Sony Sound System Price In Uae

[Giulia Satmary]

Design: Not your typical tube
Sound bars all start to look the same after a while, but the HT-CT260's funky design makes it stand out from the crowd. It still uses the standard long tubelike cabinet, but the hexagonal shape gives it a unique style. The look may not be for everyone -- CNET editor Ty Pendlebury was immediately turned off -- but we think it's an attractive spin on the familiar sound bar design.

The HT-CT260's sound bar stands 4 inches tall, which means it runs the risk of blocking the remote sensor on some TVs, which can make changing inputs on your TV a real pain. However, Sony has a nifty solution to the problem: a remote signal repeater that receives remote commands in the front, then shoots them out the back. Sony isn't the first company to include a remote signal repeater, but if you have a TV with a low-hanging remote sensor, this feature is reason enough to favor the HT-CT260 over the Vizio S4251w-B4, which has a large, remote-blocking cabinet and no built-in workaround.

Sony has a habit of using a stock remote design for its home theater products, and the one that comes with the HT-CT260 is no different. It's a pretty good remote as far as sound bars go, although its ability to control TV produces a lot of button clutter. (Why are there TV volume buttons when you have a sound bar? How many people are using the TV's channel up/down function these days?) The HT-CT260's remote would be a lot easier to use if it ditched some of the less frequently used buttons, but it's still better than most, with a full-size design that sits nicely in your hand and a prominent volume rocker.

Features: Bluetooth, Dolby, and DTS
The HT-CT260's connectivity options are basic: optical, coaxial, and analog minijack. That may not seem like much, but, as with most sound bars, Sony expects you to use your TV to switch between devices -- connect all your gear directly to your TV, then use your TV's optical output to connect to the sound bar. It's a much simpler configuration, assuming your TV has enough inputs for all your gear. (If not, an HDMI switcher and universal remote combo is a low-cost way to add more inputs.)

The HT-CT260 also features built-in Bluetooth, which is essentially a must-have feature this year. Bluetooth streaming makes it possible to wirelessly stream audio from any app on nearly every smartphone and tablet, which means it's easy to stream, say, Pandora straight from your phone. There is some audio quality lost with Bluetooth, but it's generally harder to notice that on a sound bar system versus more detailed full-size speakers.

Finally, the HT-CT260 has onboard decoding for both Dolby and DTS. In the vast majority of cases, that decoding won't actually be used, since most TVs downmix all audio to two-channel PCM over their optical outputs. Still, it's nice to know the decoding is there in case you end up in one of the few scenarios that requires it.

Setup: Plug and play
To get the HT-CT260 set up, you have to plug the included wireless transceiver modules into receptacles in the sound bar and subwoofer. Most wireless systems don't have plug-ins like the Sony's, but the modules don't need any attention after you plug them in. Subwoofer pairing is automatic, so you can have the system up and running in minutes.

The menu on the sound bar's small display lets you adjust subwoofer volume, (phantom) center-channel volume, night mode, and bass/treble levels. We especially liked the center-channel volume adjustment capability, as it's a big plus for buyers who need a little help hearing dialogue in movies. Navigating the menu layers on the single-line display can be confusing, but you get the hang of it; reading the smallish display across a room is harder. Direct access to channel-level buttons on the remote would be more useful than the rockers Sony does include at the top, especially for center-channel and subwoofer level adjustment.

The HT-CT260's remote does have direct access to its six sound field modes, and "Movie" did a good job of generating a wider soundstage, though we found that the less spacious "Stereo" mode on movies and music worked well, too. It's easy enough to toggle through the modes and see which works best for a given movie.

Sound quality: Excellent, but not the best
The HT-CT260 sounded quite nice without any fussing on our part. Action movies had good impact, thanks in large part to the powerful subwoofer. It had significantly deeper bass extension than the SBEV40-Slim or Vizio S4251w-B4 subs. The HT-CT260's bass oomph is remarkable for such a small system.

The now-discontinued SBEV40-Slim was our favorite budget sound bar system last year, but it fell far short of the HT-CT260's performance on every count. The HT-CT260's soundstage was wider, with much-improved detail and clarity compared with the duller SBEV40-Slim.

With the "King Kong" DVD, the HT-CT260 regained its composure, and when Kong battled dinosaurs in the jungle, we could feel their body slams. The sound bar sounded best at soft to medium-loud volumes; pushed louder, the sound grew somewhat harsh. Lighter fare, like Mychael Danna's lush score with strings, vocals, and percussion on the "Life of Pi" DVD, sounded beautiful. Sony packed a lot of performance into a small and affordable package.

What are the alternatives?
The Sony HT-CT260's sound is unambiguously great for a budget sound bar, but there are some better-sounding alternatives in the same price range. Vizio's S4251w-B4 includes rear speakers, enabling it to deliver a much more immersive experience, especially on movies. Sharp's ultralong HT-SB60 is stereo-only, but it sounds even better than the Sony. (Vizio is also planning on offering a 2.1-channel version of the S4251w, but it doesn't have an official release date yet.)

The catch with the better-sounding models is that none of them will work in as many home theater layouts as the HT-CT260. The Vizio's S4251w rear speakers add more clutter than some buyers may want, plus it does have the drawback of sometimes blocking a TV's remote sensor. Sharp's sound bar is really quite huge, which means it won't work in many layouts. If they work for your space, they're worth considering, but the HT-CT260 has a very flexible design that works almost anywhere.

If you're looking for an even sleeker option, SpeakerCraft's CS3 is worth considering. Its pedestal design makes it even sleeker than a traditional sound bar, plus it packs Bluetooth and powerful sound without a separate subwoofer. But at $600, it's double the price of the HT-CT260, which will be perfectly suitable for most buyers.

Conclusion: Our go-to basic sound bar
The sound bar reviewing season is young, but the HT-CT260 is our early favorite. It's not the absolute best-sounding option, but it still sounds very good and better than our top budget pick last year. It may not have the neat rear speakers of the Vizio S4251w-B4, but its simple stereo design and practical remote pass-through feature will make it a better fit for most living rooms. It's just hard to imagine many buyers being disappointed with the HT-CT260, especially at $300.

If you're looking for the best TV for sound, first consider whether you need one. There are many more options available if you're willing to get a great-looking TV with mediocre sound and pair it with a soundbar or sound system instead.

However, if you have your heart set on an all-in-one package like the TVs listed above, keep your eyes peeled for a few key specifications. For example, power is important when it comes to sound. We've listed this as the number of Watts under each TV. The higher the number, the more powerful the sound. Granted, the best sound isn't always the most powerful, but it's a good indication as to whether you're going to get an immersive room-filling sound from your new TV.

The number of built-in speakers matters, too. Many TVs have 2 speakers, but the more you have, the more wide and expansive the soundstage will be. For example, the Panasonic MZ2000 in our list above has a 5.1.2ch speaker system for a fuller-sounding experience.

Although sound is a priority, don't overlook other important factors, too. Ensure that the picture quality is going to work well in your living room. For example, some TVs work better in bright light environments than others. And, of course, be sure to measure your space first to check you have room for your new display.

So which is better? Opinion is divided. DTS:X is encoded in a higher bitrate so should technically be better quality audio. But Atmos claims to be more advanced, and capable of producing a higher quality sound at a lower bitrate. As is often the case, it comes down to personal taste.

The best TVs for sound deliver great picture quality and dynamic, room-filling sound to go with it. Although it might seem like as the picture performance of TVs advances, sound tends to suffer, there are a few excellent TVs on the market with a build-in sound system that'll blow you away.

If you're looking to hit two targets with one arrow, however, know that there are also options for you. There are several TVs on the market that come with superb sound systems as standard, allowing you to get good sound quality with no extra gear or work necessary.

Sony has been at the forefront of putting good quality built-in audio to match the picture performance on its TVs for some time now, and the Sony A80L, its 2023 mid-range OLED, is no exception. Its built-in audio is direct, clear and creates a greater sense of immersion than most other TV's sound systems can.

The A80L uses what Sony calls Acoustic Surface Audio, which is where the A80L's speakers can pass sound 'through' the TV to give a more direct feel, which it succeeds at doing. Dialogue is also clear, something a lot built-in TV sound systems struggle with. Another area where the A80L excels is making the action on screen feel connected to the sound, even with Dolby Atmos soundtracks that further immerse you into the experience. The A80L's sound quality does lack in bass, despite two built-in subwoofers, but still beats nearly all other TVs.

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