[Comp Studies] Fwd: Art of Scandal Conference

[Sarah Gange]

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From: Kenney Hensley <hensl...@gmail.com>
Date: Mon, May 10, 2010 at 6:37 PM
Subject: Fwd: Art of Scandal Conference
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---------- Forwarded message ----------
From: ALEKSANDRA KUTSOVSKAYA <kutsov...@buckeyemail.osu.edu>
Date: Mon, May 10, 2010 at 6:26 PM
Subject: FW: Art of Scandal Conference
To: "hensl...@gmail.com" <hensl...@gmail.com>


From: cjbu...@gmail.com [cjbu...@gmail.com] on behalf of Clint
Buhler [buhl...@osu.edu]
Sent: Monday, May 10, 2010 5:40 PM
To: kutsov...@osu.edu
Cc: isur...@osu.edu
Subject: Art of Scandal Conference

Aleksandra,

I am the president of the History of Art Graduate Student Association.
This weekend we are hosting a conference titled "The Art of Scandal,"
and bringing in a speaker from Slovenia who is a practicing artist
from the collective Irwin to serve as a keynote speech.  I thought
this event might be of particular interest to some of the members of
your organization, seeing as how about half the presentations are
about Russian artists.  Would you mind distributing the below message
with the attached flyer.

Thanks,

Clint Buhler (message below)

The History of Art Graduate Student Association is proud to present
The Art of Scandal, an interdisciplinary conference that seeks to
explore the mechanics and the ramifications of scandal in all of its
diverse forms.



The conference will open with a keynote address by Borut Vogelnik, a
member of the Slovenian art collective Irwin, on Friday, May 14.
Along with the rock group Laibach and the Scipion Nasice Sisters
Theater Group, Irwin is a founding member of the larger artistic
collective Neue Slowenische Kunst (NSK). Irwin’s art openly confronts
the East-European past, deliberately conjuring the charged images and
emblems of Austro-Hungarian, Nazi, and Soviet rule, but refusing to
condemn these instances of the political subjugation of their native
Slovenia. Mirroring the actions of their former oppressors, Irwin
addresses the postmodern world according to their principle of
“retro-avantgardism.” Their method of being both retrograde and
utopian has led them to being called by the philosopher Boris Groys,
“More Total than Totalitarianism.” Since its inception, Irwin has been
a major presence in an emergent post-Soviet modernism, staging
worldwide exhibitions and releasing provocative literature. The
conference will continue on Saturday, May 15 with a full day of panels
by graduate student scholars from throughout the country.



Please see the attached flyer, or go to:
http://www.history-of-art.osu.edu/4_news/conference.php for the full
schedule.

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