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Phalke, who came from a Brahmin family of Sanskrit scholars, made close to a hundred films in the next decade-and-a-half. His 1917 film Lanka Dahan, based on an episode from Ramayan, became so popular that one exhibitor had to show the film every hour from 7 am till midnight.
After the advent of talkies with the release of Alam Ara, the character of the Mumbai-based cinema changed. By the 1940s, Urdu had become the dominant language and social dramas critiquing the Hindu society, the dominant themes. Communist groups wielded great influence on the content.
Ram was an anti-hero by the time India became independent of British rule in 1947. Cult films like Awaara (1951) and Chhalia (1960), based on wife abandonment by suspicious husbands, held Lord Ram squarely responsible. Made by Khwaja Ahmad Abbas, Awaara showed a judge abandoning his wife after she was kidnapped by a man he had wrongly convicted for rape.
Ironically, Raj kapoor, whose family had migrated from Peshawar to Mumbai after Partition and had probably felt the pain of Partition more closely than other residents of India, chose to pursue a career where Hindu faith and beliefs were consistently presented either with disdain or sexualised entertainment. The Kapoor family identify themselves as Pathans, only because their forefathers spoke Pashto.
In a scene, Madhuri Dixit, playing Sita in an on-stage Ramlila skit in the film, rebukes her husband Ram for asking for agnipariksha to prove her chastity (read about the dubious tale of agnipariksha by author of this piece here).
It is pertinent to mention here that the film took its title from a Bengali novel of the same name by Taslima Nasreen that told stories of communal crimes against the Hindu minority at the hands of Muslim majority in Bangladesh after demolition of a mosque in Ayodhya in 1992. The crimes included burning down of temples, lynching of Hindu men, and rape and forced conversion of Hindu women.
Ram was shown wearing leather footwear instead of paduka or khadau. Ravan, the learned and mighty kind of Lanka who was well-versed in the Vedas, resembled what people jokingly called as 'Al Qaeda terrorist'. His famed Pushpak Viman looked like a Targaryen dragon.
Various scenes seemed to be lifted from Hollywood hits such as Game of Thrones, Thor, Evil Deed, Pirates of the Caribbean, Harry Potter series and Avengers. Hanuman looked bereft of any charm, sporting a hairstyle like medieval Europeans.
Slated for a January 2023 release, the film was postponed to a June 2023 release. They posted a message written in Sanskritised Hindi in Devanagari font (a rarity in Bollywood films these days) announcing the decision.
If one were to respond to it by saying that is because the country is largely Hindu, then the question arises: Why are the same films full of Urdu and Islamic imagery while depicting softer aspects such as poetry, music and spirituality?
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