prisoners in some care-free, innovative music making, and eventually escape. Mickey vaults himself over the wall, escapes into a swamp and eventually rides away on a pair of horses. When the horses throw Mickey off a cliff, he happens the fall through the roof of the jail and finds himself back in his cell.
Mickey reads about a gorilla named Beppo has escaped the local city zoo in the newspaper and calls Minnie to warn her. Minnie insists she is not afraid and plays the piano for Mickey over the phone. While Minnie is playing, Beppo enters the house and kidnaps her, ties her up and takes her into the attic. Mickey hears Minnie's screams in the telephone and runs over to her house to save her before Beppo strikes back.
Mickey and Minnie go on a picnic together along with Minnie's dog Rover. Mickey brings a phonograph, and while he and Minnie dance to "In the Good Old Summer Time", a variety of animals make off with the food. Finally the weather turns bad and the trio head home in a hurry.
Period piece set in the old west. Mickey and Minnie are part of a wagon train of American settlers. Indian scout spots the wagon train and assembles a war party. That night after circling the wagons, the pioneers dance to "The Irish Washerwoman" and later hear on old goat sing an emotional rendition of "Nelly Gray". Just then the Indians attack and a fight breaks out. Mickey and Minnie scare the Indians away by tricking them into thinking U.S. cavalry soldiers are approaching.
Mickey's friends throw a surprise birthday party at Minnie's house. Minnie gives Mickey a piano, and the mice play a piano duet of "I Can't Give You Anything but Love, Baby". During the rest of the party the characters dance and play more songs.
Mickey works as a taxi driver in a large city. After losing his first customer in the street, Mickey picks up Minnie on her way to a music lesson, but the taxi gets a flat tire which Mickey is unable to repair. Pete appears as a traveling snake oil salesman who feeds a formula to the taxi. This makes the vehicle go out of control. Mickey, Minnie, and the taxi crash through a barn and end up covered in feathers.
Mickey is a castaway in the ocean and makes it ashore to a jungle island. After eating bananas, a piano washes ashore and Mickey plays it while dealing at first with bothersome wild animals, and later dangerous ones.
While working as a delivery boy driving a cart filled with musical instruments, Mickey passes by Minnie's house. He sneaks up on her while she is outside doing her laundry. The two mice start dancing in the yard, but Mickey punches a bee hive onto the mule pulling the cart. The mule kicks the cart and the instruments land on the animals. Together they all play "Stars and Stripes Forever".
Mickey prepares for a date and leaves his house, but Pluto wants to come with him. Mickey tells Pluto to stay home and ties him to the dog house, but Pluto follows anyway, dragging the house behind him. At Minnie's house Mickey and Minnie play music, while outside Pluto chases a cat. The chaos eventually interrupts the date.
Mickey and Pluto go fishing from a boat on a lake after sinking a sign that says "no fishing". The fish turn out to be very intelligent and play several pranks on the fishermen, including tying their fishing lines together. Eventually a police officer appears and, trying to stop Mickey from fishing, accidentally falls in the water. Mickey and Pluto make a speedy getaway.
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