"Folderol" <
gen...@musically.me.uk> wrote in message
news:20210911212921.57eab400@devuan...
> 625 line TV started in the early 1960s. As a TV repairman, I was watching
> the
> BBC2 trade tests in the mid 1960s. I didn't come across any digitisation
> till
> the 1970s, by which time the TV rental business was collapsing.
In November 2020, Talking Pictures TV showed a recording of a Saturday Night
at the Palladium programme which had been made using colour cameras in 1966
but probably only broadcast in B&W and never repeated in colour until TPTV
did so. Jimmy Tarbuck was the compere and The Seekers were one of the groups
performing.
Results were a bit variable: there was a lot of variation in contrast, hue
and saturation between one camera and another, and one early camera shot
resulted in horrendous mis-registration of colours, and that camera angle
was not used any more in the broadcast.
> The PAL system did learn a lot from the NTSC mistakes. The real killer was
> swapping the phase of the colour sub carrier on alternate lines. The
> result was
> that any phase shift giving a drift towards red on one line, would be
> towards
> green on the next line, and your brain averages these out so you don't
> notice
> anything wrong :)
Yes, doing the maths (which I can't be arsed to do now, but I remember
working it out when I was doing Elec Eng at university), if there is a phase
error phi, it cancels itself out on adjacent lines (which are two lines
apart because of interlacing) and multiplies the chroma component by
cos(phi) so you get a slight reduction in saturation but no hue shift.
I believe that some TVs displayed the lines as they were received (one with
a positive hue error and the next with a negative hue error of the same
value) and relied on the brain to average it. Other more elaborate ones used
a one-line delay and electronically averaged the two lines so the same
colour info (with no hue error) was output on both lines.
I remember a friend's parents had a Hitachi TV which had a hue control, even
though it was designed for UK PAL broadcasts. This was because Hitachi avoid
paying a licence fee for using the delay mechanism which was patented, and
instead converted PAL to NTSC and decoded it using a non-standard 4.43 MHz
NTSC decoder - so a hue control was required to correct any hue errors that
may occur and which would have been corrected automatically in a "real" PAL
TV.