Apple Editor Jacqui Cheng, Social Editor Cesar Torres, Lead Developer Lee Aylward, and I will all be discussing An Unexpected Journey, the first of Peter Jackson's long-awaited Hobbit film adaptations, on Friday's upcoming episode of the Ars Technicast. In the meantime, I wanted to really examine the film as it relates to The Hobbit and also to Jackson's Lord of the Rings films, then distill the many mixed reactions I had during and after the movie into something a bit more coherent. As a fan of both, I've been awaiting An Unexpected Journey with some excitement, but more apprehension: on the one hand, it's a chance to revisit Jackson's lovingly rendered film version of Middle Earth. On the other, a much-criticized decision to make The Hobbit into three movies has only exacerbated fears that it would be a cash grab lacking in the care and craft that went into either the books or the first film trilogy. I ultimately came away disappointed in the movie, but not in the way I thought I would be.
One of An Unexpected Journey's strengths, then, is that it better integrates The Hobbit with the rest of the canon. Locations like Rivendell, identical to its Lord of the Rings counterpart, and the presence of characters not even named in the book (Saruman and Galadriel, among others, with Orlando Bloom set to return as Legolas in at least one of the next two films) make the stories feel more like they're pieces of the same whole.
Any movie that says it's going to stretch The Hobbit out into three films is going to need to take some liberties with the source material, mostly in the form of additions. Some of the changes made to the narrative in Jackson's LOTR movies broke with Tolkien's versions of events in a way that weakened the story. An Unexpected Journey happily avoids these pitfalls, even when it's filling in the blanks by inserting its own material or fleshing out events which were merely implied in the books.
Most of the changes made to the book's narrative are driven by a need to transform that book (which relies on an omniscient narrator and, often, the unseen internal thought processes of its characters) into a film. Both the book and the film are about not just Bilbo's physical there-and-back-again journey between The Shire and the Lonely Mountain, but also Bilbo's mental journey from timid, too-comfortable hobbit to a minor hero in his own right.
In the book, a large part of Bilbo's transformation is shown through internal monologue and his first overtly heroic deed comes rather late in the game, when he saves the dwarves from giant spiders in Mirkwood and then later helps them escape imprisonment by the elves who live in the forest (material that, based on the pacing of this first movie, will probably crop up in the second of the three Hobbit films).
Because this film is split three ways (and because showing a character thinking to themselves is, at best, dull cinema), An Unexpected Journey needs to make this mental transformation happen both more quickly and more obviously. To make it more obvious that the Bilbo at the beginning of the story is entrenched in his own too-comfortable rut, there's a scene where Gandalf tells him so. To kickstart his transformation from timid to heroic, it is Bilbo (rather than Gandalf) who thinks to stall the trolls until they're turned to stone by the rising sun. And to really drive home his character's growth, by the end of the film Bilbo is standing up against wolves and orcs all by his lonesome to prove his worth to Thorin and company, and to himself. All of these are changes to the book's version of events, but none of them feel wildly inconsistent with Tolkien's narrative or with his characters.
Thorin's character has also been tweaked slightly for the film. His stubbornness and pride, qualities present in the book but only really emphasized near the end (and, coincidentally, in one of Tolkien's Unfinished Tales recalling the events of The Hobbit from Gandalf's perspective), is made explicit in several scenes. The film's Thorin also has a particular dislike for elves, where the book's Thorin has no particular distaste or love for them (save after being captured and held in Mirkwood by Thranduil and the wood-elves, but even then his beef is with them specifically and not the race as a whole). These character tweaks didn't make too much of a difference in this first movie but will pay dividends later when he's captured by Thranduil (probably in the second movie) and when he's negotiating with the men and elves for shares of Smaug's treasure after the dragon's defeat (probably in the third film).
This is another change that was necessitated to some degree by the source material, though I'm not sure how it will play out in the end. The vast majority of The Hobbit is presented in concise, cut-up chapters, and while Smaug is the de facto villain, he's not an immediate threat to the heroes until toward the end of the story (and he's dispatched after only a handful of chapters). The Necromancer is likewise a threat on a larger scale, but he has little impact on Bilbo and the dwarves. A more immediate antagonist is necessary to drive the action, and Azog fills that role well enough (though as villains go he's about as one-dimensional as they get).
The story is set in Middle-earth sixty years before the events of The Lord of the Rings, and portions of the film are adapted from the appendices to Tolkien's The Return of the King. An Unexpected Journey tells the tale of Bilbo Baggins (Martin Freeman), who is convinced by the wizard Gandalf the Grey (Ian McKellen) to accompany thirteen Dwarves, led by Thorin Oakenshield (Richard Armitage), on a quest to reclaim the Lonely Mountain from the dragon Smaug. The ensemble cast also includes James Nesbitt, Ken Stott, Cate Blanchett, Ian Holm, Christopher Lee, Hugo Weaving, Elijah Wood and Andy Serkis, and features Sylvester McCoy, Barry Humphries and Manu Bennett.
Approaching his 111th birthday, the hobbit Bilbo Baggins begins writing down the full story of his adventure 60 years earlier for the benefit of his nephew Frodo. Long before Bilbo's involvement, the Dwarf king Thrr brings an era of prosperity for his kin under the Lonely Mountain until the arrival of the dragon Smaug. Destroying the nearby town of Dale, Smaug drives the Dwarves out of their mountain and takes their hoard of gold. Thrr's grandson Thorin sees King Thranduil and his Wood-elves on a nearby hillside, and is dismayed when they take their leave rather than aid his people, resulting in Thorin's everlasting hatred of Elves.
The company journeys into the Misty Mountains where they find themselves amid a colossal battle between stone giants. They take refuge in a cave and are captured by Goblins, who take them to their leader, the Great Goblin. Bilbo becomes separated from the dwarves and falls into a cave where he encounters Gollum, who accidentally drops a golden ring while killing a stray goblin to eat. Pocketing the ring, Bilbo finds himself confronted by Gollum. They play a riddle game, wagering that Bilbo will be shown the way out if he wins or eaten by Gollum if he loses. Bilbo eventually wins by asking Gollum what he has in his pocket. Noticing his ring is lost, Gollum suspects that Bilbo possesses it and attacks him. Bilbo discovers that the ring grants him invisibility, but when he has a chance to kill Gollum, Bilbo spares his life and escapes while Gollum curses the hobbit.
Meanwhile, the Great Goblin reveals to the dwarves that Azog, an Orc war-chief who beheaded Thrr and lost his forearm to Thorin in battle outside the Dwarven kingdom of Moria, has placed a bounty on Thorin's head. Gandalf arrives and leads the dwarves in an escape and kills the Great Goblin. Bilbo exits the mountain and rejoins the company, keeping secret his newly obtained ring. The company is ambushed by Azog and his hunting party, and takes refuge in trees. Thorin charges at Azog, but is knocked unconscious and left defenseless on the ground. Bilbo saves Thorin from the orcs just as the company is rescued by eagles. They escape to the safety of the Carrock where Gandalf is able to revive Thorin, who renounces his previous disdain for Bilbo after being saved by him. In the distance, the company sees the Lonely Mountain, where the sleeping Smaug is awakened by the knocking sound of a thrush.
The film received positive reviews, with critics praising the film itself, particulary for its visuals, Peter Jackson's return to Middle-earth and the performances of the cast, especially that of Martin Freeman, but criticized it for its long running time of 169 minutes. The film holds a rating of 64% "Fresh" on Rotten Tomatoes, while the film received mixed reviews on Metacritic with a rating of 58 out of 100.
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