C.O.B.A.C. International Art Magazine Issue#8 (world theater/April
2011)
published.
Theater as a subject, in general, is too big to be covered in only one
sitting and even if we decide to only talk about one of the leading
countries in this matter it is out of doubt that it would take several
issues just to cover that. This issue is covering some general
dimensions of theater, however it should be said that in future
issues, it is planned to include discussions about series of subjects
covering French theater and its path of evolution in three different
time frames, which are intended to be continued in upcoming issues. By
the help of the contributions of great Masters of the Literature’s
history and theater, COBAC would be able to present one of the
greatest piles of information of French theater’s history, containing
special analytical details accessible to the readers. This issue is a
beginning of a path of a study, which has always been a sensation to
the fans of art. Analyzing French theater’s past, today and future is
the upcoming plan for C.O.B.A.C.
In this publication properties of French theater, the impact it
experienced by the French revolution and its shortcoming in the 20th
century was tried to be covered. We talked about jacques copeau and
his work. French theater was influenced so deeply by copeau and his
criticisms where albert camus calls him the turning-point of French
theater’s history. This opinion extends to a level that camus divides
French theater into two time periods, before and after copeau.
Needless to mention that the impact camus and sartre left of French
theater is undeniable. We also liked to take the chance to talk about
beckett just because we personally like him; then we speak about him
separately in an special issue.
Issue#8 : world theater
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