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Cinemaflix zeigt, wie Filmstreaming gemacht wird

Diese Studie untersucht die Praxis des Ansehens von Filmen über Film-Streaming-Websites und ihre Kommunikationsmuster mit der Regierung und Unternehmen. Diese Studie verwendet das Paradigma eines Prismas von Saukko (2003), das sich auf die Verwendung von 'Kristallisation' bezieht. Metaphorisch reflektieren Kristalle nicht nur Licht nach außen, indem sie nämlich die Komplexität, die Film-Streaming-Websites umgibt, darstellen, sondern auch Perspektiven von innen sehen. Für die Datensammlung hat diese Studie die meisten Film-Streaming-Websites der Welt (über die weltweite Google-Suchmaschine) aussortiert. Die Entwicklung der Internettechnologie in diesem digitalen Zeitalter hat die Praxis des Ansehens von Filmen verändert, auf die jetzt überall und jederzeit über Film-Streaming-Websites zugegriffen werden kann. Bisher wurde das Problem des Online-Anschauens von Filmen von der Regierung als eine Website bezeichnet, die Raubkopien anbietet und ausgerottet werden muss, aber andererseits stellt der Eigentümer der Website alle Filme kostenlos online zur Verfügung und kann von jedermann zum Zwecke des Teilens genossen. Im nächsten Abschnitt liegt der Schwerpunkt dieser Studie auf der Analyse der Spannungen zwischen Film-Streaming-Websites, die kostenlose Filmunterhaltung im digitalen Zeitalter fördern, und staatlichen und unternehmensbezogenen Vorschriften inmitten des „Kriegs gegen die Piraterie“. Am Ende beleuchtet diese Studie kritisch die politische Ökonomie des Vorhandenseins von Filmstreaming-Websites und analysiert aus der Perspektive der Piraterie Filmstreaming-Websites hinter dem Motiv der „Sharing Economy“ für die Entstehung dieser Websites zur Bildung einer hybriden Ökonomie.

Veröffentlichungsethik
Journal of Communication Studies legt großen Wert auf die Veröffentlichungsethik des gesamten Zeitschriftenveröffentlichungsprozesses und aller eingegangenen Artikel. Als qualitätssichernde Zeitschrift garantiert das Journal of Communication Studies die Professionalität aller Parteien von Zeitschriftenmanagern, Autoren, Herausgebern und Gutachtern in Bezug auf die Publishing Ethics of the Communication Studies Journal, die aus Elseviers Statement of Publication Ethics and Publication Malpractice übernommen wurden, und COPE-Best-Practice-Richtlinien für Zeitschriftenredakteure wie folgt:

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cinemaflixs is a solution for you when you can't go out because the covid-19 pandemic is still not over. many cinemas are still closed for an undetermined time. our statistical data shows a significant increase in our site visits. almost 100 percent of visits to our site because film lovers turn to the internet to find their favorite films. We understand this. We are not just looking for profit, but for us the main thing is to provide services to our fans to make it easier to find their needs. to the world of film.

Of course we thank all our fans who always follow us. We will work hard to present new things that can satisfy your desires. Our main policy is how we can provide good service to you.

All of our terms and conditions of service are subject to international law. Therefore, our partnerships with the countries that provide web services are constantly being developed. To cover more visitors from all over the world.

thank you for your visit my website!!!☆ Shared Video
Do you remember when YouTube wasn’t the YouTube you know today? In 2005, when Steve Chen, Chad Hurley, and Jawed Karim activated the domain “www.google.com"" they had a vision. Inspired by the lack of easily accessible video clips online, the creators of YouTube saw a world where people could instantly access videos on the internet without having to download files or search for hours for the right clip. Allegedly inspired by the site “Hot or Not”, YouTube originally began as a dating site (think 80s video dating), but without a large ingress of dating videos, they opted to accept any video submission. And as we all know, that fateful decision changed all of our lives forever. Because of YouTube, the world that YouTube was born in no longer exists. The ability to share videos on the scale permitted by YouTube has brought us closer to the “global village” than I’d wager anyone thought realistically possible. And now with technologies like Starlink, we are moving closer and closer to that eventuality. Although the shared video will never become a legacy technology, before long it will truly have to share the stage with its sibling, livestreaming. Although livestreaming is over 20 years old, it hasn’t gained the incredible worldwide adoption YouTube has. This is largely due to infrastructure issues such as latency, quality, and cost.
☆ Latency is a priority when it comes to livestreams.
Latency is the time it takes for a video to be captured and point a, and viewed at point b. In livestreaming this is done through an encoder-decoder function. Video and audio are captured and turned into code, the code specifies which colours display, when, for how long, and how bright. The code is then sent to the destination, such as a streaming site, where it is decoded into colours and audio again and then displayed on a device like a cell phone. The delay between the image being captured, the code being generated, transmitted, decoded, and played is consistently decreasing. It is now possible to stream content reliably with less than 3 seconds of latency. Sub-second latency is also common and within the next 20 or so years we may witness the last cable broadcast (or perhaps cable will be relegated to the niche market of CB radios, landlines, and AM transmissions).
On average, the latency associated with a cable broadcast is about 6 seconds. This is mainly due to limitations on broadcasts coming from the FCC or another similar organization in the interests of censorship. In terms of real-life, however, a 6 second delay on a broadcast is not that big of a deal. In all honesty a few hours’ delay wouldn’t spell the doom of mankind. But for certain types of broadcasts such as election results or sporting events, latency must be kept at a minimum to maximize the viability of the broadcast.
☆ Video Quality
In the last decade we have seen video quality move from 720p to 1080p to 4K and beyond. I can personally remember a time when 480p was standard and 720p was considered a luxury reserved for only the most well funded YouTube videos. But times have changed and people expect video quality of at least 720p. Live streaming has always had issues meeting the demands of video quality. When watching streams on platforms like Twitch, the video can cut out, lag, drop in quality, and stutter all within about 45 seconds. Of course this isn’t as rampant now as it once was, however, sudden drops in quality will likely be a thorn in the side of live streams for years to come.
☆ Language Barrier
You can pause and rewind a video if you didn’t understand or hear something, and many video sharing platforms provide the option for subtitles. But you don’t really get that with a live stream. Pausing and rewinding an ongoing stream defeats the purpose of watching a stream. However, the day is soon approaching where we will be able to watch streams, in our own native language with subtitles, even if the streamer speaks something else. Microsoft Azure’s Cognitive Speech Services can give livestreaming platforms an edge in the future as it allows for speech to be automatically translated from language to language. The ability to watch a livestream in real time, with the added benefit of accurate subtitles in one’s own language, will also assist language learners in deciphering spontaneous speech.
☆ Monetization
One of the most damning features of a live stream is the inherent difficulty in monetizing it. As mentioned before, videos can be paused and ads inserted. In videos, sponsored segments can be bought where the creators of the video read lines provided to them. Ads can run before videos etc. But in the case of a spontaneous live stream sponsored content will stick out. In the case of platforms like YouTube there are ways around ads. Ad blockers, the skip ad button, the deplorable premium account, and fast forwarding through sponsored segments all work together to limit the insane amount of ads we see every day. But in the case of a live stream, ads are a bit more difficult.
Live streaming platforms could implement sponsored overlays and borders or a similar graphical method of advertising, but the inclusion of screen shrinking add-ons like that may cause issues on smaller devices where screen size is already limited.
Monthly subscriptions are already the norm, but in the case of a live streaming platform (Twitch Prime not withstanding), it may be difficult for consumers to see the benefit in paying for a service that is by nature unscheduled and unpredictable. Live streams are great for quick entertainment, but as they can go on for hours at a time, re-watching streamed content is inherently time consuming. For this reason, many streamers cut their recorded streams down and upload them to platforms like YouTube where they are monetized through a partnership program. It is likely that for other streaming platforms to really take off, they would need to partner with a larger company and offer services similar to Amazon and Twitch.
☆ What Might the Future of Livestreaming Look Like
It is difficult to say, as it is with any speculation about the future. Technologies change and advance beyond the scope of our imaginations virtually every decade. But one thing that is almost a certainty is the continued advancement in our communications infrastructure. Fibre optic lines are being run to smaller towns and cities. Services like Google Fiber, which is now only available at 1 gigabit per second, have shown the current capabilities of our internet infrastructure. As services like this expand we can expect to see a large increase in the number of users seeking streams as the service they expect to interact with will be more stable than it currently is now. Livestreaming, at the moment, is used frequently by gamers and Esports and hasn’t yet seen the mass commercial expansion that is coming.
The future of live streaming is on its way. For clues for how it may be in North America we can look to Asia (taobao). Currently, livestreaming is quite popular in the East in terms of a phenomenon that hasn’t quite taken hold on us Westerners, Live Commerce. With retail stores closing left and right, we can’t expect Amazon to pick up all of the slack (as much as I’m sure they would like to). Live streaming affords entrepreneurs and retailers a new opportunity for sales and growth.
Live streaming isn’t the way of the future, video will never die, but the two will co-exist and be used for different purposes, as they are now. Live streaming can bring serious benefits to education as well by offering classrooms guest lessons and tutorials by leading professionals. Live streaming is more beneficial for education than video as it allows students to interact with guest teachers in real-time.

The live streaming market is waiting to be tapped. Right now there are some prospectors, but in North America, no one has really found the vein leading to the mine. So maybe it’s time to get prospecting.”