
Associate professor of English at UC Berkeley and author of The Fugitive's Properties: Law and the Poetics of Possession.
Henry Gayle Sanders, Kaycee Moore, Charles Bracy, Angela Burnett,
Killer of Sheep evokes the everyday trials, fragile pleasures, and tenacious humor of blue-collar African Americans in 1970s Watts. Charles Burnett made the film on a minuscule budget with a mostly nonprofessional cast, combining keen on-the-street observation with a carefully crafted script. The episodic plot centers on the character of Stan, a slaughterhouse worker mired in exhaustion, disconnected from his wife, his children, and himself. Stan and his neighbors struggle to get by, let alone get ahead; as befits an LA movie, vehicular metaphors of breakdown abound. Only the kids, leaping from roof to roof, seem to achieve a mobility that eludes their elders.