Masculinities in culture and representation: a bibliography

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to Communicating Male Embodiment

33. Masculinities in culture and representation
(Excerpted from The Men's Bibliography: A comprehensive bibliography of
writing on men, masculinities, gender, and sexualities, compiled by
Michael Flood. 14th edition, 2005. Home URL:
http://mensbiblio.xyonline.net/)

Note: Works on the representation of men in pornography are included in
the section "Pornography" above. Some references on body-building for
example may be found in the section "Men's Bodies" above.

a) Miscellaneous
(i) Good Overviews and Discussions
Berger, Maurice, Wallis, Brian and Watson, Simon. (eds). (1995).
Constructing Masculinity. New York and London: Routledge, Section:
Masculinity and Representation (5 Chapters).
Beynon, John. (2002). Masculinities and Culture. Buckingham;
Philadelphia: Open University Press.
Blount, Marcellus and Cunningham, George P. (eds). (1995). Representing
Black Men. Routledge.
Buchbinder, David. (1994). Masculinities and Identities. Melbourne:
Melbourne University Press.
Buchbinder, David. (1998). Performance Anxieties: Re-producing
Masculinity. Sydney: Allen & Unwin.
Chapman, Rowena and Rutherford, Jonathan. (eds). (1988). Male Order -
Unwrapping Masculinity. London: Lawrence & Wishart.
Includes: Mort, Frank. Boys Own? Masculinity, Style and Popular
Culture.
Craig, Steve. (ed). (1992). Men, Masculinity and the Media. Newbury
Park: Sage.
Includes;
Introduction: Considering Men and the Media / Steve Craig.
PART ONE: PAST STUDY ON MEN AND THE MEDIA.
Masculinity as Fact: A Review of Empirical Mass Communication Research
on Masculinity / Fred J. Fejes.
Masculinity as Signs: Poststructuralist Feminist Approaches to the
Study of Gender / Diana Saco.
PART TWO: CASE STUDIES OF MEDIA AND MASCULINITIES.
Metal Men and Glamour Boys: Gender Performance in Heavy Metal / Stan
Denski and David Sholle.
Superman//Superboys//Supermen: The Comic Book Hero as Socializing Agent
/ Norma Pecora.
Beer Commercials: A Manual on Masculinity / Lance Strate.
PART THREE: REPRESENTATIONS OF MEN'S RELATIONSHIPS.
Buddies and Pals: A History of Male Friendships on Prime Time
Television / Lynn C. Spangler.
>From 'Good Times' to 'The Cosby Show': Perceptions of Changing
Televised Images Among Black Fathers and Sons / Venise T. Berry.
Masculinity and Machismo in Hollywood's War Films / Ralph R. Donald.
PART FOUR: MEN, MEDIA AND THE GENDER ORDER.
When Men Put On Appearances: Advertising and the Social Construction of
Masculinity / Diane Barthel.
Men and the News Media: The Male Presence and its Effect / David
Croteau and William Hoynes.
Images of Men in Sport Media: The Social Reproduction of Gender Order /
Don Sabo and Sue Curry Jansen.
PART FIVE: READING MEDIATED MASCULINITY.
Redesigning Men: Hegemonic Masculinity in Transition / Robert Hanke.
Gaze Out of Bounds: Men Watching Men on Television / Clay Steinman.
The Transatlantic Gaze: Masculinities, Youth and the American Imaginary
/ Jeff Hearn and Antonio Melechi.
Ducat, Stephen (2004) The Wimp Factor: Gender gaps, holy wars, and the
politics of anxious masculinity. Beacon Press.
Edwards, Tim. (1997). Men in the Mirror: Men's Fashion, Masculinity and
Consumer Society. London: Cassell.
Gerzon, Mark. (1982). A Choice of Heroes: The Changing Faces of
American Manhood. Boston: Houghton Mifflin Co.
Harris, Ian M. (1995). Messages Men Hear: Constructing Masculinities.
London & Bristol, PA: Taylor & Francis.
Kibby, Marj. (1998). Representing Masculinity.
http://www.newcastle.edu.au/department/so/kibby.htm.
Lehman, Peter. (1993). Running Scared: Masculinity and the
Representation of the Male Body. Temple University Press.
Lehman, Peter. (ed.). (2000). Masculinity: Bodies, Movies, Culture. New
York: Routledge.
Contents;
'Someone is Going to Pay': Resurgent White Masculinity in Ransom / Krin
Gabbard.
Crying Over the Melodramatic Penis: Melodrama and Male Nudity in Films
of the 90s / Peter Lehman.
The Saviors and the Saved: Masculine Redemption in Contemporary Films /
Amy Aronson and Michael Kimmel.
Identity, Queerness, and Homosocial Bonding: The case of Swingers /
Justin Wyatt.
Rape fantasies: Hollywood and homophobia / Joe Wlodarz.
'Choosing to Be 'Not a Man': Masculine Anxiety in Nouri Bouzid's Rih
essed/Man of Ashes / Robert Lang and Maher Ben Moussa.
T(he)-Men's Room: Masculinity and Space in Anthony Mann's T-men / Susan
White.
The Talented Poststructuralist: Heteromasculinity, Gay Artifice, and
Class Passing / Chris Straayer.
'Emotional Constipation' and the Power of Dammed Masculinity:
Deliverance and the Paradoxes of Male Liberation / Sally Robinson.
'As a Mother Cuddles a Child': Sexuality and Masculinity in World War
II Combat Films / Robert Eberwein.
The Nation and the Nude: Colonial Masculinity and the Spectacle of the
Male Body in Recent Canadian Cinema(s) / Lee Parpart.
Lynching Photography and the 'Black Beast Rapist' in the Southern White
Masculine Imagination / Amy Louise Wood.
Screening the Italian-American Male / Aaron Baker and Juliann Vitullo.
'Studs Have Feelings Too': Warren Beatty and the Question of Star
Discourse and Gender / Lucia Bozzola.
James Bond's Penis / Toby Miller.
Oliver Stone's Nixon and the Unmanning of the Self-Made Man / Dennis
Bingham.
Suck, Spit, Chew, Swallow: A Performative Exploration of Men's Bodies /
Tim Miller.
MacKinnon, Kenneth. (1998). Uneasy Pleasures: The Male as Erotic
Object. Fairleigh Dickinson University Press.
Malossi, Giannino. (ed). (2000). Material Man: Masculinity Sexuality
Style. Harry N Abrams
McMahon, Anthony. (1999). Taking Care of Men: Sexual Politics in the
Public Mind. Cambridge: Cambridge University Press.
McKay, Jim, Janine Mikosza, and Brett Hutchins (2005) 'Gentlemen, the
Lunchbox has Landed': Representations of Masculinities and Men's Bodies
in the Popular Media. In The Handbook of Studies on Men and
Masculinities. Eds Michael Kimmel, Jeff Hearn, and R.W. Connell.
Thousand Oaks, CA: Sage.
Nixon, Sean. (1996). Hard Looks: Masculinities, Spectatorship and
Contemporary Consumption. London: UCL Press.
Nixon, Sean. (1997). Exhibiting Masculinity. In Hall, Stuart. (ed).
Representation: Cultural Representations and Signifying Practices.
London: Sage.
Perchuk, Andrew and Posner, Helaine. (eds). (1995). The Masculine
Masquerade: Masculinity and Representation. Cambridge, MA: MIT Press.
(Includes select bibliography).
Pfeil, Fred. (1995). White Guys: Studies in Postmodern Domination and
Difference. London & New York: Verso.
Simpson, Mark. (1994). Male Impersonators: Men Performing Masculinity.
New York: Routledge.
Spicer, Andrew. (2001). Typical Men: The Representation of Masculinity
in Popular British Culture. I B Tauris & Co Ltd.

Back to Main Menu
Excerpted from The Men's Bibliography: A comprehensive bibliography of
writing on men, masculinities, gender, and sexualities, compiled by
Michael Flood.
14th edition, 2005, Canberra, Australia. ISBN 0 646 18088 6
Contact: PO Box 4026, Ainslie ACT, 2602, AUSTRALIA.
E-mail: michae...@anu.edu.au
Home URL: http://mensbiblio.xyonline.net/

(ii) Further works
Note: Thankyou to Marj Kibby for some of the following references.

Achilles Heel. (1998). Special Issue: Men, Music and Dance, No. 23,
Summer.
Adams, Parveen. (1978). Representation and Sexuality. M/F, No. 1.
Armstrong, Edward G. (2001). Gangsta misogyny: A content analysis of
the portrayals of violence against women in rap music, 1987-1993.
Journal of Criminal Justice and Popular Culture, 8(2), pp. 96-126.
Bak, John S. (2004) "Sneakin' and spyin'" from Broadway to the Beltway:
Cold war masculinity, Brick, and homosexual existentialism. Theatre
Journal, May, 56(2).
Barham, Susan Baggett. (1985). The Phallus and the Man: An Analysis of
Male Striptease. In Manderson, Leonore. (ed.). Australian Ways:
Anthropological Studies of an Industrialised Society. Sydney: Allen &
Unwin.
Bashford, Kerry. (1992). Truncated Torsos. (A critique of gay male
erotica) XY: Men, Sex, Politics, 2(3), Spring.
Bhabha, Homi. (1995). Focus: Black Male: Representations of Masculinity
in Contemporary American Art. Artforum International, February, Vol. 33
No. 6.
Biddle, I. (1999). Policing Masculinity: Schumann, Berlioz and the
Gendering of the Music-Critical Idiom. Journal of the Royal Musical
Association. 124(Part 2):196-220.
Boscagli, Maurizia. (1992-93. A Moving Story: Masculine Tears and the
Humanity of Televised Emotions. Discourse, 15(2), Winter, pp. 64-79.
Breazeale, Kenon. (1994). In Spite of Women: Esquire Magazine and the
Construction of the Male Consumer. Signs, 20(1), Autumn.
Breu, Christopher (2004) Going Blood-Simple In Poisonville: Hard-Boiled
Masculinity in Dashiell Hammett's Red Harvest. Men and Masculinities,
7(1), July.
Britton, Andrew. (1983). Cary Grant: Comedy and Male Sexuality.
Newcastle-in-Tyne: Tynesin Cinema.
Brook, B. (1994). Femininity and Culture: Some Notes on the Gendering
of Women in Australia. In K. Pritchard Hughes. (ed.). Contemporary
Australian Feminism. Melbourne: Longman.
Buchbinder, David. (1994). Mateship, Gallipoli and the Eternal
Masculine. In Fuery, Patrick. (ed.). Representation, Discourse &
Desire: Contemporary Australian Culture and Critical Theory. Melbourne:
Longman Chesire, pp. 115-137.
Burt, Ramsey. (1995). The Male Dancer: Bodies, Spectacle and Sexuality.
Routledge.
Butt, Ramsay. (2001). The Trouble With the Male Dancer. pp. 44-55; IN:
Dils, Ann and Albright, Ann Cooper. (ed.). Moving History / Dancing
Cultures: A Dance History Reader; Middletown, Conn.: Wesleyn University
Press.
Byers, Thomas B. (1995). Terminating the Postmodern: Masculinity and
Pomophobia. Modern Fiction Studies, 41(1), Spring.
Callen, A. (2003) Doubles and Desire: Anatomies of masculinity in the
later nineteenth century. Art History, November, vol. 26, no. 5, pp.
669-699.
Cantor, Muriel G. (1990). Prime-Time Fathers: A Study in Continuity and
Change. Critical Studies in Mass Communication, 7(3), September.
Carter, M. (1983). The Strip Laid Bare: Unevenly. Art and Text, 10,
Winter.
Carter, Mick. (1986). The Look of Love. Australian Journal of Cultural
Studies, 3(1), pp. 105-119.
Cash, Thomas F. (1990). Losing Hair, Losing Points? The Effects of Male
Pattern Baldness on Social Impression Formation. Journal of Applied
Social Psychology, 20(2).
Chiang, Yung-Chen (2004) Performing Masculinity and the Self: Love,
body, and privacy in Hu Shi. Journal of Asian Studies, 63(2), May.
Coe, Kathryn, Harmon, Mary P., Verner, Blair and Tonn, Andrew. (1993).
Tattoos and Male Alliances. Human Nature, 4(2), pp. 199-204.
Consalvo, Mia. (2003). The Monsters Next Door: Media Constructions of
Boys and Masculinity. Feminist Media Studies, Volume 3 Number 1, March.
Craik, Jennifer. (1994). Fashioning Masculinity: Dressed for Comfort or
Style. Chapter 8 in The Face of Fashion: Cultural Studies in Fashion.
London & New York: Routledge.
Cranny-Francis, Anne. (1992). Signifying Practices: Masculinity. In
Engendered Fictions: Analysing Gender in the Production and Reception
of Texts, NSW: NSW University Press.
Culbertson, Philip. (1998). Designing Men: Reading the Male Body as
Text. Textual Reasoning, Vol. 7
(http://web.bu.edu/mzank/Textual_Reasoning/tr-archive/tr7.html/index.html).
Curtis, Bruce. (1994). Men and Masculinities in American Art and
Illustration. Masculinities, 2(2), Summer, pp. 10-37.
Dawson, Graham. (1994). Soldier Heroes: British Adventure, Empire and
the Imagining of Masculinities. London & New York: Routledge.
Deming, Robert. (1992). The Return of the Unrepressed: Male Desire,
Gender, and Genre. Quarterly Review of Film & Video, 14(1-2), pp.
125-147.
Dines, Gail and Humez, Jean. (eds). (1994). Gender, Race, and Class in
the Media. Sage.
Includes;
Ralph, Fred, Archie, and Homer: Why Television Keeps Recreating the
White Male Working-Class Buffoon / Butsch, Richard.
Dixon, D., and Grimes, J. (2004) Capitalism, masculinity and whiteness
in the dialectical landscape: The case of Tarzan and the Tycoon.
GeoJournal, vol. 59, no. 4, pp. 265-275.
Dotson, Edisol W. (1999). Behold the Man: The Hype and Selling of Male
Beauty in Media and Culture. Harrington Park Press.
Dutton, Kenneth. (1995). The Perfectible Body: The Western Ideal of
Physical Development. London: Cassell.
Dyer, Richard. (1985). Male Sexuality in the Media. In Metcalf, Andy
and Humphries, Martin. (eds). The Sexuality of Men. London: Pluto
Press.
Dyer, Richard. (1989). The Right to Look. New Statesman & Society, 9
June.
Easthope, Anthony. (1986). What a Man's Gotta Do: The Masculine Myth in
Popular Culture. Great Britain: Paladin.
Evans, Raymond. (1998). 'So Tough'? Masculinity and Rock'n'roll Culture
in Post-War Australia. Journal of Australian Studies, No. 56.
Feeser, Andrea. (2003). Picasso and Eluard: Kinder, Gentler Heroes for
a War-Damaged France. Men and Masculinities, 6(1), July.
Fejes, F. (1989). Images of Men in Media Research. Critical Studies in
Mass Communication, Vol. 6, pp. 215-221.
Fejes, F. (2000). Making a Gay Masculinity. Critical Studies in Media
Communication. 17(1):113-116, Mar.
Flitterman, S. (1985). Thighs and Whiskers: The Fascination of Magnum
P.I. Screen, 26(2).
Flocker, Michael (2003) The Metrosexual Guide to Style: A Handbook for
the Modern Man.
Friederich, Vera et al. (1998). Men Defined: Nudes. Edition Stemmle.
Friedman, David M. (2003). A Mind of Its Own. Penguin USA. (A cultural
history of the penis)
Frith, S. and McRobbie, A. (1978). Rock and Sexuality. Screen
Education, 29, Winter.
Fuchs, Cynthia. (1993). 'Death is Irrelevant': Cyborgs, Reproduction,
and the Future of Male hysteria. Genders, 18, Winter (Special Issue:
Cyberpunk: Technologies of Cultural Identity).
Fussell, Sam. (1991). Muscle: Confessions of an Unlikely Bodybuilder.
London: Cardinal.
Gardiner, Judith Kegan. (2000). South Park, Blue Men, Anality, and
Market Masculinity. Men and Masculinities, 2(3), January 2000.
Gauntlett, David. (2002). Media, Gender & Identity: An Introduction.
London: Routledge.
Geiger, J. (1999). Unmaking the Male Body: The Politics of Masculinity
in The 'Long Dream'. African American Review. 33(2):197-207, Sum.
Gelber, Steven M. (2000) Do-It-Yourself: Constructing, Repairing, and
Maintaining Domestic Masculinity. In Scanlon, Jennifer (ed.). The
Gender and Consumer Culture Reader. New York: New York University
Press, pp. 70-93.
Gilchriest, Gail. (1995). Bubbas & Beaus: From Good Old Boys to
Southern Gentlemen, a Close Look at the Customs, Cuisine, and Culture
of Southern Men.
Gingrich-Philbrook, Craig. (1994). 'Good Vibration' or Domination?:
Stylized Repetition in Mythopoetic Performance of Masculinity. Text and
Performance Quarterly, 14, pp. 21-45.
Glover, David. (1989. (1989). The Stuff That Dreams Are Made Of:
Masculinity, Femininity and the Thriller. In Derek Longhurst. (ed.).
Gender, Genre and Narrative Pleasure. London: Unwin Hyman.
Goddard, Kevin. (2000). 'Looks Maketh the Man': The Female Gaze and the
Construction of Masculinity. Journal of Men's Studies, Volume 9 Number
1, Fall, pp. 23-39
Golden, Thelma. (1995). Black Male: Representations of Masculinity in
Contemporary American Art. Whitney Museum of Art.
Goffman, Erving. (1976). Gender Advertisements. USA: Harper & Row.
Haenfler, Ross (2004) Manhood in Contradiction: The Two Faces of
Straight Edge. Men and Masculinities, 7(1), July.
Hall, Ronald E. (1993). Clowns, Buffoons, and Gladiators: Media
Portrayals of the African-American Man. Journal of Men's Studies, 1(3),
February, pp. 239-251.
Hantover, Jeffrey P. (1978). The Boy Scouts and the Validation of
Masculinity. Journal of Social Issues, 34(1), Winter.
Hardwig, Bill. (2001). Cocks, Balls, Bats, and Banjos: Masculinity and
Competition in the Bluegrass Music of Bill Munroe. Southern Quarterly,
39(4): pp. 35-48.
Harris, I. (1989). Media Myths and the Reality of Men's Work. Media
Values, 48.
Haug, Wolfgang F. (1983). Critique of Commodity Aesthetics: Appearance,
Sexuality and Advertising in Capitalist Society, UK: Polity Press (1st.
edition 1971).
Hawke, R. (1990). Hegemonic Masculinity in Thirty-Something. Critical
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Hearn, Jeff. (1994). Viz: The Naming of the Pose. Journal of Gender
Studies, 3(1), March, pp. 69-75.
Hearn, Jeff. (1995). Imaging the Aging of Men. In Featherstone, M. and
Wernick, A. (eds). Born Dying: Images of Aging. London: Routledge.
Heilbronn, Lisa. (1994). Breadwinners and Loafers: Images of
Masculinity in 1940s Situation Comedy. Masculinities, 2(3), Fall, pp.
60-70.
Henderson, Lisa. (2001). Sexuality, Feminism, Media Studies. Feminist
Media Studies, Volume 1, Number 1, March.
Hibbins, Ray. (1995). Ready to Wear, Work and Play! Leisure and Men's
Fashion. Paper to The Australian Sociological Association Annual
Conference. University of Newcastle, 4-8 December.
Holmes, G.; Zonn, L., and Cravey A.J. (2004) Placing man in the New
West: Masculinities of The Last Picture Show. GeoJournal, vol. 59, no.
4, pp. 277-288.
Houghton, Kim. (1992). Don't Buy It. (The push for good looks) XY: Men,
Sex, Politics, 2(3), Spring.
Izenberg, Gerald N. (2000). Modernism and Masculinity: Mann, Wedikind,
Kandinsky Through World War I. University of Chicago Press
James, D. and Sargent, D. (1983). The Male Body on Greeting Cards. Art
& Text, 10, Winter.
Jansen, Sue C. and Sabo, Don. (1994). The Sport/War Metaphor: Hegemonic
Masculinity, the Persian Gulf War, and the New World Order. Sociology
of Sport Journal, 11(1), March.
Jeffords, Susan. (1989). The Remasculinization of America: Gender and
the Vietnam War. Bloomington: Indiana University Press.
Johnson, Sally and Meinhof, Ulrike Hanna. (eds). (1997). Language and
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Jones, Amelia. (1994). Dis/Playing the Phallus: Male Artists Perform
Their Masculinities. Art History, December, Vol. 17 No. 4.
Kampen, Natalie Boymel et al. (2002). What Is a Man: Changing Images of
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Kendall, Lori. (1999). 'The Nerd Within': Mass Media and the
Negotiation of Identity Among Computer-Using Males. Journal of Men's
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Kendall, Lori. (1999). Nerd Nation: Images of Nerds in US Popular
Culture. International Journal of Cultural Studies. Volume 2(2):
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Kendall, Lori. (2000). 'Oh No! I'm a Nerd!' - Hegemonic Masculinity on
an Online Forum. Gender & Society. 14(2):256-274, Apr..
Kendall, Lori (2002) Hanging Out in the Virtual Pub: Masculinities and
Relationships Online. Berkeley: University of California Press.
Kennedy, Eileen. (2000). 'You Talk a Good Game': Football and Masculine
Style on British Television. Men and Masculinities, 3(1), July.
Kent, Sarah and Morreau, Jacqueline. (eds). (1985). Women's Images of
Men. London: Pandora
Kibby, Marjorie and Costello, Brigid. (1999). Displaying the Phallus:
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King, S. (1990). Sonny's Virtues: The Gender Negotiations of Miami
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Klein, Alan M. (1989). Managing Deviance: Hustling, Homophobia, and the
Bodybuilding Subculture. Deviant Behaviour, 10(1).
Klein, Alan M. (1993). Little Big Men: Bodybuilding Subculture and
Gender Construction. Albany: SUNY Press.
Klumas, Amy L. and Marchant, Thomas. (1994). Images of Men in Popular
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Kneale, N. (2004) Subverting Masculinity: Hegemonic and Alternative
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Masculinity in 1990s America. IN: Andrews, David L. and Jackson, Steven
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Kusz, Kyle W. (2001). 'I Want To Be the Minority': The Politics of
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Labin, David M. (1994). Trompe L'Oeit: Still-Life Painting and the
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Laurie, Ross. (1998). Fantasy Worlds: The Depiction of Women and the
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Leddick, David. (2001). Male Nude Now. New York, N.Y.: Universe Pub.
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Lehman, Peter (2000) Roy Orbison: The invention of an alternative rock
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Osgerby, Bill (2001) Playboys in Paradise: Masculinity, youth and
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5. Clarence Major's All-Night Visitors: Calibanic Discourse and Black
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6. 'I Was My Father's Father, and He My Child': The Process of Black
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7. Prodigal Agency: Allegory and Voice in Ernest J. Gaines's A Lesson
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8. Without a Cosmology: The Psychospiritual Condition of
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9. Are Love and Literature Political? Black Homopoetics in the 1990s /
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10. Healing the Scars of Masculinity: Reflections on Baseball,
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Contents;
Introduction: Defining Calibanic Discourse in the Black Male Novel and
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1. The Conscious and Unconscious Dimensions of Calibanic Discourse
Thematized in Philadelphia Fire.
2. The Thematized Black Voice in John Edgar Wideman's The Cattle
Killing and Reuben.
3. Clarence Major's Quest to Define and Liberate the Self and the Black
Male Writer.
4. Charles Johnson's Response to. Caliban's Dilemma.
5. Calibanic Discourse in Postmodern and Non-Postmodern Black Male
Texts.
6. Ralph Ellison and the Literary Background of Contemporary Black Male
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Conclusion: The 'Special Edge' Tension Between the Conscious and
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Pt. II. Theoretical Considerations to the Problematic of Postwar German
Masculine Identity
Pt. III. Reading Masculinity in Postwar German Literature
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Hard-Cold-Fast: Imagining Masculinity in the German Academy,
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An Interview with Tilmann Moser on Trauma, Therapeutic Technique, and
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Paralysis, Silence, and the Unknown SS-Father: A Therapeutic Case Study
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The German-Jewish Hyphen: Conjunct, Disjunct, or Adjunct? / Harry Brod
Masculinity and Sexual Abuse in Postwar German Society / Klaus-Jurgen
Bruder
The Motif of the Man, Who, Although He Loves, Goes to War: On the
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'I have only you, Cassandra': Antifeminism and the Reconstruction of
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Vaterliteratur, Masculinity, and History: The Melancholic Texts of the
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Homosexual Images of Masculinity in German-Language Literature after
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Neo-Nazi or Neo-Man? The Possibilities for the Transformation of
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Multiple Masculinities in Turkish-German Men's Writing / Moray McGowan
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Includes;
Ventriloquizing the Male: Two Portraits of the Artist as a Young Man by
May Sinclair and Edith Wharton / Diana Wallace.
Love and Hate in D.H. Lawrence / Hugh Stevens.
'I'm Stronger Than You': Quentin Compson's Suicide in William
Faulkner's The Sound and the Fury / Anna Foca.
'An Anthropometric Insolence of Short Duration': Oedipus, Masculinity,
and the Death of 'Man' in the Work of Samuel Beckett / Brad Buchanan.
Marxism, Not Manhood: Accommodation and Impasse in Seamus Heaney's
Beowulf and Chuck Palahniuk's Fight Club / Matt Jordan
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Contents;
Prologue: The Believing Game
1. The "Crisis" in Boyhood
2. Making Sense of the Gender Gap
3. The Case Against Literacy
4. Taste and Distaste
5. Violence and Innocence
6. Misreading Violence
7. Making Way for Captain Underpants
8. A Big Enough Room
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Construction of Masculinity in Louisa May Alcott's The Brothers.
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Pendergast, Tom. (1997). 'Horatio Alger Doesn't Work Here Any More':
Masculinity and American Magazines, 1919-1940. American Studies. Sprg v
38 n 1.
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Rethinking Narratives of Masculinity and Emotion in the U.S.. Columbia
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Introduction.
What Feels an American? Evident Selves and Alienable Emotions in the
New Man's World / Evan Carton.
Loving with a Vengeance: Wieland, Familicide and the Crisis of
Masculinity in the Early Nation / Elizabeth Barnes.
"The Manliest Relations to Men": Thoreau on Privacy, Intimacy, and
Writing / Milette Shamir.
Manly Tears: Men's Elegies for Children in Nineteenth-Century America /
Eric Haralson.
How to be a (Sentimental) Race Man: Mourning and Passing in W.E.B. Du
Bois's The Souls of Black Folk / Ryan Schneider.
The Law of the Heart: Emotional Injury and its Fictions / Jennifer
Travis.
"The Sort of Thing You Should Not Admit": Hemingway's Aesthetics of
Emotional Restraint / Thomas Strychacz.
Road Work: Rereading Kerouac's Midcentury Melodrama of Beset Sonhood /
Stephen Davenport.
Men's Tears and the Roles of Melodrama / Tom Lutz.
Men's Liberation, Men's Wounds: Emotion, Sexuality, and the
Reconstruction of Masculinity in the 1970s / Sally Robinson.
The Politics of Feeling: Men, Masculinity, and Mourning on the Capital
Mall / Judith Newton.
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c) Film, photography and television
Note: Also see general works above.

Aleley, Jeff. (1994). Marketing Masculinity in Jean-Claude Van Damme's
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Beavers, Herman. (1997). 'The Cool Pose': Intersectionality,
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Biber, Katherine. (1999). 'Turned Out Real Nice After All': Death and
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Trudinger, Dave. (eds). Playing The Man: New Approaches to Masculinity.
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Bick, Ilsa J. (1992). The Look Back in E.T. Cinema Journal, 31(4),
Summer.
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Boon, Kevin Alexander (2003) Men and the Nostalgia for Violence:
Culture and Culpability in Chuck Palahniuk's Fight Club. Journal of
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Britton, Andrew. (1986). Blissing Out: The Politics of Reaganite
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Bromley, Roger. (2001). Living in the Borderlands: Masculinity in
Crisis. pp. 33-46; IN: From Alice to Buena Vista: The Films of Wim
Wenders; Westport, Conn.: Praeger.
Brookey, Robert Alan, and Robert Westerfelhaus, (2002). Hiding
homoeroticism in plain view: The Fight Club DVD as digital closet.
Critical Studies in Media Communication, 19(1), March, pp. 21-43.
Brown, Jeffrey A. (2002). The Tortures of Mel Gibson: Masochism and the
sexy male body. Men and Masculinities, 5(2), October.
Bruzzi, Stella. (1998). Undressing Cinema: Clothing and Identity in the
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Buckingham, David. (ed). (1993). Reading Audiences: Young people and
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Includes;
Boys' talk: Television and the policing of masculinity / Buckingham,
David.
Repeatable pleasures: Notes on young people's use of video / Wood,
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2. Sax Rohmer's Dr. Fu Manchu: Scrutinizing the Inscrutable.
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4. Bruce Lee: A Sexualized Object of Desire.
5. Shang-Chi: Master of Kung Fu.
6. From Boyhood to Manhood.
7. Toward a Masculinity of Inclusion.
Epilogue: Contemporary Asian American Men's Issues.
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Masculinity in American Drama and Film. Palgrave.
Cohan, Steven. (1991). Masquerading as the American Male in the
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Fifties. Indiana University Press (Arts and Politics of the Everyday).
Cohan, Steven and Hark, I.R. (1993). Screening the Male: Exploring
Masculinities in the Hollywood Cinema. London: Routledge.
Conlon, James. (1990). Making Love, Not War: The Soldier Male in Top
Gun and Coming Home. Journal of Popular Film and Television, 18(1),
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Davies, Jude. (1995). 'I'm the Bad Guy?' Falling Down and White
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Dyson, Michael Eric. (1995). Making Malcolm: The Myth and Meaning of
Malcolm X. New York: Oxford University Press.
Includes;
4. In Malcolm's shadow: Masculinity and the ghetto in Black Film.
6. Using Malcolm: Heroism, Collective Memory, and the Crisis of Black
Males.
Eck, Beth A. (2003) Men Are Much Harder: Gendered viewing of nude
images. Gender & Society, 17(5), pp. 691-710.
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Betrayal of the American Man, William Morrow & Company.
Farrell, Kelly. (2003). Naked Nation: The Full Monty, working-class
masculinity, and the British image. Men and Masculinities, 6(2),
October.
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as National Allegory. Science & Society. 65(1):99-130, Spr.
Frigoso, Rose Linda. (1993). The Representation of Cultural Identity in
Zoot Suit. (1981). Theory and Society, 22.
Gabbard, Krin. (1992). Signifyin(g) the Phallus: Mo' Better Blues and
Representations of the Jazz Trumpet. Cinema Journal, 32(1), Fall.
Gates, Philippa. (2001). The man's film: Woo and the pleasures of male
melodrama. Journal of Popular Culture, v 35 no 1, Summer, pp. 59-79.
Good, G.E.; Porter M.J.; Dillon M.G. (2002). When Men Divulge:
Portrayals of Men's Self-Disclosure in Prime Time Situation Comedies.
Sex Roles, June, vol. 46, no. 11-12, pp. 419-427.
Goulet, Robert G. (1991). Life With(out) Father: The Ideological
Masculine in Rope and other Hitchcock Films. In Raubicheck, Walter
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Harvey, Anne-Marie. (1995). Terminating the Father: Technology,
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pp. 25-42.
Hayes, Dannielle B. (1977). Women Photograph Men. New York: William
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Henry, Matthew. He is a "BAD MOTHER*$%@!#". Shaft and contemporary
black masculinity. Journal of Popular Film and Television, pp. 114-119.
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American Cinema. Journal of Popular Film and Television, 11(2), Summer.
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- Memmen. Maennlichkeit im Film. Mainz Germany: Theo Bender Verlag.
Holdstein, Deborah H. (1983). Tootsie: Mixed messages. Jump Cut, 28,
April.
Holmlund, Christine. (1986). Sexuality and Power in Male Doppelganger
Cinema: The Case of Clint Eastwood's Tightrope. Cinema Journal, 26(1),
Fall.
Holmlund, Christine. (1989). Visible Difference and Flex Appeal: The
Body, Sex, Sexuality, and Race in the Pumping Iron Films. Cinema
Journal, 28(4), Summer.
Holmlund, Christine. (2002). Impossible Bodies: Femininity and
Masculinity at the Movies. London; New York: Routledge.
Hubbard, Ethan. (1997). The Face of a Man: Images From Around the
World. Pilgrim Press.
Hunter, L. (2003). The Celluloid Cubicle: Regressive Constructions of
Masculinity in 1990s Office Movies. Journal of American & Comparative
Cultures, March, vol. 26, no. 1, pp. 71-86.
Ingersoll, Earl G. (1995). The Construction of Masculinity in Brian De
Palma's Film Casualties of War. Journal of Men's Studies, 4(1), August,
pp. 25-41.
Iocco, Melissa. (1998) "Christ kid, you're a weirdo": A Kristevan
reading of Bad Boy Bubby. Thesis (B.A.(Hons.)), University of Adelaide,
Dept. of Social Inquiry.
Jeffords, Susan. (1990). Reproducing Fathers: Gender and the Vietnam
War in U.S. Culture. In Dittmar, Linda and Gene, Michaud. (eds). From
Hanoi to Hollywood: The Vietnam War in American Film. New Brunswick,
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Jeffords, Susan. (1993). The Big Switch: Hollywood Masculinity in the
Nineties. In Collins, J. et.al. (eds). Film Theory Goes to the Movies.
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Jeffords, Susan. (1993). Hard Bodies: Hollywood Masculinity in the
Reagan Era. New Brunswick, NJ: Rutgers University Press.
Jeffords, Susan and Springer, Claudia. (1988). Masculinity as Excess in
Vietnam Films: The Father/Son Dynamic of American Culture. Genre,
21(4), Winter.
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Men. London: Pandora
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Sons, Supermen and Peewees, Gorilla and Toons. Film Quarterly, 42(4),
Summer.
Kirby, Lynne. (1988). Male Hysteria and Early Cinema. Camera Obscura,
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Kleinhaus, Chuck. (1974). Contemporary Working Class Heroes. Jump Cut,
2.
Klinger, Barbara. (1994). Melodrama and Meaning: History, Culture, and
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Masculinity.
Koven, Mikel J. (1997). My Brother, My Lover, My Self: Traditional
Masculinity in the Hong Kong Action Cinema of John Woo. Canadian
Folklore. v 19 n 1.
Krutnik, Frank. (1991). In a Lonely Street: Film Noir, Genre and
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Lehman, Peter. (1998). In an Imperfect World, Men With Small Penises
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Lehman, Peter. (ed.). (2000). Masculinity: Bodies, Movies, Culture. New
York: Routledge.
Contents;
'Someone is going to pay': Resurgent white masculinity in Ransom / Krin
Gabbard.
Crying over the melodramatic penis: Melodrama and male nudity in films
of the 90s / Peter Lehman.
The saviors and the saved: Masculine redemption in contemporary films /
Amy Aronson and Michael Kimmel.
Identity, queerness, and homosocial bonding: The case of Swingers /
Justin Wyatt.
Rape fantasies: Hollywood and homophobia / Joe Wlodarz.
'Choosing to be. not a man': Masculine anxiety in Nouri Bouzid's Rih
essed/Man of ashes / Robert Lang and Maher Ben Moussa.
T(he)-men's room: Masculinity and space in Anthony Mann's T-men / Susan
White.
The talented Poststructuralist: Heteromasculinity, gay artifice, and
class passing / Chris Straayer.
'Emotional constipation' and the Power of dammed masculinity:
Deliverance and the paradoxes of male liberation / Sally Robinson.
'As a mother cuddles a child': Sexuality and masculinity in World War
II combat films / Robert Eberwein.
The nation and the nude: Colonial masculinity and the spectacle of the
male body in recent Canadian cinema(s) / Lee Parpart.
Lynching photography and the 'black beast rapist' in the southern white
masculine imagination / Amy Louise Wood.
Screening the Italian-American male / Aaron Baker and Juliann Vitullo.
'Studs have feelings too': Warren Beatty and the question of star
discourse and gender / Lucia Bozzola.
James Bond's penis / Toby Miller.
Oliver Stone's Nixon and the unmanning of the self-made man / Dennis
Bingham.
Suck, spit, chew, swallow: A performative exploration of men's bodies /
Tim Miller.
Leighninger, Robert D. (1997). The Western as Male Soap Opera: John
Ford's Rio Grande. Journal of Men's Studies, 6(2), Winter, pp. 135-148.
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Lucas, Rose. (1996). Dragging It Out: Tales of Masculinity in
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Mitchell, Lee Clark. (1998). Westerns: Making the Man in Fiction and
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Modleski, Tania. (1988). A Father is Being Beaten: Male Feminism and
the War Film. Discourse, 10(2).
Modleski, Tania. (1988). Three Men and Baby M. Camera Obscura, 17, May.
Modleski, Tania. (1990). The Incredible Shrinking He(r)man: Male
Regression, the Male Body, and Film. Differences: A Journal of Feminist
Cultural Studies, 2(2).
Modleski, Tania. (1991). Feminism Without Women: Culture and Criticism
in a 'Postfeminist' Age. New York & London: Routledge (Part II:
Masculinity and Male Feminism).
Moore, Suzanne. (1988). Here's Looking at You, Kid!. In Gamman,
Lorraine and Marshment, Margaret. (eds). The Female Gaze: Women as
Viewers of Popular Culture, pp. 44-59.
Munoz, Jose E. (1997). Photographies of Mourning: Melancholia and
Ambivalence in Van Der Zee, Mapplethorpe, and Looking for Langston. In
Stecopoulos, Harry and Uebel, Michael. (eds). Race and the Subject of
Masculinities, Duke University Press.
Neale, Steve. (1982). 'Chariots of Fire', Images of Men. Screen,
23(3-4), September-October.
Neale, Steve. (1983). Masculinity as Spectacle. Screen, 24(6),
December.
Neale, Steve. (1986). Sexual Difference in the Cinema: Issues of
Fantasy, Narrative and the Look. Oxford Literary Review, 8(2).
Neibaur, James L. (1989). Tough Guy: The American Movie Macho.
Jefferson, Nth Carolina: McFarland & Co.
Nicholls, Mark. (1999). Something for the Man Who Has Everything:
Melancholia and the Films of Martin Scorsese. In Biber, Katherine,
Sear, Tom and Trudinger, Dave. (eds). Playing The Man: New Approaches
to Masculinity. Sydney: Pluto Press
Palmer, R. Barton. (1984/85). A Masculinist Reading of Two Western
Films: High Noon and Rio Grande. Journal Of Popular Film and Television
, 12(4), Winter.
Pang, Laikwan. (2002). Masculinity in Crisis: Films of Milkyway Image
and Post-1997 Hong Kong Cinema. Feminist Media Studies 2(3), November.
Patterson, Eric. (1982). Every Which Way But Lucid: The Critique of
Authority in Clint Eastwood's Police Movies. Journal Of Popular Film
and Television, Fall.
Paxton, Anthony. (1999). 'Do You Want To Play With Fire, Little Boy?'
David Lynch and the Masculinity of Horror. In Biber, Katherine, Sear,
Tom and Trudinger, Dave. (eds). Playing The Man: New Approaches to
Masculinity. Sydney: Pluto Press
Pearce, Sharyn. (2000). Performance Anxiety: the Interaction of Gender
and Power in The Full Monty. Australian Feminist Studies, Volume 15
Number 32.
Penley, Constance and Willis, Sharon. (1988). Male Trouble. Camera
Obscura, 17, May.
Pfeil, Fred. (1993). From Pillar to Postmodern: Race, Class, and Gender
in the Male Rampage Film. Socialist Review, 23(2).
Pfeil, Fred. (1995). White Guys: Studies in Postmodern Domination and
Difference. London & New York: Verso (2 Chapters in Particular).
Pintar, L.C. (1996). Sorrell, Herbert, K. as the Grade-B Hero:
Militancy and Masculinity in the Studios. Labor History, 37(3), pp.
392-416.
Poudyal, R. (2000). Alternative Masculinities in South Asia - An
exploration through films for schools. IDS Bulletin-Institute of
Development Studies. 31(2):75-+, Apr..
Powrie, Phil. (1997). French Cinema in the 1980s: Nostalgia and the
Crisis of Masculinity. Oxford University Press.
Pumphrey, Martin. (1989). Why Do Cowboys Wear Hats in the Bath? Style
Politics for the Older Man. Critical Quarterly, 31(3), Autumn.
Ragas, Thelma. (1982). Breaker Morant: Patterns of Heroism. Cinema
Papers, 36, February.
Rattigan, N. and McManus, T.P. (1992). Fathers, Sons, and Brothers:
Patriarchy and Guilt in 1980s American Cinema. Journal Of Popular Film
and Television, 20(1), Spring.
Reeder, Jurgen. (1995). The Uncastrated Man: The Irrationality of
Masculinity in Cinema. American Imago, Summer, 52(2).
Rickey, C. and West, A. (1981). The Return of the WASP Hero. American
Film, 7(2), November.
Rieser, Klaus. (2001). Masculinity and Monstrosity: Characterization
and Identification in the Slasher Film. Men and Masculinities, 3(4),
April
Robinson, Sally. (1995). 'What Guy Will Do That?' Recodings of
Masculinity in Sex, Lies, and Videotape. Genders, No. 21.
Russo, V. (1987). The Celluloid Closet: Homosexuality in the Movies.
New York: Harper & Row.
Schneider, J. (1999). The East is 'Queer'?: Masculinity and desire for
the same in recent Hong Kong cinema. In J.A. Holstein and G. Miller.
(eds). Perspectives on Social Problems, VOL 11. PG. 25-60.
Self, R. and T. Robinson. (2000). Troubled Masculinity and Abusive
Fathers: Duality and Duplicity in 'The Gingerbread Man'. Journal of
Film & Video. 52(2):41-55, Sum.
Sellier, G. (2000). Masculinity and Politics in New Wave Cinema. Sites:
the Journal of 20th Century/ Contemporary French Studies. 4(2):471-487,
Fall.
Sharrett, Christopher. (1985). Myth, Male Fantasy, and Simulacra in Mad
Max and The Road Warrior. Journal of Popular Film & Television, 13(2),
Summer.
Shor, Fran. (2000). Transcending the Myths of Patriotic Militarized
Masculinity: Armoring, Wounding, and Transfiguration in Ron Kovic's
Born on the Fourth of July. Journal of Men's Studies, 8(3), pp.
375-385.
Shrock, Joel. (1997). Desperate Deeds, Desperate Men: Gender, Race, and
Rape in Silent Feature Films, 1915-1927. Journal of Men's Studies,
6(1), Fall, pp. 69-89.
Simpson, P. (2004) New Soviet Man: Gender and Masculinity in Stalinist
Soviet Cinema. Journal of Design History, June, vol. 17, no. 2, pp.
200-202.
Singer, Linda. (1990). Just Say No: Repression, Anti-Sex and the New
Film. In Raymond, D. (ed.). Sexual Politics and Popular Culture,
Bowling Green Ohio: Bowling Green State University Popular Press.
Slavin, John. (1980). Male Delivery: Role Reversal in the Contemporary
Cinema. Metro, Spring.
Smith, P. (1989). Action Movie Hysteria, or Eastwood Bound.
Differences: A Journal of Feminist Cultural Studies, 1(3).
Somerson, Wendy. (2004). White Men on the Edge: Rewriting the
borderlands in Lone Star. Men and Masculinities, 6(3), January.
Spicer, Andrew. (2001). Typical Men: The Representation of Masculinity
in Popular British Cinema. London; New York: I.B. Tauris Publishers.
Sobchack, Vivian. (1986). Child/Alien/Father: Patriarchal Crisis and
Generic Exchange. Camera Obscura, 15.
Sparks, Richard. (1996). Masculinity and Heroism in the Hollywood
'Blockbuster': The Culture Industry and Contemporary Images of Crime
and Law-Enforcement. British Journal of Criminology, Special Issue:
Masculinities, Social Relations and Crime. 36(3), pp. 348-360.
Speed, Lesley. (1999). Millenium Man: Comedy and Masculinity in the
Films of Mike Myers. Metro, No. 120.
Spoto, Donald. (1978). Camerado: Hollywood and the American Man. New
American Library.
Springer, Claudia. (1988). Rebellious Sons in Vietnam Combat Films: A
Response. Genre, 21.
Stein, Atara. (1998). Minding One's P's and Q's: Homoeroticism in Star
Trek: The Next Generation. Genders, 27.
Stephens, John (ed.) (2002) Ways of Being Male. Representing
Masculinities in Children's Literature and Film. London and New York:
Routledge.
Stern, William. Aestheticizing Masculinity: The Example of Physique
Photography.
http://www.arts.ucsb.edu/~tvc/section2/09.Tvc.v9.sect2.Stern.html.
Tasker, Yvonne. (1993). Spectacular Bodies: Gender, Genre and the
Action Cinema. London & New York: Routledge.
Tasker, Yvonne. (1997). Fists of Fury: Discourses of Race and
Masculinity in the Martial Arts Cinema. In Stecopoulos, Harry and
Uebel, Michael. (eds). Race and the Subject of Masculinities, Duke
University Press.
Thornham, Sue. (ed.). (1999). Feminist Film Theory: A Classical Reader.
New York University Press
Torres, Sasha. (1989). Melodrama, Masculinity and the Family:
Thirtysomething as Therapy. Camera Obscura, 19, January.
Trice, Ashton D., and Samuel A. Holland. (2001). Heroes, Antiheroes,
and Dolts: Portrayals of Masculinity in American Popular Films,
1921-1999. Jefferson, N.C.: McFarland.
Tuss, Alex (2000). Deconstructing and Reconstructing Masculinity in
Manuel Puig's Kiss of the Spider Woman. Journal of Men's Studies, 8(3),
pp. 323-332.
Tuss, Alex (2004) Masculine Identity and Success: A Critical Analysis
of Patricia Highsmith's The Talented Mr. Ripley and Chuck Palahniuk's
Fight Club. Journal of Men's Studies, 12(2), Winter.
Vettel-Becker, Patricia. (2002). Destruction and Delight: World War II
combat photography and the aesthetic inscription of masculine identity.
Men and Masculinities, 5(1), July.
Walters, Margaret. (1978). The Nude Male. London: Paddington Press.
Watney, Simon. (1982). Hollywood's Homosexual World. Screen, 3-4,
September-October.
Weber, Cynthia (2003) 'Oi. Dancing Boy!' Masculinity, sexuality, and
youth in Billy Elliot. Genders, 37. URL:
http://www.genders.org/g37/g37_weber.html.
Weiermair, Peter. (ed). (1988). The Hidden Image: Photographs of the
Male Nude in the Nineteenth and Twentieth Centuries. Cambridge, MASS:
MIT Press.
Wexman, Virginia Wright. (1993). Masculinity in Crisis: Method Acting
in Hollywood. In Creating the Couple: Love, marriage, and Hollywood
Performance, Princeton, NJ: Princeton University Press.
White, Susan. (1988). Male Bonding, Hollwood Orientalism and the
Repression of the Feminine in Kubrick's Full Metal Jacket. Arizona
Quarterly, 44(3).
Willis, Sharon. (1989). Disputed Territories: Masculinity and Social
Space. Camera Obscura, 19, January.
Wood, Robin. (1987). Raging Bull: The Homosexual Subtext in Film. In
Kaufman, Michael. (ed.). Beyond Patriarchy: Essays by Men on Pleasure,
Power and Change. New York: Oxford University Press
-. (1985). Men in Camera. Ten 8 Magazine, No. 17, Great Britain.

d) Advertising
Note: Also see general works above.

Barthel, Diane. (1992). When Men Put On Appearances: Advertising and
the Social Construction of Masculinity. In Craig, Steve. (ed.). Men,
Masculinity and the Media. Newbury Park: Sage.
Brandth, Berit. (1995). Rural Masculinity in Transition: Gender Images
in Tractor Advertisements. Journal of Rural Studies, 11(2), April, pp.
123-133.
Breazeale, Kenon. (1994). In Spite of Women: Esquire Magazine and the
Construction of the Male Consumer. Signs, 20(1), Autumn.
Cass, Jeffrey. (1999). Men With Modems: E-mail: Netscape and the
Promise of Homosocial Utopia. Ctheory.Net, 7 May. URL:
http://www.ctheory.net/text_file.asp?pick=114.
Coltrane, Scott and Allan, Kenneth. (1994). 'New' Fathers and Old
Stereotypes: Representations of Masculinity in 1980s Television
Advertising. Masculinities, 2(4), Winter, pp. 43-66.
Forrest, Thomas. (1989). Such a Handsome Face: Advertising Male
Cosmetics. In Feminist frontiers II, McGraw Hill.
Gardiner, J.K. (2000). Masculinity, the Teening of America, and
Empathic Targeting. Signs. 25(4):1257-1261, Sum.
Jackson, Peter. (1994). Black Male: Advertising and the Cultural
Politics of Masculinity. Gender, Place and Culture: A Journal of
Feminist Geography, 1(1), March, pp. 49-59.
Jeffcoat, Sarah. What Competing Versions of Masculinity Can We Seen in
Contemporary British Advertising?. http:.
Katz, Jackson (2003) Advertising and The Construction of Violent White
Masculinity: From Eminem to Clinique For Men. In G. Dines & J. Humez
(Eds.), Gender, Race and Class in Media: A Text Reader. (Second
edition). Thousand Oaks, CA: Sage Publications.
Kervin, Dennis. (1990). Advertising Masculinity: The Representation of
Males in Esquire Advertisements. Journal of Communication Enquiry,
14(1), Winter.
Lopez-Varas, Ma. Luisa. (1994). Man and Cosmetics: From the Traditional
Consumption Model to the Modern Consumption Model. Politica y Sociedad,
16, May-August, pp. 201-209.
Masse, Michelle A. and Rosenblum, Karen. (1988). Male and Female
Created They Them: The Depiction of Gender in the Advertising of
Traditional Women's and Men's Magazines. Women's Studies International
Forum, 11(2), pp. 127-44.
Moore, Suzanne. (1987). Target Man. New Socialist, January.
Pope, H.G., Olivardia R., Borowiecki J.J and Cohane G.H. (2001). The
Growing Commercial Value of the Male Body: A Longitudinal Survey of
Advertising in Women's Magazines. Psychotherapy & Psychosomatics.
70(4):189-192, Jul-Aug.
Reichert, Tom. (1999). Cheesecake and beefcake: No matter how you slice
it, sexual explicitness in advertising continues to increase.
Journalism and Mass Communication Quarterly, Spring, Vol. 76, Iss. 1;
pp. 7-21.
Rohlinger, Deana A. (2002). Eroticizing Men: Cultural Influences on
Advertising and Male Objectification. Sex Roles, 46(3/4), February.
Schroeder J., and Zwick D. (2004) Mirrors of Masculinity:
Representation and Identity in Advertising Images. Consumption, Markets
and Culture, March, vol. 7, no. 1, pp. 21-52.
Shields, Vickie Rutledge with Dawn Heinecken. (2001). Measuring Up: How
Advertising Affects Self Image. University of Pennsylvania Press.
Slater MD, Rouner D, Murphy K, Beauvais F, Van Leuven J, Rodriguez MD.
(1996). Male Adolescents' Reactions to TV Beer Advertisements: The
Effects of Sports Content and Programming Context. J Stud Alcohol.
Jul;57(4):425-33.
Soar, Matthew. (2001). Engines and acolytes of consumption: Black male
bodies, advertising and the laws of thermodynamics. Body & Society,
7(4), pp. 37-55.
Walker, Catherine, Thomas, Duane, Webb, Veronica and Elms, Richard.
(1998). Body & Soul: Black Men on Style and Beauty, Universe Books.
Wernick, Andrew. (1987). From Voyeur to Narcissist: Imaging Men in
Contemporary Advertising. In Kaufman, Michael. (ed.). Beyond
Patriarchy: Essays by Men on Pleasure, Power, and Change. Toronto:
Oxford University Press, pp. 277-297.
White, Philip G. and Gillett, James. (1994). Reading the Muscular Body:
A Critical Decoding of Advertisements in Flex Magazine. Sociology of
Sport Journal, 11(1), March.
Worsching, Martha. (2000). Sporting metaphors and the enactment of
hegemonic masculinity: Sport and advertising in the German newsmagazine
Der Spiegel. Journal of Popular Culture v 34 no3 Winter, pp. 59-85.
-. (1987). Representing Men: The Image of Men in an Australian Fashion
Magazine. Against the Grain, No. 5, Winter, Canberra Photo Access

e) Men's fashion and clothing
Boscagli, Maurizia. (1996). Eye on the Flesh: Fashions of Masculinity
in the Early Twentieth Century. Westview Press.
Breward, Christopher. (2001). Fashioning Masculinity: Men's Footwear
and Modernity. pp. 116-134; IN: Shari Benstock and Suzanne Ferriss.
(eds). Foot on Shoes. New Brunswick, N.J.: Rutgers University Press,.
Bunkin, Helen and Randall Williams. (2000). Beards, Beards, Beards!.
Green Street Press.
Cash, Thomas F. (1990). Losing Hair, Losing Points? The Effects of Male
Pattern Baldness on Social Impression Formation. Journal of Applied
Social Psychology, 20(2).
Chenoune, Farid. A History of Men's Fashion.
De Buzzaccarini, Vittoria. (1997). Men's Coats. (Twentieth
Century-Histories of Fashion Series).
Diamond, A. (2001). Rethinking Culture on the Streets - Agency,
Masculinity, and Style in the American City. [Review] Journal of Urban
History. 27(5):669-685, July.
Folledore, Giuliano. (1997). Men's Hats. (Twentieth Century Histories
of Fashion Series).
Frith, Hannah, and Kate Gleeson (2004) Clothing and Embodiment: Men
Managing Body Image and Appearance. Psychology of Men & Masculinity.
5(1):40-48, January.
Galilee, John. (2002). Class Consumption: Understanding Middle-Class
Young Men and their Fashion Choices. Men and Masculinities, 5(1), July.
Hayward, Catherine and Bill Dunn. (2001). Man About Town: The Changing
Face of the Modern Male. Hamlyn
Kingwell M. (2000). Being Dandy: A Sort of Manifesto (Clothing,
uniforms, fashion, gender, culture, masculinity). Queen's Quarterly.
107(3):328-352, Fall.
Kuchta, David. (1990). 'Graceful, Virile, and Useful:' The Origins of
the Three-Piece Suit. Dress: The Journal of the Costume Society of
America.
Kuchta, David. (1993). The Semiotics of Masculinity in Renaissance
England. In Sexuality and Gender in Early Modern Europe: Institutions,
Texts, Images, ed. James Turner (Cambridge University Press).
Kuchta, David. (1996). The Making of the Self-Made Man: Class,
Clothing, and English Masculinity, 1688-1832. In The Sex of Things:
Gender and Consumption in Historical Perspective, ed. Victoria de
Grazia (University of California Press).
Kuchta, David. (2002). The Three-Piece Suit and Modern Masculinity:
England, 1550-1850. Berkeley: University of California Press.
Luciano, Lynne. (2001). Looking Good: Male Body Image in Modern
America. Hill & Wang Publishing.
Malossi, Giannino. (ed). (2000). Material Man: Masculinity Sexuality
Style. Harry N Abrams.
Martin, Richard and Koda, Harold. Jocks and Nerds: Men's Style in the
Twentieth Century. Rizzoli.
Peacock, John. (1996). Men's Fashion: The Complete Sourcebook.
Rohlinger, D.A. (2002). Eroticizing Men: Cultural Influences on
Advertising and Male Objectification. Sex Roles, February, vol. 46, no.
3-4, pp. 61-74.
f) Gender, fashion and beauty
Barnes, Ruth. (1991). Dress and Gender: Making and meaning.
Black, Paula and Ursula Sharma. (2001). Men are real, women are 'made
up': Beauty therapy and the construction of femininity. Sociological
Review, 49(1), February.
Bovey, Shelley. (1994). Forbidden Body: Why being fat is not a sin.
Pandora.
Breward, Christopher. (1999). The Hidden Consumer: Masculinities,
Fashion and City Life 1860-1914. Manchester University Press.
Chancer, Lynn. (1998). Reconcilable Differences: Confronting Beauty,
Pornography, and the Future of Feminism. Berkeley, CA: University of
California Press.
Cooke, Kaz. (1994). Real Gorgeous. Sydney: Allen & Unwin.
Davis, Kathy. (1995). Reshaping the Female Body: The Dilemma of
Cosmetic Surgery. New York: Routledge.
Davis, Kathy. (ed). (1997). Embodied Practices: Feminist Perspectives
on the Body. London: Sage.
Davis, Kathy. (1997). 'My body is my art': Cosmetic surgery as feminist
utopia?. European Journal of Women's Studies, Volume 4 Issue 1,
February.
Davis, Kathy. (2002). 'A dubious equality': Men, women and cosmetic
surgery. Body & Society, 8(1), pp. 49-65.
Dull, Diana, and Candace West. (1991). Accounting for cosmetic surgery:
The accomplishment of gender. Social Problems, 38(1), pp. 54-70.
Dutton, Kenneth. (1995). The Perfectible Body: The Western Ideal of
Physical Development. London: Cassell.
Entwistle, Joanne. (2000). The Fashioned Body: Fashion, Dress and
Modern Social Theory. Polity Press.
Evans, Caroline, and Minna Thornton. (1989). Women and Fashion: A new
look. London & New York: Quartet.
Finkelstein, Joanne. (1995). After a Fashion. Melbourne University
Press.
Fraser, Suzanne. (2001). 'Woman-Made Woman': Mobilisations of nature in
feminist accounts of cosmetic surgery. Hecate, 27(2).
Fraser, Suzanne. (2003). The Agent Within: Agency Repertoires in
Medical Discourse on Cosmetic Surgery. Australian Feminist Studies.
18(40), March.
Gagne, Patricia, and Deanna McGaughey. (2002). Designing women:
Cultural hegemony and the exercise of power among women who have
undergone elective mammoplasty. Gender & Society 16(6), December, pp.
814-838.
Gillespie, R. (1996). Women, the body and brand extension in medicine:
Cosmetic surgery and the paradox of choice. Women's Health, 24(4), pp.
69-85.
Gilman, Sander L. (1999) Making the Body Beautiful: A cultural history
of aesthetic surgery. Princeton, NJ: Princeton University Press.
Gimlin, Debra. (2002). Bodywork: Beauty and self-image in American
culture. Berkeley, CA: University of California Press.
Glynn, Prudence. (1982). Skin to Skin: Eroticism in Dress.
Haiken, Elizabeth (1997) Venus Envy: A history of cosmetic surgery.
Baltimore, MD & London: John Hopkins University Press.
Hollander, Anne. (1994). Sex and Suits: The Evolution of Modern Dress.
New York: Kodansha.
Lakoff and Scherr. Face Value: The Politics of Beauty.
Lurie, Alison. (1981). The Language of Clothes.
Marshment, Margaret. (1997). The Picture is Political: Representation
of Women in Contemporary Popular Culture. In Richardson, Diane and
Victoria Robinson. (eds). (1997). Introducing Women's Studies: Feminist
Theory and Practice. (2nd edition) Macmillan.
McDowell, Colin. (1992). Dressed to Kill: Sex, Power and Clothes.
London: Hutchison.
Medical Journal of Australia (2002), Vol. 176, 17 June. Includes;
Cosmetic surgery history and health service use in midlife: Women's
Health Australia / Hussain, Rufat et al.
Using "anti-ageing" to market cosmetic surgery: Just good business, or
another wrinkle on the face of medical practice? / Anne L. Ring.
Does cosmetic surgery improve psychosocial wellbeing? / David J. Castle
et al.
Morgan, Kathryn P. (1991). Women and the Knife: Cosmetic Surgery and
the Colonization of Women's Bodies. Hypatia, 6(3), Fall.
Negrin, Llewellyn. (2002). Cosmetic surgery and the eclipse of
identity. Body & Society, 8(4), pp. 21-42.
Newman, Lesley. (1991). Some Body to Love: A Guide to Loving The Body
You Have. Third Side Press.
Parker, Lisa S. (1997). Beauty and Breast Implantation: How Candidate
Selection Affects Autonomy and Informed Consent. In DiQuinzio, Patrice
and Iris Marion Young. (eds). Feminist Ethics and Social Policy.
Bloomington: Indiana University Press
Rogers, Mary F. (1998). Barbie Culture. Sage.
Tebbel, Cyndi. (2000). The Body Snatchers: How the Media Shapes Women.
Sydney: Finch Publishing.
Urla, Jacqueline and Swedlund, Alan C. (1995). The Anthropometry of
Barbie: Unsettling Ideals of the Feminine Body in Popular Culture. In
Terry, Jennifer and Urla, Jacqueline. (eds). Deviant Bodies: Critical
Perspectives on Difference in Science and Popular Culture. Bloomington
& Indianopolis: Indiana University Press.
Walter, Natasha. (1998). Let boys wear pink. Chapter 5 in The New
Feminism. London: Little, Brown
Wiley, Carol. (1994). (ed.). Journeys to Self Acceptance: Fat Women
Speak. Crossing Press.
Wolf, Naomi. (1991). The Beauty Myth. New York: Doubleday
Weitz, Rose. (ed). (1998). The Politics of Women's Bodies: Sexuality,
Appearance and Behavior.
Wilson, Tamar D. (2002) Pharaonic Circumcision Under Patriarchy and
Breast Augmentation Under Phallocentric Capitalism: Similarities and
differences. Violence Against Women, 8(4), April.

Excerpted from The Men's Bibliography: A comprehensive bibliography of
writing on men, masculinities, gender, and sexualities, compiled by
Michael Flood.
14th edition, 2005, Canberra, Australia. ISBN 0 646 18088 6
Contact: PO Box 4026, Ainslie ACT, 2602, AUSTRALIA.
E-mail: michae...@anu.edu.au
Home URL: http://mensbiblio.xyonline.net/

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