Cats 1999

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Cats is a 1998 British direct-to-video musical film based on the 1981 stage musical of the same name by Andrew Lloyd Webber, itself based on Old Possum's Book of Practical Cats (1939) by T. S. Eliot. Lloyd Webber oversaw orchestration and called on Gillian Lynne, the show's original choreographer, to train the cast members. David Mallet served as the director of this production.

The film is a recreation of the stage musical, but with new staging and significant edits made to reduce the runtime for television broadcast. It was filmed at the Adelphi Theatre in London in 1997, with the cast selected from various past and (then) present international productions of Cats. Initially released to VHS and subsequently DVD and Blu-ray, the film has since been shown on television channels including PBS, BBC and Ovation TV.

After the overture, the Cats gather on stage and describe the Jellicle tribe and its purpose ("Jellicle Songs for Jellicle Cats"). The cats (who break the fourth wall throughout) then notice that they are being watched, and proceed to explain how the different cats of the tribe are named ("The Naming of Cats"). This is followed by a ballet solo performed by Victoria to signal the beginning of the Jellicle Ball ("The Invitation to the Jellicle Ball"). At this moment, Munkustrap, the main narrator, explains that tonight the Jellicle patriarch Old Deuteronomy will make an appearance and choose one of the cats to be reborn into a new life on the Heaviside Layer.

The first contender Munkustrap introduces is Jennyanydots ("The Old Gumbie Cat"), a large tabby cat who lazes around all day but come nighttime, she becomes active, teaching mice and cockroaches various activities to curb their naturally destructive habits. Just as Jennyanydots finishes her song, the music changes suddenly and Rum Tum Tugger makes his extravagant entrance in front of the tribe ("The Rum Tum Tugger"). He is very fickle and unappeasable, "for he will do as he do do, and there's no doing anything about it".

Then, as Rum Tum Tugger's song fades, a shabby old grey cat stumbles out wanting to be reconciled; it is Grizabella. All the cats back away from her in fear and disgust and explain her unfortunate state ("Grizabella: The Glamour Cat"). Grizabella leaves and the music changes to a cheerful upbeat number as Bustopher Jones, a fat cat in "a coat of fastidious black", is brought to the stage ("Bustopher Jones: The Cat About Town"). Bustopher Jones is among the elite of the cats, and visits prestigious gentlemen's clubs. Suddenly, a loud crash startles the tribe and the cats run offstage in fright. Hushed giggling sounds signal the entrance of Mungojerrie and Rumpleteazer, a pair of near-identical cats. They are mischievous petty burglars who enjoy causing trouble around their human neighborhood ("Mungojerrie and Rumpleteazer"). After they finish, they are caught off-guard and confronted by the rest of the cats.

Finally, the Jellicle patriarch, Old Deuteronomy, arrives before the tribe ("Old Deuteronomy"). He is a wise old cat who "has lived many lives" and is tasked with choosing which Jellicle will go to the Heaviside Layer every year. The cats put on a play for Old Deuteronomy ("The Awefull Battle of the Pekes and the Pollicles"), telling a story about two dog tribes clashing in the street and subsequently being scared away by the Great Rumpus Cat. A somber moral from Old Deuteronomy is interrupted by a second loud crash, presumably from Macavity, which sends the alarmed cats scurrying. After a quick patrol for Macavity, Old Deuteronomy deems it a false alarm and summons the cats back as the main celebration begins ("The Jellicle Ball"), in which the cats sing and display their "Terpsichorean powers". During the Ball, Grizabella reappears and is once again shunned by the other cats ("Grizabella: The Glamour Cat (Reprise)") while Old Deuteronomy looks on sadly. She tries to dance along, but her age and decrepit condition prevent her from doing so ("Memory (Prelude)").

With a third crash and an evil laugh, the "most wanted" cat Macavity appears. He is the so-called "Napoleon of Crime" who always manages to evade the authorities. Macavity's henchmen capture Old Deuteronomy and take off with the patriarch in tow. As Munkustrap and his troop give chase, Demeter and Bombalurina explain what they know about Macavity ("Macavity: The Mystery Cat"). When they are finished, Macavity returns disguised as Old Deuteronomy, but his cover is blown by Demeter and he ends up in a fight with Munkustrap and Alonzo. Macavity holds his own for a time, but as the rest of the tribe begins to gang up and surround him, he shorts out the stage lights and escapes in the resulting confusion. After the fight, Rum Tum Tugger calls upon the magician Mr. Mistoffelees for help ("Magical Mr. Mistoffelees"). Known as the "original conjuring cat", Mr. Mistoffelees can perform feats of magic that no other cat can do. He displays his magical powers in a dance solo and uses them to restore the lights and bring back Old Deuteronomy. Now, the Jellicle Choice can be made.

Before Old Deuteronomy can announce his decision, Grizabella returns to the junkyard and he allows her to address the gathering. Her faded appearance and lonely disposition have little effect on her song ("Memory"). With acceptance and encouragement from Jemima and Victoria, her appeal succeeds and she is chosen to be the one to go to the Heaviside Layer and be reborn into a new Jellicle life ("The Journey to the Heaviside Layer"). A tyre rises from the piles of junk, carrying Grizabella and Old Deuteronomy partway towards the sky; Grizabella then completes the journey on her own. Finally, Old Deuteronomy gives an address ("The Ad-dressing of Cats").

The cast for the film consists of former and contemporary members of various international stage productions of Cats, who were invited to reprise their stage roles. Among the cast were Elaine Paige and Susan Jane Tanner who originated the roles of Grizabella and Jellylorum in the West End respectively, and Ken Page who originated the role of Old Deuteronomy on Broadway. The exception was John Mills who was brought on to play Gus for the first time.[3]

The film was shot at the Adelphi Theatre in London over the course of 18 days in August 1997.[5][6] The cast vocals were recorded first, followed by two run-throughs of the entire show that were captured from multiple angles by 16 cameras, ending with a few weeks of close-up and pick-up shots.[7]

The musical score was recorded with a 100-piece orchestra,[7] with Simon Lee serving as the musical director and conductor. The film infuses the music from various international productions of the stage show.[8]

Directed for television broadcast, this production was restaged on a new set and was not filmed with an audience.[7][9] Significant cuts were also made, with the film having a running time of slightly under 2 hours, compared to the 2 hours and 40 minutes running time of the stage show.[3][9] The entirety of "Growltiger's Last Stand" was cut,[3] along with parts of "The Jellicle Ball", "The Old Gumbie Cat", "Mr. Mistoffelees", "Macavity: The Mystery Cat", and "Mungojerrie and Rumpleteazer".

Cats was initially released on VHS and DVD by Polygram Video in 1998,[5][10] reaching No. 6 on the Billboard Top Video Sales chart.[11] The home video released in 2002 by Universal Pictures is certified 19 Platinum in the UK.[12] A Blu-ray was released in 2013 that included additional behind-the-scenes footage.[13]

The film premiered on PBS' Great Performances on 2 November 1998.[14][6] It has been televised on other channels, including BBC and Ovation TV,[citation needed] and was shown on Great Performances again in November 2014.[6]

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The diagnosis and management of systemic hypertension in cats requires a reliable method for measurement of systemic arterial blood pressure (BP) in clinical patients. Unfortunately, the setting of a clinical practice and the act of measuring BP might raise BP and heart rate (HR), an effect referred to as the white-coat effect in human patients. The purpose of the present study was to determine if a white-coat effect was experienced by cats. Radiotelemetric implants were used to measure BP and HR in 13 conscious cats in a research colony while undisturbed in their cages and while subjected to simulated visits to a veterinarian's office. The white-coat effect was taken to be the difference between the overall 24-hour average value for parameters of BP and HR and the corresponding value during the simulated office visit. A white-coat effect was observed in cats. In healthy cats, the systolic BP measured during the examination period of the simulated office visit exceeded the 24-hour average systolic BP by 17.6+/-1.5 mm Hg. However, marked heterogeneity occurred in the pattern and magnitude of the increase in systolic BP above the 24-hour baseline and the increase varied between 75.3 and -27.2 mm Hg for the healthy cats. Variation in response to the simulated office visit was observed among cats and among visits by the same cat. During an office visit, the magnitude of the white-coat effect tended to decrease, but not disappear, over time. The magnitude of the white-coat effect varied when cats were subjected to 5 repeat office visits, but did not diminish in the group as a whole. The mean increase in systolic BP during the examination (22.3+/-0.9 mm Hg) was greater (P < .05) in cats with renal insufficiency. Although the heterogeneity of response expected from companion animals might be greater than that observed in these colony cats, these results indicate that veterinarians should carefully consider the white-coat effect in evaluation of BP in cats. A quiet, undisturbed environment and adequate time for acclimation should be included in the standard protocol for measurements of BP. Because of day-to-day variation in the white-coat effect in individual cats, multiple serial measurements following a standard protocol should provide the best estimate of BP in cats.

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