Introduction
Queer screens with Chinese characteristics?: Reimagining queer Chinese screen studies in the twenty-first century
Jamie J. Zhao and Hongwei Bao
https://www.tandfonline.com/doi/full/10.1080/17508061.2024.2312677
1. Digital video activism: Fan Pop’s queer Asian diasporic politics
Hongwei Bao
https://www.tandfonline.com/doi/full/10.1080/17508061.2024.2312681?src=recsys
2. Queer cinemas of the Sinosphere: Queer China goes out
Zoran Lee Pecic
https://www.tandfonline.com/doi/full/10.1080/17508061.2024.2312711?src=recsys
3. Queering the cinematic border of the PRC and Hong Kong: On Fruit Chan’s prostitute trilogy
Alvin K. Wong
https://www.tandfonline.com/doi/full/10.1080/17508061.2024.2312715?src=recsys
4. Taking a queer-friendly stance under censorship: Beijing International Short Film Festival as an alternative site for screening Chinese queer shorts
Heshen Xie
https://www.tandfonline.com/doi/full/10.1080/17508061.2024.2312718
5. Queering community: The affect of visuality in the Sinosphere
Jinyan Zeng
https://www.tandfonline.com/doi/full/10.1080/17508061.2024.2312721?src=recsys
6. Toward a cinematic transtopia
Victor Fan
https://www.tandfonline.com/doi/full/10.1080/17508061.2024.2312727?src=recsys
7. Heart and body: Queer crossings in Go Princess Go
Carlos Rojas
https://www.tandfonline.com/doi/full/10.1080/17508061.2024.2312728?src=recsys
On behalf of Dr. Jamie J. Zhao