This discography was produced using BRIAN, acomputer discography database program created by Steve Albin.BRIAN is a significant step in the field of jazz research and holdsmuch potential. I encourage discographers to investigate this program.Steve has been incredibly helpful in terms of technical support and incustom-tailoring this program.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Sierras, Ancestral, Fields of Green / Meadowlark, Niobrara, Heirloom, One Perfect Sunset / Heartland, Skyline, Secret Garden, and 45 more. , and , . Purchasable with gift card Buy Digital Discography $82.79 USD or more (40% OFF) Send as Gift Share / Embed 1. Fields of Green 04:10 lyrics buy track I never knew why I was runningIt always felt like I'd fallenInto a sleep so deepIt's hard to wakeI'm coming out of the winterInto the fullness of summerThe seasons they reignIt's alrightAnd now I'm leaving the cityTo hear the quiet inside meThese fields of green are enoughJust that wayI've comehome home homeDon't wanna go, don't wanna leave yetThese are the places that we metThere's a fire insideYou calledAnd I'm coming back to life 2. Meadowlark 04:40 info buy track 3. Fields of Green (Instrumental) 04:10 buy track credits released March 12, 2024 license all rights reserved tags Tags ambient Los Angeles Shopping cart subtotal USD taxes calculated at checkout Check out about Tony Anderson Los Angeles, California
Template:Nihongo (stylized as the brilliant green) is a Japanese rock band from Kyoto formed in 1995. They were signed to Sony Music Entertainment Japan. Their major debut single under Sony, "Bye Bye Mr. Mug", was released in 1997.[1] Their contract with Sony ended in 2008, and on December 1, 2009, the band announced that they had signed with Warner Music Group Japan.[2]
The Brilliant Green take much of their influence from Western music, most predominantly The Beatles,[3] with over half their songs including English lyrics. Their break came in 1998 when their third single, "There Will Be Love There," was chosen as the theme song for the popular Japanese Drama Love Again and, as a result, went straight to the top of the charts. After another number one hit with "Tsumetai Hana" they released their self-titled debut album which sold over one million copies in just two days.Template:Citation needed On the back of this success their first national tour, titled "There Will Be Love There," sold out across Japan in only three minutes.[4]
In 2001, Time magazine chose The Brilliant Green as one of the top ten contemporary acts outside the U.S.[5] for their "Los Angeles" album. In 2001, Tomoko Kawase started a solo project under the name Tommy February6.
After the release of The Winter Album in 2002, the band members moved on to solo projects, but the group never officially broke up. Kawase continued as a solo artist under the names Tommy February6 and Tommy Heavenly6. Matsui also started a new project called Meister. On November 22, 2003, Kawase and Okuda announced their marriage.
On June 1, 2007, it was announced that after five years of inactivity, The Brilliant Green would be returning with a new single to celebrate their 10th anniversary. The song, titled "Stand By Me," was selected as the ending theme for the new series of TV drama, Detective School Q, which began on July 3, 2007. The comeback began in earnest on August 22, 2007, as the new single hit the stores.
The band appeared in their first proper live show since their comeback by playing at the Iwafune Mountain Cliff Stage on October 21, 2007. This performance was part of the Iwafune Cliff Stage Special 2007 with The Brilliant Green appearing alongside other musical acts including DxD, Sowelu, and Viagrade.
The second single release of their comeback, "Enemy," was released on December 12, 2007. The following single, titled "Ash Like Snow" appears as an opening theme in the anime series, Mobile Suit Gundam 00. On February 20, 2008 a compilation album titled Complete Singles Collection '97-'08 was released. The band has also mentioned in an online interview that a new studio album is currently in the works, consisting of previously unrecorded songs that were written over the previous ten years.[6]
Following the release of their compilation album in February 2008, the group's 18th single, "Like Yesterday" was released on February 2, 2010. It featured a rearrangement of a previous single, "Sono Speed de" that was re-written in English, titled "At Light Speed". It was their first single since 2008's "Ash Like Snow". It was their second-lowest selling single since 2007's "Enemy".
On May 5, 2010, it was announced that guitarist and original member Ryo Matsui had left The Brilliant Green.[7] His reasons for leaving were not stated, but Kawase and Okuda continued the group as a duo.
We're ranking the best CeeLo Green albums of all time. One of the best soul and R&B artists ever, CeeLo Green's discography features five Grammys, including a few with producer Danger Mouse as the duo Gnarls Barkely. What is the greatest CeeLo Green album ever?
From his debut album Cee-Lo Green and His Perfect Imperfections to his 2015 album Heart Blanche, this list of CeeLo Green albums also includes Cee-Lo Green... Is the Soul Machine, The Lady Killer, and his Christmas album Cee Lo's Magic Moment.
The band has won four GRAMMY awards and has been nominated 17 times, showing their influence on the punk-rock genre for more than 30 years. Following the Oct. 24 release of their zombified music video for "The American Dream Is Killing Me," and debuting two new tracks at When We Were Young festival, Green Day looks to be entering an era full of fresh anthems.
On this record, the trio reunited with longtime producer Rob Cavallo for the first time in a decade. Continuing this nostalgic venture, Saviors comes just ahead of the anniversary of their 1994 breakout album, Dookie, also produced by Cavallo and was performed from front-to-back at their surprise show in Las Vegas.
The second song announced, "Look Ma, No Brains!" debuted last weekend at their sold-out show in Las Vegas. This track features a contagious, killer rock sound that marks an epic comeback for the group.
Saviors seems to celebrate the years spent together. As they shared on X it invites fans "into Green Day's brain, their collective spirit as a band, and an understanding of friendship, culture and legacy of the last 30 plus years."
Several Exclusive Vinyls of Saviors will be released, including options of neon pink with neon green splatter or black ice with hot pink splatter. Vinyl records will be limited supply and pressed once.
The black & white music video, directed by Bredan Walter and Ryan Baxley, was shot in Los Angeles. With lyrics that describe the pain of America's way of living, with references to social media, unemployment and the housing crisis, this rock track sets the overall tone for the album.
As a founding member of the National Recording Preservation Board, the Recording Academy was instrumental in lobbying and getting the board created by Congress. Now, the Library of Congress has added new treasures to the National Recording Registry, preserving masterpieces that have shaped American culture.
The latest selections named to the registry span from 1919 to 1998 and range from the recordings of the all-Black 369th U.S. Infantry Band led by James Reese Europe after World War I, to defining sounds of jazz and bluegrass, and iconic recordings from pop, dance, country, rock, rap, Latin and classical music.
Almost exactly two decades ago, Green Day traced the story of a lonely teenager, Jesus of Suburbia, in their seventh album, American Idiot. Its most notable chapter, "Boulevard of Broken Dreams," earned the band Record Of The Year at the 2006 GRAMMYs.
LL is a longtime fan of Green Day. In an interview with Kerrang! magazine, she recalled their single "Good Riddance (Time of Your Life)" as the first song she learned to play. She later told idobi Radio that her 2023 track "omg" was "a bunch of intrusive thoughts jumbled into a song, wondering if I will ever be enough, or ever be as cool as Green Day."
Green Day's new album represents a spiritual link between their past and present. Fittingly titled Saviors, the band's 14th release is wholly in the present while connecting to their lynchpin albums: 1994's Dookie and 2004's American Idiot.
"Did I want it to be an old-school Green Day punk record, or did I want to do something that felt more lush and stadiumlike?" leader Billie Joe Armstrong told Vulture. "When we saw it come together, I remembered thinking, Oh, this is the connection. Saviors does feel like a trifecta with Dookie and American Idiot where it feels like a life's work.
"It was one of the last things we recorded," Dirnt told Rolling Stone. "Rob's like, 'What else do you got?' As we get towards the end of recording, it was two songs. It was that one and 'Father to a Son.' And those two songs, Rob's like, 'Oh, you've got to record those.'"
Two albums, from decades ago, performed front-to-back, in stadiums the world over: that could categorize Green Day as a nostalgia act. But Green Day are nostalgic for nothing; rather, they still harbor the ethos of their punk youth.
"I still try to maintain that kind of spirit about what we do," Armstrong told People, "which is just being independent and free to express yourself the way that you want." That might mean a surprise set inside a New York City subway station, or announcing their Saviors tour plans on "The Howard Stern Show."
"I think one of the strong points of this band is we just stay in the moment," Dirnt said to Rolling Stone. "Don't look backwards, and don't look too far forward. Stay in the moment, but appreciate the moment." And the Saviors tour will provide so many moments to remember.
Punk was punk before punk had a name and, as such, has many great epicenters. From the Ramones, who rocketed out of New York City to London's sneering and spitting Sex Pistols, and Detroit rockers such as the MC5 and the Stooges who set the attitudinal tone for the genre, punk is often considered an east-of-the-Mississippi (and across the pond) phenomenon.
7fc3f7cf58