Disclosure Settle Album Zip
Celena Holtzberg
Settle is the debut studio album by English electronic music duo Disclosure, released on June 3, 2013, by PMR Records and Island Records. Accompanied by the success of its lead single, "Latch", featuring Sam Smith, the album features collaborations with AlunaGeorge, Ed Macfarlane of Friendly Fires, Sasha Keable, Eliza Doolittle, Jamie Woon, Jessie Ware, and London Grammar. A deluxe edition of the album contains four bonus tracks, including Disclosure's remix of Ware's song "Running".
Settle received widespread critical praise, and was nominated for the 2013 Mercury Prize.[5] The album debuted at number one on the UK Albums Chart, selling 44,633 copies in its first week.[6] It was certified platinum by the British Phonographic Industry (BPI) on 4 April 2014, denoting shipments in excess of 300,000 copies.[7] In the United States, the album reached number one on the Billboard Dance/Electronic Albums chart with 10,000 units sold after a promotional discount on Google Play Music.[8] It had sold 165,000 copies in the United States by September 2015.[9] A companion remix album, titled Settle: The Remixes, was released in December 2013.[10]
"Latch" was released as the lead single from the album on 8 October 2012.[11] The song peaked at number 11 on the UK Singles Chart.[12] It also charted in Australia, Belgium, Denmark, Ireland, France, the Netherlands, and the United States.
"White Noise" was released as the second single from the album on 1 February 2013.[13] The song reached number two on the UK Singles Chart, becoming Disclosure's highest-peaking single to date.[12] It also charted in Belgium and Ireland.
Settle received widespread acclaim from music critics. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream publications, the album received an average score of 81, based on 31 reviews.[20] Robert Copsey of Digital Spy gave the album a positive review stating: "Despite the list of vocalists reading like a who's who on the Hype Machine chart, Guy and Howard's presence is felt strongly throughout, although the featureless tracks 'Second Chance' and 'Grab Her' are the weaker on the collection. Regardless, much like Daft Punk's latest effort, Settle is an album that brings some sorely needed intelligence back to joyous dance-pop."[29]
Eve Barlow of NME gave the album a positive review stating: "Throughout, Settle will blind you with so much sheen you'll want to tile your bathroom in it. Sadly, the London Grammar-featuring 'Help Me Lose My Mind' is a bit of an unnecessary cool-down. Not to worry, Disclosuremania is clearly about to sweep the nation."[25]
In recent years, dance music's growing mainstream prominence has led to a number of excellent debuts: SBTRKT and Holy Ghost!'s self-titled efforts, Classixx's Hanging Gardens, Totally Enormous Extinct Dinosaurs' Trouble, and Katy B's On a Mission, to name a few. These records gained notice for recontextualizing the sounds of dance's various sub-genres-- disco, dubstep, house, and more-- into pop-leaning structures. The latest addition to this list is Settle, the brilliant debut album by Disclosure. The Surrey duo have not only made 2013's best dance record so far-- they've also concocted one of the most assured, confident debuts from any genre in recent memory. That they've done so on a major-label record that's absolutely loaded with guest spots-- these are typically red flags when approaching any dance full-length with crossover potential-- is nothing short of a miracle.
A number of tracks from Disclosure's earlier releases would be considered highlights on any debut album. Two of them, "Boiling" and "What's in Your Head", from the enjoyable 2011 EP The Face, are relegated to bonus track status on Settle's deluxe edition. That such strong material didn't make the album proper speaks to its high quality. Over its hour-long runtime, Settle features an masterful sense of pacing, from the jacking propulsion of "When a Fire Starts to Burn" to the album's sweeping closer, "Help Me Lose My Mind". Dance music's long had a fickle relationship with the album format, but Settle's impeccable sequencing leads to an album that begs to be heard in its entirety.
Skirting dance's more bass-heavy strands, Disclosure take a spare approach to sampling throughout Settle. They lift a few stray sounds from Kelis and Slum Village and, most curiously, motivational speaker and self-proclaimed "hip-hop preacher" Eric Thomas, whose impassioned delivery is featured on the album's intro as well as "When a Fire Starts to Burn". The video for the latter brings the sample to life visually and it turns out to be a strange reflection of its source material. As was recently noted, dance music's history contains frequent intersections, ideological and otherwise, with religion. Much like when dance-pop alchemists Hot Chip released their own devotional to the dancefloor in the form of last year's stellar In Our Heads, Settle's appeal ultimately owes something to its spiritual tinge. Disclosure's unabashed pop sensibilities speak to the notion that music, as with a system of beliefs, can bring a diverse array of people-- the dance nerds and the poptimists, the club denizens and the festival obsessives, the perpetually stylish and the utterly clueless-- together as one. Settle is an album-length articulation of this idea, and it's hard not to believe in that.
The genre of the music is not instantly obvious from the main image, however the digitally edited white faces on the boys could suggest that their music has a digital electronic sound. The distinctive white faces on the image are one of Disclosures recurring motifs, they feature as a part of all of their music videos, several live performances and album covers, it is what makes them instantly recognisable.
Disclosure is celebrating 10 years of its acclaimed debut album, Settle, with a transparent orange double vinyl set featuring the original album with an additional five carefully curated tracks selected by the duo.
Debuting at No.1 in the Official Album Chart, it was certified platinum in the UK in the same year of its release and was nominated for the prestigious Mercury Music Award. Outside of the UK, the album was nominated for Best Dance/Electronica Album at the 2014 Grammy Award and topped the Billboard Dance/Electronic Albums Chart in the US. It found success through Europe and the rest of the world, and in 2022 Rolling Stone magazine named it in their Best Debut Albums Of All Time list.
Pioneering electronic duo Disclosure have been working with BRONZE to create a unique interpretation of their debut album Settle in celebration of its 10 year anniversary. This version of Settle will present the listener with a unique per play iteration of the album in a form never previously heard, combining elements from across the album into an endless mix, allowing the listener to enjoy their own version of the album in a completely new way each time they listen.
We started the Caracal campaign by hunting down a wild Caracal cat to film and photograph for the cover of the album. Eventually finding one in South Oregon a small crew travelled to document the lynx. From the shoot we created the album artwork and promotional footage for the TV commercials.
In early 2015 we were commissioned by Disclosure to design the screen content for their Caracal World Tour. We continued our Art Direction from the album campaign onto the stage with a 17 strong set of custom visuals. Due to the number of featured artists on the album we also produced a number of shoots to film each collaborator to make their presence felt during the live experience. We worked closely with the artists team and lighting designer Will Potts & Okulus to create a show where lighting and video intertwined seamlessly.
Debuting at number #1 in the UK album chart selling 45k copies in its first week and certified platinum by the British Phonographic Industry later that year. In the US, the album reached number one on the Billboard Dance/Electronic Albums. 7 singles were released with the first, Latch (featuring global superstar Sam Smith) peaking at 11 in the UK singles chart. Second single White Noise (with guest vocals from AlunaGeorge) reached 2 in the UK singles chart.
Danny Howard, Arielle Free and Jack Saunders break down why they love Disclosure debut album Settle and why they think it's an Essential Album that everyone needs to hear. We also hear from the duo and Sam Smith as they discuss performing Latch.
Disclosure are like the biggest guys in British dance music right now. Their album isn't even out yet and they're already headlining festivals and hanging out on magazine covers. They're not just a British success story either, their US tour was a sell out and their playing massive shows in Japan and Europe too. When their debut album Settle drops on Monday, it's pretty certain to go to number one.
As part of our album DNA series on You Need To Hear This, we asked Disclosure to break their record down into its genetic constituents: the collaborators, influences, sounds and settings that made the album what it is.
Although they don't share much sonic ground, in terms of technique and attitude both brothers agree there's only one master: Dilla. "Donuts is my favourite album of all time," says Guy. "They way it flows, how the tracks go from one to the next, it's just incredible. The fact he wrote it all days before he died is just astonishing. Dilla exemplified the fact that you can be a producer and still make albums work as a whole."
That's right, the hottest property UK bass culture bloody love Seal. "There's so many different things from different producers on that one album. One song written by Adamski, another is like straight 909 House. But he still makes it cohesive just using his voice and song writing, it's incredible He's able to convey the same themes throughout the whole album: paranoia, living in London, love, but he does it through different channels. I guess we're trying to do the same but the other way round, all these different voices but one clear sound."
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