On 2012-07-26 10:46 , Davoud wrote:
> Davoud:
>>> I have never read this or been told this, but it is my impression that
>>> Canon's Digital Photo Professional (DPP) and EOS utility (note: *EOS* )
>>> are intended for use pro and pro-like Canons, not with point-and-shoot
>>> Canons. I don't know what software came with your camera, but I am
>>> surprised that it has the option to change the startup graphic. That
>>> sort of thing is usually a camera menu function on point-and-shoot
>>> cameras, isn't it?
>
> Paul Sture:
>> ...
>
>> FWIW I bought a point and shoot for portability rather than the
>> functionality and quality of picture I would get with a pro or pro-like
>> model.
>
> Yes, but most name-brand P&S camera can make great photos. A lot of
> pros carry point and shoot cameras in addition to their 10-lb monsters,
> and a lot of pro-grade photos are made with these cameras. In my
> opinion, for many professional tasks, the only area in which P&S
> cameras fall short is their flashes. Even there it is possible to
> trigger pro strobes in the studio remotely using the P&S's built-in
> flash.
P&S are mainly limited by their lens. A good photographer can produce
good photos with such by understanding the limitations of the camera.
Shoot within the limitations, and the photos will look good.
http://gallery.photo.net/photo/13479112-lg.jpg
iPhone 4 grab shot.
Further such cameras almost universally have small sensors resulting in
tiny sensor sites with relatively low gain. So the noise is higher in
images. This is inescapable. Physics. (Though some sensors are now
built "upside-down" to maximize the gain (see "back illuminated sensor")).
Some (most?) P&S will not allow you to set the flash to non-pre-flash
mode, so when you shoot with the P&S, the pre-flash will go off (to
measure for the flash exposure) thereby triggering the studio strobes
(dumping the charge) and when the 2nd flash for the actual exposure
fires, the strobes don't have any more juice to drive the flash (or too
little). Studio strobes are not like TTL flashes which always charge to
max and discharge only as much as needed per the pre-flash (or manual)
exposure. Studio strobes only charge up to the power setting and
discharge completely.
There is a widget that you can attach to studio strobes that will ignore
the first (pre-flash) and trigger the strobes on the flash that comes
immediately after. However the studio strobe has to be able to bypass
its own flash sensor which is not always the case (depends on model).
Frankly I know a lot of pros and there is only one who comes to mind who
uses a P&S as well as the rest of his rig.
--
"Civilization is the limitless multiplication of unnecessary necessities."
-Samuel Clemens.