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Bill Keplar
My Little Pony: Friendship Is Magic is an animated children's television series based on Hasbro's My Little Pony franchise. The series follows a studious pony named Twilight Sparkle (Tara Strong), her dragon assistant Spike (Cathy Weseluck) and her friends, Applejack (Ashleigh Ball), Rarity (Tabitha St. Germain), Fluttershy (Andrea Libman), Rainbow Dash (Ball) and Pinkie Pie (Libman). They go on adventures and help others around Equestria, solving problems with their friendships.
The visual collaboration brought a unique style to Friendship Is Magic. Pennsylvania Dutch design, steampunk fantasy art, European fairy tales, and Bavarian folk art influenced the original pony world.[22] Designing the settings, Faust sent photos to artist Dave Dunnet. Ponyville was based on German cottages, with a fairy-tale quality and equine elements such as horseshoe-shaped archways, hay bales, and troughs.[30][31] Canterlot was based on castles and cathedrals, giving it a European feel;[32] its location on a mountain and its purple-and-gold palette conveyed royalty and aspiration.[33] Fantasy inspired elements of the series which were modified to suit its setting, story, and target audience.[34] After seeing the initial version of the pitch bible, Hasbro requested more character designs and hired Dunnet and Lynne Naylor to refine the background and characters.[7]
Writing began with the premise and "getting a nugget of a story to build upon" at Hasbro.[43] Faust and Rob Renzetti conceived broad plots for each episode, and held a brainstorming session with each episode's writer to flesh out scenes and dialogue. They worked with the writer to finalize the script and provide basic storyboard instructions. Hasbro was involved throughout the process, laying down concepts for incorporation into the show. Examples included Celestia as a princess instead of a queen; a fashion-focused pony; and toy sets in the story, such as Rarity's boutique.[7][17] Hasbro sometimes asked for a setting, allowing Faust and her team to create its visual style and basing a toy set (such as the Ponyville schoolhouse) on it. As Faust adhered to the educational and informational standards which Hasbro required of the show, she found creating situations more difficult; having a character call another an "egghead" was "treading a very delicate line", and a character's cheating was "worrisome to some".[7] When DHX Media went into the design phase of an episode, scripts were finalized.[43] Each episode generally included a moral or life lesson, chosen to "cross a broad spectrum of personal experiences" and not just aimed at children.[14] Because intellectual-property issues had caused Hasbro to lose some rights to the original pony names, the show included a mix of original characters from the toy line and new characters developed for the show.[16]
The series' background music and songs were composed by William Kevin Anderson and Daniel Ingram, respectively.[37][45] The production team identified parts of each episode where they wanted music cues, allowing Anderson to provide the music.[7] The score was composed after each episode's initial animation, and was reviewed by Hasbro.[43] Ingram worked with Anderson's compositions to create songs which meshed with the background music and fleshed out the show's fantasy setting.[46] Ingram's songs usually began with a piano and a basic melody. The creative team received the song and provided input; background voices and instrumentation were then layered before the lead singer's vocals.[47] Writers sometimes suggested lyrics and overall musical themes, including two songs written by Amy Keating Rogers.[48] Music composition substantially preceded the broadcast of an episode; songs for the series' third season, which began airing in November 2012, were composed in 2011.[46] Ingram thought the songs from previous My Little Pony shows were "a little bit dated", and decided to bring more-modern work to the Friendship Is Magic series.[49] Changes included songs with more emotional depth than those typical of children's animation, which could also be enjoyed outside the episode.[49] Ingram said that his songs had become "bigger and more epic, more Broadway and more cinematic over time",[45] and Hasbro endorsed the effort to try "something groundbreaking for daytime television".[46] "Putting it Together" from the musical Sunday in the Park with George inspired "The Art of the Dress" in the first-season episode "Suited for Success", and "At The Gala" from the first-season finale was based on Into the Woods.[45][50][51] A musical number in "The Super Speedy Cider Squeezy 6000" paid homage to "Ya Got Trouble" from The Music Man.[45]
Completed scripts were sent to Studio B for pre-production and animation with Macromedia Flash Professional 8. Thiessen's production team was allowed to select key personnel, subject to Hasbro approval; one of those selected was art director Ridd Sorensen. The Studio B team storyboarded the provided scripts, incorporating direction and creating scenes that the writers believed were impossible to animate.[58] The DHX Media team went through the storyboard and design process, recorded dialogue, and created a storyboard animatic from the voice recordings.[59] The animators then prepared key-character poses, layout, background art, and other major elements. These versions were sent back to the production team in Los Angeles for review by Hasbro with suggestions from the writers.[58] Hasbro also received rough black-and-white drawings, colored and finalized character and prop designs, and animatics and a rough cut.[59] Thiessen credited much of the technical expertise to Wooton, who created Flash programs to optimize the placement and posing of the pony characters and other elements; this simplified the work needed from other animators.[58] The ponies' manes and tails are generally fixed shapes, animated by bending and stretching them in curves; this gave them movement without the need to animate individual hairs.[16]
Despite Hasbro's target demographic of young girls and their parents,[160][161] My Little Pony: Friendship Is Magic became a cultural and Internet phenomenon with male fans between the ages of 13 and 35 during the 2010s.[162][163] The Internet response has been traced to cartoon and animation fans on 4chan[160] responding to Amidi's essay on the show and current animation trends.[126][164] As a result of the 4chan discussion, interest in the show spread throughout the Internet and inspired a fan base, creative works, fan sites, and conventions.[162] Male fans adopted the name "brony" (a portmanteau of "bro" and "pony") to describe themselves.[165][166] The term "pegasister" (a portmanteau of "pegasus" and "sister") was later adopted to refer to older female fans of the show.[160] The older fan base surprised Hasbro and staff members involved with the series,[45][162][167][168] who appreciated the fandom by adding acknowledgements to fans in the show and toys.[16] Bronies were a meme early in the series, but their Internet popularity gradually faded as the show continued.[169]
Step into a magical world of My Little Pony as you whip up pony parfaits with some of your favorite characters! Bake your way through several layers of colorful cake and then mix up buttercream frosting from scratch. Top off your creation with colorful sprinkles and stickers to showcase Zipp, Sunny, Izzy, and all of your other favorite ponies. Sparkle on and make it shine!
Speaking of cutie marks, I also made these pretty little sugar cookies and labelled them as Cutie Cookies in honor of the Cutie Mark Crusaders. They were frosted with a yummy pink lemonade buttercream and topped off with colorful candy pearls.
Canter into the My Little Pony - Adventures in Equestria, a cooperative Deck-Building Game, and take the role of a pony of Equestria!Get started with My Little Pony: Adventures in Equestria in this...
Do our part, hoof to heart! Take the Girl Scout Make Your Mark Challenge with My Little Pony (PDF) to make positive impact in your community. Complete activities and crafting projects to spread friendship and happiness to everypony.
Let's be friends! With the ponies by your side, take the Girl Scout Better Together Challenge with My Little Pony (PDF) and take part in fun, interactive activities to help you introduce yourself to new friends, be a great friend to the friends you have, and combine all that friendship to make your community a little more magical.
Ive already removed the head on my pony, some are glued, some aren't. Just cut around the neck and put the pony in a bit of hot water, with a little brute strength it should pop right off no problems.
Removing the old hair is pretty easy, you just have to hold the head tight, and cut as close to the head as you are able to without damaging the pony, which should leave you with a moehawk look (Pic 1 and 2)
Take your hair of choice from the bag and place it in your work space, you will need decent room for this. Roughly spread it and you will see if breaks into nice little clumps, these are the strands you can use to rehair. (Pic 1 and 2)
Start heating your glue gun, once warm start pressing the glue inside the head (Pic 3), aiming for the top of the hairline first and working back towards the back of the neck. Dont go too crazy as the glue is really hot and might melt the pony's head. Do it in parts if you have to. You can, if you are unsure, use a butter knife or something to spread the glue inside the head while its still hot, but careful you do not burn yourself.
Lay the pony out after the glue has cooled and gently begin brushing the hair to clean out anything loose. You will get a bit of balled hair, its nothing to worry about unless you pull out a whole plug of hair. This is why i use a lot of glue.
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