Eight Classic Nora Roberts Romantic Suspense Novels
Serafin Sonnier
During her second year in high school, Roberts transferred to Montgomery Blair High School,[6] where she met her first husband, Ronald Aufdem-Brinke.[7] They married, against her parents' wishes, in 1968, as soon as she graduated,[8][9] and settled in Boonsboro.
Roberts' husband worked at his father's sheet-metal business before joining her parents in their lighting company. She gave birth to two sons, Dan and Jason. Roberts would later refer to this time period as her "Earth Mother" years, when she did crafts, including ceramics and sewing her children's clothes.[8] The couple divorced[10] in 1983.
Roberts met her second husband, Bruce Wilder, a carpenter, when she hired him to build bookshelves in July 1985.[11][12] Her husband owns Turn the Page Books bookstore in Boonsboro, Maryland,[13] and works as an adult content photographer and videographer.[14] The couple also owned the nearby historic Boone Hotel. After it was destroyed by a fire in February 2008, it was restored and reopened as the Inn BoonsBoro in 2009; the suites were inspired by and named for literary romantic couples with happy endings.[15]
She began to write during a blizzard in February 1979. Roberts states that with three feet of snow, a dwindling supply of chocolate, and no morning kindergarten for her two boys, she had little else to do.[17][18] She fell in love with the writing process, and quickly produced six manuscripts[19] which she submitted to Harlequin, the leading publisher of romance novels, but was repeatedly rejected. Roberts says,
I got the standard rejection for the first couple of tries, then my favorite rejection of all time. I received my manuscript back with a nice little note which said that my work showed promise, and the story had been very entertaining and well done. But that they already had their American writer. That would have been Janet Dailey.[20]
Roberts once stated: "You're going to be unemployed if you really think you just have to sit around and wait for the muse to land on your shoulder."[21] She concentrates on one novel at a time,[22] writing eight hours a day, every day, even while on vacation.[9] Rather than begin with an outline, Roberts instead envisions a key incident, character, or setting.[21] She then writes a short first draft that has the basic elements of a story. Roberts then goes back to the beginning of the novel. The second draft usually sees the addition of details, the "texture and color" of the work, as well as a more in-depth study of the characters. She then does a final pass to polish the novel before sending it to her agent, Amy Berkower.[23]
She often writes trilogies, finishing the three books in a row so that she can remain with the same characters.[24] In the past, her trilogies were all released in paperback, as Roberts believed the wait for hardcover editions was too long for the reader.[4] All her new publications are released in hardcover first and e-book, with paperback editions following.
In 1980, a new publisher, Silhouette Books, formed to take advantage of the manuscripts from the American writers that Harlequin had rejected.[25] Roberts' first novel, Irish Thoroughbred, was published in 1981, using the pseudonym Nora Roberts, a shortened form of her birth name Eleanor Marie Robertson because she assumed that all romance authors had pen names.[8]
Between 1982 and 1984, Roberts wrote 23 novels for Silhouette,[8] published under various Silhouette imprints: Silhouette Sensation, Silhouette Special Edition and Silhouette Desire, as well as Silhouette Intrigue, and MIRA's reissue program. In 1985, Playing the Odds, the first novel in the MacGregor family series, was published and was an immediate bestseller.[8]
In 1987, she began writing single title books for Bantam. Five years later she moved to Putnam to write single title hardcovers and original paperbacks,[26] reaching the hardcover bestseller lists with her fourth hardcover release, 1996's Montana Sky. Roberts has continued to release single-title novels in paperback. She still occasionally writes shorter category romances. Her attachment to the shorter category books stems from her years as a young mother of two boys without much time to read, as she "[remembers] exactly what it felt like to want to read and not have time to read 200,000 words."[9]
Roberts was featured in Pamela Regis' A Natural History of the Romance Novel. Regis calls Roberts "a master of the romance novel form", because she "has a keen ear for dialogue, constructs deft scenes, maintains a page-turning pace, and provides compelling characterization."[20] Publishers Weekly once talked about her "wry humor and the use of different narrators, two devices that were once rarities" in the romance novel genre.[9]
Roberts had long wanted to write romantic suspense in the vein of Mary Stewart, but, at the urging of her agent, she concentrated on classic contemporary romance while she built a following of readers.[9] After moving to Putnam in 1992, the publishing company quickly realized that they were unable to keep up with Roberts's prolific output. They suggested that she adopt a second pseudonym so they would be able to publish more of her work each year.[24]
Her agent, Amy Berkover, convinced the publishers to allow Roberts to write romantic suspense under the new name.[9] She chose the pseudonym D. J. MacGregor, but right before publication, discovered it was in use by another author.[17] Instead, her first romantic suspense novel was published in 1995 under the pseudonym J. D. Robb. The initials "J. D." were taken from her sons, Jason and Dan, while "Robb" is a shortened form of Roberts.
As J. D. Robb, Roberts has published a series of futuristic science fiction police procedurals. These books, all part of the in Death series, feature detective Eve Dallas and her husband Roarke and are set in a mid-21st century New York City. Despite the emphasis on solving a crime in each of the books, the overall theme of the series is the development of the relationship between Eve and Roarke.[24] When the in Death series began, neither Roberts nor her publisher acknowledged that she was the author. They hoped to allow the series to stand on its own merits and build its own following.[27]
Roberts wrote a story for a magazine titled Melodies of Love under the pseudonym Jill March.[17] She has also been known as Sarah Hardesty in the UK. When the Born In series was released in Britain it carried that name instead of Nora Roberts. She has since changed publishers.[17]
A founding member of the Romance Writers of America (RWA), Roberts was the first inductee in the organization's Hall of Fame.[9] In 1997 she was awarded the RWA Lifetime Achievement Award, which in 2008 was renamed the RWA Nora Roberts Lifetime Achievement Award.[33] As of 2012, she has won an unprecedented 21 of the RWA's RITA Awards, the highest honor given in the romance genre.[34]
TIME named Roberts one of their 100 Most Influential People in 2007, saying she "has inspected, dissected, deconstructed, explored, explained and extolled the passions of the human heart."[36] Roberts was one of only two authors on the list, the other being David Mitchell.[36]
In 1997, another best-selling romance writer, Janet Dailey, admitted to repeatedly plagiarizing Roberts' work. The practice came to light after a reader read Roberts' Sweet Revenge and Dailey's Notorious back-to-back; she noticed several similarities and posted the comparable passages on the Internet. Calling the plagiarism "mind-boggling", Roberts sued Dailey.[9] Dailey acknowledged the plagiarism and attributed it to a psychological disorder. She admitted that both Aspen Gold and Notorious lifted heavily from Roberts' work. Both of those novels were pulled from print after Dailey's admission.[37][38] In April 1998, Dailey settled the case. Roberts donated the settlement to various literary causes including the Literacy Volunteers of America (now ProLiteracy).[9][39][40][41]
Roberts joined the chorus strongly criticizing fellow romance writer Cassie Edwards, who had lifted many passages from much older sources (many in the public domain) without giving credit, forcing Edwards out of the business.[42][43]
Roberts has been included repeatedly on the Giving Back Fund's annual lists of the most philanthropic celebrities, with the bulk of her donations going to the Nora Roberts Foundation.[47][48][49] The foundation financially supports organizations that promote literacy and the arts, assist children and engage in humanitarian efforts. The Foundation also endowed the Nora Roberts Center for American Romance at McDaniel College, which supports academic scholarship on the American romance novel, with special emphasis on the literary qualities and significance of the romance.[50]
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