The Male Body in Western Visual Culture: A Scholarly Bibliography (Fine Arts, Photography, Film, Mass Media & Popular Entertainment)
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THIS BIBLIOGRAPHY IS COMPILED BY
DANIEL C. DORAN, Ph.D.,
Founder of Visualizing the Naked Man
(VtNM) Association
Correspondence to: BodyT...@yahoo.com
Hearty
Winckelmann and the Origins of Art History
Alex Potts
This is the first intellectual biography in English of Johann Joachim
Winckelmann (1717-1768), one of the most famous eighteenth-century
German philosophers and aestheticians who is considered by many to be
the father of modern art history. Analyzing Winckelmann's magnum
opus, History of the Art of Antiquity, Potts explains the fundamental
importance to art history of this eloquent account of the aesthetic and
imaginative Greek ideal in art.
"Flesh and the Ideal gives us a new look at one of the more complex
protagonists of the Enlightenment. . . . [Potts] deserves our thanks
for bringing Winckelmann back to the centre of current art-historical
thinking."--Bruce Boucher, The Times, (London)
"Potts monograph has been long awaited and keenly anticipated. . . . It
bears all the hallmarks of its author's empathic respect for his
subject's achievement, and it will surely be the major critical
discussion of Winckelmann in English for at least a
generation."--JAS' ELSNER , The Cambridge Review
"This book remains an outstanding study of a great and complex mind,
exploring fundamental issues of the interlocking of mind, emotions and
sexual preferences."--John Wilton-Ely, RA Magazine
"Among the many insights: the discovery of contradictions within
Winckelmann's ideas especially as they relate to issues of political
and personal freedom and the sensual and even erotic appeal of the male
nude, issues which he characterizes as 'central and explicit' in
Winckelmann's writings. The ideas treated in this book are sometimes
complex and it demands careful reading, but this is a significant
contribution to the understanding of one of the most important figures
in art history. This book will especially appeal to those with advanced
art historical interests."--Sally Schultz, Religious Studies Review
"This study of Winckelmann's magisterial contribution to the history
of art and his place as a founder of the modern discipline is the
result of a process of long distillation and careful thought. . . . A
fascinating and stimulating re-reading of Winckelmann."--Alison
Yarrington, Art History
"A fascinating case study of homosexual experience and identity
negotiated within the profoundly homosocial cultures on which
Winckelmann depended."--Christopher Reed, Journal of the History of
Sexuality
"Dr. Potts has written a most illuminating study of an important but
difficult writer and his book is to be thoroughly recommended."--David
Mannings, British Journal of Aesthetics
"The best monograph on [Winckelmann] in any language."--David
Watkin, Times Literary Supplement
Hearty
Adler, Kathleen, ed. The Body Imaged: the human form in visual culture
since the renaissance (Cambridge, 1993).
Ableman, Paul. Anatomy of Nakedness. (London: Orbis Publishing,
1982).pp. 49-61.
Berger, John. Ways of Seeing (London: Penguin Books, 1972).
Clark, Kenneth. The Nude: A Study in Ideal Form (Princeton: Princeton
University Press, 1953).
Duncan, Carol. The Aesthetics of Power: Essays in Critical Art History
(Cambridge: Cambridge University Press, 1993)
Dutton, Kenneth R. The Perfectible Body. The Western Ideal of Physical
Development. (New York: Continuum, 1995).
Foucault, Michel. Discipline and Punish: The Birth of the Prison. (New
York: Vintage Books, 1995).
Foucault, Michel. Politics, Philosophy, Culture. Interviews and other
Writings 1977 - 1984. (New York: Routledge, 1988).
Freedberg, David. The Power of Images: Studies in the History and
Theory of Response. (Chicago: University of Chicago Press, 1989).
Garb, Tamar. Bodies of Modernity: Figure and Flesh in Fin-de-Siècle
France (London: Thames and Hudson, Ltd., 1998).
Harris, Roy, "The Necessity of Artspeak", (Continuum, 2003).
Hess and Nochlin, eds. Woman as Sex Object (London: Allen Lane, 1973).
Hickey, Dave, "Nothing like the son: On Mapplethorpe's X
Portfolio"from The Sticky Sublime, (Edited by Bill Beckley, Allworth
Press, 2001)
Hollander, Anne. Seeing Through Clothes (New York: Viking Press, 1978).
Koloski-Ostrow, Ann, and Claire Lyons, eds. Naked Truths: Women,
sexuality, and gender in classical art and archaeology (London:
Routledge, 1997).
Kuspit, Donald, The dialectic of Decadence, (Stux Press, 1993).
Laqueur, Thomas. Making Sex: Body and Gender from the Greeks to Freud
(Cambridge: Harvard University Press, 1990).
Lucie- Smith, Edward. Adam. The Male Figure in Art. (New York: Rizzoli,
1998).
Nead, Lynda. The Female Nude: Art, Obscenity and Sexuality (London:
Routledge, 1992).
Pearsal, Ronald. Tell Me, Pretty Maiden. The Victorian and Edwardian
Nude. (Exter: Webb&Bower, 1981)
Pollock, Griselda. Differencing the Canon - Feminist Desire and the
Writing of Art's Histories (London: Routledge, 1999).
_____, ed. Generations & geographies in the visual arts: feminist
readings. (London: Routledge, 1996.)
Pointon, Marcia. Naked Authority: The Body in Western Painting 1830 -
1908 (Cambridge: Cambridge University Press, 1990).
Prater, Andreas. Venus at her Mirror. Velazquez and the Art of Nude
Painting. (Prestel. 2000)
Saunders, Gill. The Nude: a new perspective, (Cambridge: Harper & Row,
1989).
Smith, Alison ed. Exposed: The Victorian Nude (exh. cat.) New York:
Watson Guptill Publications, 2002.
Solomon-Godeau, Abigail. Male Trouble: A Crisis in Representation
(London: Thames and Hudson, Ltd., 1997).
Sontag, Susan. Under the Sign of Saturn, ( New York, Farrar Straus
Giroux ,1975 ).
Steiner, Wendy, Venus in Exile, The rejection of Beauty in 2oth Century
Art, (The Free Press, 2001).
Suleiman, Susan. The Female Body in Western Culture (Cambridge: Harvard
University Press, 1985).
Nina Levent, PhD, Instructor
Syllabus: Drawing III
Fall 2006
Wednesday and Thursday 5:30pm-7:30pm
Course outline
This course will explore the various meanings that have accrued over
the past twenty-five centuries of Western visual culture around the
representation of naked male and female bodies. We will examine
different theories of the nude. We will critically review Kenneth
Clark's classical essay " The Nude. A Study of Ideal Form." Areas
to be investigated include artist/model relationship, male gaze and
identity of the viewer, and social constructions of gender. Among other
prototypes of the nude we will examine classical nude, Venus Pudica,
reclining nude, Venus Naturalis, Victorian nude, femme fatale,
modernist nude, totalitarian nude, post-modern and post-feminist nude.
Week 1. Introductory Lecture/Various Definitions of the Nude and
Discourses Involving the Nude
Week 2. Theories of the Nude: The Naked vs. Nude. Kenneth Clark.
Clark, Kenneth. The Nude: A Study in Ideal For , Chapter 1.
Week 3/4. Theories of the Nude: Marxist and Feminist Critique of Clark.
Guerilla Girls.
John Berger, Ways of Seeing, Ch. 3, pp. 45 - 64.
Lynda Nead, "A Discourse on the Naked and the Nude," in The Female
Nude: pp. 5 - 16.
Ableman, Paul. Anatomy of Nakedness .pp. 49 - 61
Week 5/6. Male Nude I and II: Classical male nude. Greek athletes and
male nudity in Ancient Greece
Clark, Kenneth. The Nude: A Study in Ideal Form, Apollo.
Solomon-Godeau, Abigail. Male Trouble: A Crisis in Representation
("The Political Economy of the Male Nude")
Dutton, Kenneth R. The Perfectible Body
Week (optional). Nudity in Christian Art. Images of Christ and Mary.
Leo Steinberg, "The Sexuality of Christ in Renaissance Art and in
Modern Oblivion," "Of the nudity of the Christ Child," in The Sexuality
of Christ: 1 - 109 and 147-8.
Clark, Kenneth. "The Alternative Convention." (Ch. 8 of The Nude)
Week 7/8. Male Nude III: "Male trouble" and vulnerable male nude
Michael Hatt, "Muscles, morals, mind: the Male Body in Eakins'
Salutat," in The Body Imaged, Adler.
Patricia Berman, "Body and Body Politic in Edvard Munch's Bathing
Men," in The Body Imaged.
Garb, Tamar. Gustave Caillebotte's Male Figures; masculinity,
Muscularity and Modernity. Bodies of Modernity: Figure and Flesh in
Fin-de-Siècle France., Chapter 1.
Week 9/10. The Female Nude: Venus Pudica.
Clark, Kenneth. The Nude: A Study in Ideal Form , Venus I,II.
Linda Nochlin. Eroticism and the Female Imagery in the 19th Century
Art. Women, Art, and Power and other Essays.
Week 10/11. Reclining Nude I and II: Giorgione and Titian. Velasquez
and Manet. Modern and Contemporary Reclining Nude
Clark, Kenneth. The Nude: A Study in Ideal Form , Venus II.
Rona Goffen, "Sex, Space, and Social History in Titian's Venus of
Urbino," in Goffen pp. 63 - 90
Rona Goffen, introduction to Titian's Venus of Urbino. pp. 1 - 18
Andreas Prater. Venus at her Mirror. Velasquez and the Art of Nude
Painting. pp. 41- 70.
Week 12. Venus Naturalis .The Female Nudes of Rubens and Renoir. Eric
Fischl, Lucian Freud, Jenny Saville
Clark, Kenneth. The Nude: A Study in Ideal Form, Venus II.
Garb, Tamar. Bodies of Modernity: Figure and Flesh in
Fin-de-Siècle France. ( Chapter 5)
Week 13 (optional) . Victorian Nude.
Pearsall, Ronald. Tell Me, Pretty Maiden. The Victorian and
Edwardian Nude. pp. 63 - 89.
Martin Myrone Prudery, Pornography and the Victorian Nude (Or, what
do we think the butler saw?)
Smith, Alison ed. Exposed: The Victorian Nude (exh. cat.)
Garb, Tamar. Bodies of Modernity: Figure and Flesh in
Fin-de-Siècle France. ( Chapter 5)
Week (optional). Post-feminist critique and the nude
Amelia Jones, Tracing the Subject with Cindy Sherman. Cindy
Sherman. Retrospective
Amelia Jones, Post feminism, Feminist Pleasures, and Embodied
Theories of Art. Art of Art History
Week 14: Nude and Ideology: The Totalitarian Nude and Leni
Riffenstahl's work in the 1930s and 1970s.
Susan Sontag. Fascinating Fascism. Under the Sign of Saturn.
Week 15. The Post-Modern Nude: Sylvia Sleigh, Lucian Freud, Lisa
Yuskavage, John Currin, Sally Mann , Ron Mueck, Jenny Saville, and
Anthony Gormley.
Carey Lovelace. Lisa Yuskavage. Fleshed Out - contemporary art
exhibition of partially clad females
Linda Nochlin . "Floating in Gender Nirvana." Art in America,
March, 2000
Week 16. New Old Masterism and the Nude: et al.
Donald Kuspit Going, going, gone.
Donald Kuspit Perversion in Art