Most of the 'how to' videos involve using Siril, which is a powerful program but almost impossible to use without detailed instructions. I found it easier to do the initial stacking in Deep Sky Stacker. TBH I have only tried to 'improve' the images where the smartphone image had airplane tracks or was not saved at all.
Originally from Italy, but now based in Manchester, UK, Paola Bazz is an emerging artist who is rapidly picking up recognition! 2016 has been a busy year for Paola, with exhibitions in Brussels, Manchester and London already under her belt and two upcoming exhibits this month at the Affordable Art Fair in NY and at LAPADA fair in Mayfair, London.
My grandmother and my mother always taught me how to reuse materials by transforming them into something new. My father found a joy in manual work, while my grandfather loved drawing and painting. My family taught me a lot and opened my eyes to the vast possibilities of making and thinking about art.
In my formative years, I studied painting, drawing and a degree in Architecture at IUAV University in Venice in 1991. Professionally I went on to work on house renovations, interiors and retail designs, museums, temporary exhibitions and theatrical scenography but always continued to paint on the side.
Being an artist gives me the chance to document the present day and to understand our society with its kaleidoscope of constant and rapid changes. Through art I draw attention to how our identity is destructed and re-constructed and how our lifestyle effects the environment. I use art as a way to present a fresh perspective on all these topics.
In my parents' generation, people generally had the same job for 40 years, they were married to the same person, lived in the same place, and had the same interests their entire life. Artists painted, sculpted or designed. Today we are more diverse in how we live and our situation changes rapidly. I reflect this multiplicity.
I take inspiration from almost everything. I like to depict strangers and use images of real people. Sometimes they are ordinary people from the street, sometimes from social media, sometimes celebrities.
To create my fragmented 3D portraits I use printed-paper, which for me is a mass-produced commodity of our popular culture. I then put the paper back together in fragments, half-finished sentences, faces, letters, in a sort of jigsaw puzzle that represents our frantic everyday life. My work gives a vivid record of our society.
Creativity needs to be constantly fed and trained. To avoid being short of ideas, one needs to adopt different perspectives. Travelling to new places or reading, watching and listening to new material always helps. Being curious is key.
He starts by sketching a grid on a photograph and then scales the grid up on a larger canvas. He then paints each individual box, creating images that are simple yet extremely complex. From far away, they are amazing portraits and up close they reveal very clean-cut details.
Unike Jugram, Bazz is harder to read in his character because there are a lot of contradictions between his actions and words and me having a hard time to relate to him, but i will try my best to read his mind
We all know how cocky bazz is and its part of his persona but he isnt dumb, far from that actually
As a kid, he was very self aware and took pride in being a talented quincy, he knew he was better than anyone and would even show off a lot, but not with jugo (when jugo talked about himself, he corrected him by saying he wasnt bad, just not gifted like he was),
After his village got burned down, he has lost everything, his house, his people, his status,, his life basically, the only thing that was left for him was jugo, they both together promised to kill the man who took away his life
When yhwach is done with insulting him and taking his friend away, he shoots him wanting to kill himbut jugo takes the arrow instead, breaking their friendship but also bazz, at this very moment, he lost the only thing he had, his only friend
bazz always hated following the rules ever since he was a kid, he thinks you should act upon your own believes/values, jugram never does, thats why it pisses him off so much, he wants him, for once, to do something for himself, he even had to speak for him about uryu, maybe if jugram act more on his own, he would see for what he actually stands for, he even calls him a friend after the aushwalen, bazz never thought of bad about jugram, he just hates his way to make desicions/actions, he feels like the only thing that matters to him is the army/his majesty i cannot believe i typed this, god
Buy this Royalty Free Stock Photo on bazz Moon Planet Celestial bodies and the universe Night Universe Astronomy luna Half moon Blue Astrology Full moon man in the moon Moonstruck Stars Sky Black Astrophotography Clouds astro Future Astronaut Cosmonaut taikonaut science Artificial Space suit Astronautics spaceman Light Satellite Dark Lunar surface explorers lunar Advancement Calm for your Editorial or Promotional Website, Book Cover, Flyer, Article, Wordpress Blog and Template from Photocase.
An Italian artist living and working in Manchester, a degree in architecture and a great passion cultivated since her childhood: recycled printed paper. The most interesting artworks produced by Paola Bazz include 3D-collages, which are a tool and a means of expression of a new artistic language where form and content are somehow combined.
My entire production, both 2D and 3D has one great passion in common: recovered printed paper. When I paint, as a support I use newsprint glued on canvas, wood (old wardrobe doors or old boards) or cardboard, while I use the pages of old catalogues or magazines as the base for my drawings.
While printed paper only serves as a support in these latest artworks of mine, in my 3D-collages it becomes a tool and a means of expression of a new artistic language, where a means of expression of a new artistic language where form and content are somehow combined.
By manipulating, transforming, selecting, cutting and bending printed paper I am able to create small or big concertinas, i.e. large pixels with a square base. Once placed within a rigid square grid, they will be used to make up an image. Each of these pixels has a story, an image, a colour or a single letter in itself and all together they tell a bigger story and create an image, which is complex and simple at the same time.
Yes, there is definitely a life philosophy behind all this. Everything stems from the idea that any object or material has its own story. When something is thrown away, this is not only a loss from an energy and ecological viewpoint, but also a loss in terms of the story that the object or material concerned brings with itself. This particularly applies to printed paper with its enormous communication power and its immeasurable load of information, messages and images, which make it a real treasure.
All my collages pursue a twofold objective: on the one hand, they aim at investigating the boundary between abstract and figurative, thereby creating a pathway through which the two different languages can measure themselves against each other, as well as influence and nourish each other. On the other hand, they intend to analyse the extent to which the human mind is able to rebuild an image, which is processed to such an extent that it almost becomes an abstract composition.
My work has been and is still influenced today basically by three artists, who did important and interesting research work in fields that are very different from one another. US writer and painter Jean-Michel Basquiat for the use of words, which he uses as an integral part of his paintings, as well as background. The hyper-realistic painter Chuck Close, who is renowned for his large-scale portraits and his method. The starts from a photo and sketches a grid on it, to then bring the grid on canvas on a larger scale. At this stage, he colours each individual box, thereby creating images that are simple and complex at the same time. From the distance, these are amazing portraits. At close range, they reveal very clean-cut details, which then dissolve and become surprisingly abstract. And finally Jean-Pierre Yvaral, a representative of the op-art who investigated aspects related to optical and psychiatric perception. He has also been a great influencer for his method. He would digitally process his portraits to such an extent, that they become abstract compositions, although the original image was always recognizable.
Tags: zora seggin bazz botw loz im love this scary fish but he should not have been allowed to have kids Bazz being Like That(tm) is a direct result of Seggin being Even Worse(tm) smol bazz is holding a comically large spear because the zora don't really make child-sized weaponry a zora soldier isnt expect to start spear training before reaching their growth spurt child zora body is just so different from adult zora body with its proportions and center of gravity that its considered useless to teach them complex skills that they'll have to relearn in a few years anyway
Tags: sidon bazz zora botw loz what are the boys up to we can only guess my zora doodles mostly exist on a fairly consistent timeline and the timeline can be roughly put together by looking at sidon's height and amount of accessories or alternatively by the depth of bazz's eye bags
Tags: zora bazz bazz botw loz botw totk i actually wanted to make it even bigger but it resulted in lots of empty walls and started to look like a warehouse i hesitated if i should put a pool in there but in the end it fit my headcanon of the office being built by some very decadent guard captain from the past and also it's just too good for power naps
Tags: bazzlink bazz botw totk loz finding more bazzlink sketches from ages ago i really like this one i like the slightly confused bazz in the first picture obligatory disclaimer that i'm a shipping omnivore and the fact i drew two boys smooching means nothing in the grand scheme of things except that i found the concept amusing at that particular moment of time first and foremost i remain a fucked up friendships enjoyer
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