Hi Anya,
Thanks for sharing. Very inspiring indeed.
It helped me to get over my desire to be able to infuse the 'Brussels elements' as much as possible (which was hindering me).
I feel Otter's story could happen in any city, if she hasn't described the Senne or mentioned Brussels twice.
I was struggling a bit with the 'context', because I am not a resident of Brussels
and feel a bit an imposter, because I feel I cannot write local science fiction if I hadn't immersed myself with a place.
I found another anchor to 'contextualize' it and decided to focus on some 'element' of Brussels that I know, as a visitor
and ex-employee of a Brussels organisation: Manneken Pis.
Perhaps, an interesting question, just out of curiosity: what are your sources for inspiration?
I am drawing elements of an old Manneken Pis saga (found in a library book from 1980), but also am influenced by a virtual tour by Jolein Bergers (PhD student KU leuven) in de Vogelzangbeekvalley during the Nature of Cities festival, a LinkedIn article about digitalisation and reforestation by a Flemish innovation watcher and some ideas I heard during the international conference of ecolinguistics this week.
And also, how important is the Brussels (2020) context in your story? Perhaps I read I am not the only one who struggles a bit with catching one of the 'essences' of Brussels (or a place in Brussels) .
I know it's science fiction prototyping, so I also told myself it should not be 'perfect'.
Looking forward to read your stories soon.
Warmly,
Wendy
(ps I I really enjoyed the multispecies or tentacular thinking perspective of Otter. I am also doing a similar experiment with a new fiction book I am writing).