German Audio Engineering
Basemat Doolen
A student who plans to work in a recording studio may benefit from the course material and hands-on experience from an audio engineering program. Such programs are often a stepping stone for higher education or better job prospects.
Germany is a great destination for international scholars and has a high quality higher education system. The value of this level of education has been improved by the Germany's strong economy. Foreign students enjoy excellent living standards in a secure and safe surroundings. Berlin is the capital.
A bachelor's degree is given to students who fulfill the necessary requirements given by the college or university they are attending. The requirements include three to seven years of focus on a subject, typically referred to as a major or concentration.
With over 12.000+ Members worldwide, affiliated with 90+ AES professional sections and 120+ student sections, Audio Engineering Society (AES) is the largest community of audio experts. AES is a worldwide professional society devoted exclusively to audio technology. It is a platform for engineers, scientists and other individuals with an interest or involvement in the professional audio industry.
Founded in the USA in 1948, the AES is now an international non-profit organization that unites audio engineers, creative artists, scientists and students worldwide by promoting the technology and practice of audio and spreading new knowledge and research.
The membership largely comprises engineers developing devices or products for audio, and persons working in audio content production. It also includes acousticians, audiologists, academics, and those in other disciplines related to audio.
The Society develops, reviews and publishes engineering standards and technical guidelines for the audio and related media industries, and produces the AES Conventions (conference with exhibition). These Conventions are held twice a year alternating between Europe and the US. The AES and individual regional or national sections also hold international, more topic-focused AES Conferences during the year.
Furthermore, it stands for its well-established library of scientific publications (papers, posters, engineering briefs), accessible free of charge to all AES members. This library consists of 20.000+ publications including not only science and industry-related topics but also art, music and media.
Listen: AES Germany actively listens to the needs, concerns and developments within the audio community, especially its members and partners, and offers support by providing resources, expert contacts and career opportunities. We encourage a respectful and open dialog to create a diverse and inclusive community. We pursue the goal of being able to enjoy any form of audio in the best possible quality.
Learn: AES Germany offers a variety of opportunities for continuous learning and knowledge exchange, including face-to-face meetings, research colloquia, online events and local events. We are actively committed to integrating and supporting students and young professionals in the network to foster the next generation of professionals and secure the future of the audio industry in Germany.
Connect: AES Germany promotes networking and collaboration between different players in the audio industry through regional events, exchange platforms and partnerships. We build bridges between industry, educational institutions, experts and students, as well as between the international and German AES communities, to achieve common goals and fully exploit potential.
This is an open call to companies, institutions and organizations of all kinds from the world of audio technology, to manufacturers, studios, solution providers, developers, universities, institutes and communities, to support our work.
Your support could be in the form of dedicated donations or simply by providing us with facilities for a local event. All this is based on the premise that everyone involved will take home a lot of new ideas, connections and opportunities from these events.
I work in my studio using top notch soft- and hardware and an ideal listening environment. I have worked with labels such as Motown and Alfeade Records, and am now offering my services directly to independent artists. I have mixed and mastered over 2500 projects on Fiverr alone, amassing over 50 million streams.
Stems are the individual files that I need for the mix. Essentially, it is the number of seperate .wav files you are sending me. For example the Stems could be Bass, Vocals, Harmonies, Sax, Piano and Drums. In this case we have 6 Stems (Assuming 1 Stem per Instrument)
Please create stems by rendering all active audio tracks separately to the same length. 24-bit .wav files prefered. Make sure dither is turned on.You can put these files in a folder and compress them into an archive. Upload the archive to WeTransfer / GoogleDrive/ DropBox, and DM me the link!
I mix anything from EDM, Pop, Trap, Country, Rap, Rock as well as acoustic and orchestral music.I have severable notable clients who are successfully charting and with my mixes, specifically german folk, rock, rap and pop.
I have been making music for the past 18 years and have always attempted to mix / master my own work. With this particular song, I decided I wanted to turn it over to someone else for a change, and I couldn't be happier with the result! Not... See more
Perfect tuning, mix, master, everything I ever wanted and desired of this song. To be honest, my singing was pretty bad in the original recording, and Furkan managed to tune it to perfection, but in such a natural way that you don't hear any... See more
Absolutely thrilled with Furkan's work on our latest track! As a mix and mastering engineer, he exceeded our expectations in every way. Our song was particularly challenging, with complex layers and a unique soundscape, but Furkan handled it... See more
Sound engineering, capturing, mixing - is that exactly your world? Our degree in Audio Design teaches you how to acoustically shape the world with sound and speech - from blockbuster soundtracks to electric car sound design.
Designed sound surrounds us in almost all areas of our lives. In this programme you will explore the physical properties of sound and learn how to technically design and manipulate it. You will produce soundtracks for various media such as film, animation and computer games, you will investigate the powerful effects of sound in different environments and become familiar with the entire acoustic communication chain - from the sound source to the recipient.
Audio designers compose music of various genres, create digital sound designs and acoustic special effects, realise speech productions and manage sound recordings with bands and ensembles. They write songs, orchestrate their own arrangements and develop digital musical instruments and apps. Audio designers work either freelance or are employed in a variety of industries.
Hearing your own song on the radio or in advertising, signing with a label: The "Steps Ahead" Listening Session at the Berlin School of Popular Arts offers young talents the opportunity to get a few steps closer to this goal. Musicians get to meet decision makers from the music industry and media in person. Thanks to the direct feedback, our students get the chance to get their song on radio or to sign a contract.
Students of the SRH Berlin Audio Design programme and students of the English University for the Creative Arts have created concept albums together using the digital audio workstation Soundtrap. The aim of the project is to create a creative network beyond borders and to strengthen the students' intercultural skills.
In the first semester you will immerse yourself in the world of Audio Design. You will learn basic techniques of audio engineering, miking and recording. You'll also learn about the physics of acoustics and you'll be introduced to common DAW systems (Logic, Pro Tools, Ableton Live). In your first practical projects, you will learn how to dramaturgically build up your own pieces, to implement them compositionally and technically and to change their effect through sound design. In addition to a first excursion into popular music history, you will receive piano lessons to improve your routine on the instrument for your own compositional work.
In the second semester you will deepen your knowledge of music theory and practice. In the Sound Studies module you will analyse sound design, musical concepts and pieces and receive an introduction to scientific work. You will learn the basics of digital signal processing and apply your knowledge in first sound synthesis procedures. In the second semester you will also carry out a practical project (e.g. with students of the B.A. Visual and Interactive Media).
In the third semester you will develop your own compositions and analyse current works. You will deal with the basics of music production and get to know the everyday studio life of an audio designer, design software-based musical instruments and interfaces. The Media Law module also teaches copyright law, trademark law and licensing.
In the sixth semester you decide on a project from the fields of music technology & art, music production, sound design or composition and thus choose your individual focus. Your focus project will be carried out in cooperation with the degree programs B.A. Visual and Interactive Media and B.A. Creative Industries Management. You will learn to develop instruments and interfaces and dive into production techniques for 3D audio mixes and multi-channel systems. Building on this, you will consolidate your knowledge in a self-chosen module from the field of sound: music technology or sound design. Accompanying guest lectures and field trips will give you important stimuli from the industry and the opportunity to learn from the experiences of others.
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