3. In a few months time I will start a YouTube educational channel in which I will share my best tips and tricks in recording and guitar land. I have been into electronics as far back as I can remember and at age 11, my dad bought me a mono tape recorder and gave me some mikes, a mixer, and a power amp with speakers he got from a night club, in which he was part owner, when the night club closed. When I was in my early 20s, I bought a 4 track recorder, more mics, a better mixer, etc. Then, while I was doing record sessions for a living, I bought a 3M 8 track reorder, a 2 track Ampex recorder, then a 16 track recorder, then a 24 track recorder, better mixers along the way and so on. In 1979, I had a real recording studio built from the ground up that I still have, which is a pro recording studio. Two 24 track recorders, two 2-track recorders, major outboard gear, so many synths/samplers, ADAT recorders, and finally Pro Tools systems.
Along the way, I figured out so many recording techniques. After coming up with the idea, I would then figure out how to make the idea work using electronics. I had also learned ideas from other engineers and I would then figure out if I could improve such ideas, which typically happened. There is so much to teach!
I will start from the beginning so everything makes sense as when I read articles that does not explain the full electronic path, I realized every step needs to be noted and shown recording video of every step! This information will be very important for the beginner in bedroom/house studios with minimum equipment through pro engineers/pro studios!
I am also working on a guitar book (with Kerstin's sons, Stefan and Peppe) as I don't want to spend the time learning a notation program, plus the cats have thought of ideas that should be included! I will also video the guitar stuff along with a few surprises guitarists will love!
Chris Poehler, Greg Schlaepfer, and I started a sampling project a few months ago that will be around 10,000 DX7/TX7, and maybe more of the DX synth series, samples! I was amazed that the midi on DX7s did not use the full 127 step velocities! We will explain when the program comes out. It is time for those sounds to make a return in pop music since it has been many years since the sounds have been available!
Jay's comments:
Ray Parker has a pal named Ola, who is Norwegian and when Ola comes into town Ray sets up a big hang with some of the cats. This time it was major as like probably 30 people were there.
Nate East took that picture as Nate was sitting right across from me. I spent a lot of time talking to Freddie Washington, who is the bass player in Steely Dan and a great cat. Sylvester Rivers was there as well and all kinds of other cats and it just so happened that the five of us in the picture ended up in that area where Nate took the picture!
Can you imagine how many albums have been sold with all of us five cats, who played guitar on so many records? Obviously someone said something real funny since were all laughing. Whenever any of us get together, there's always so many stories and we also get into technical stuff, etc.
Jay has recently finished doing guitar work on a few songs for an album, where he will be featured along with The Manhattan Transfer and a German Pop Symphony orchestra. Jay did new versions of "Twilight Zone / Twilight Tone" and "Nothin' You Can Do About It" for this project and the album will be released next year.
He has also collaborated with Mark Kibble (TAKE 6) on a project, which will be presented in a video on the Music-with-a-Mission platform Virtual Vocal Gumbo - November 11th at 8PM ET /5PM PT.This Online Music Festival website is maintained by Janis Siegel, Lauren Kinhan, and Laurie Green.
Yes, it has been very quiet here for quite some time, but that does not mean that Jay has been inactive. On thecontrary, Jay has been very busy with various projects lately, which we will tell you more about once we can revealthem. Further, he has been doing several interviews via Zoom and over the phone and continues to do so, as well as doing guitar work for an album, which will be released in a few months.
On the to-do-list now is hopefully the release of the second JaR album - CODE - by the end of this year, and apart from compiling material for his autobiography and for another book on music Jay is also preparing contentand topics for his upcoming YouTube educational channel. We will announce here as soon as we launch the channel.
Message from Toshi Nakada - Cool Sound
COOL SOUND is proud to announce that we releaseBarry Crocker's "No Regrets" albumfirst time on physical CD!!It's an album that Jay Graydon produced the whole tracks for the first time in 1977.We have just started the mail order today, the 8th of October, and it's the 71st birthday of Mr. Jay Graydon!!
Hey Everyone,
At this time, my studio was 16 tracks and a simple mixer with 22 inputs. I had a BX20 reverb and some outboard equipments along with some good mikes. In between sessions I would write and demo songs and I knew I wanted to be a full time record producer at some point. My good friend John Farrar (Olivia Newton John's producer) had a friend he knew in Australia who was a good selling artist in Australia wanted to come to LA to make an album. Even though the budget was limited, I wanted experience as a producer so I took the gig so this was my first record production.
I was still doing record dates full time so I had to fit in the sessions for Barry's album in-between sessions and probably worked on the weekends. I worked quickly on the album but since I am a perfectionist, I had to do a good job as always. You will notice all of the musicians are mostly the "A" studio players and everyone played very well as expected!
Since I only co-wrote a few songs, Barry's songs had simple chord changes and I always do my best to make the songs as classy as possible so I came up with hipper chords changes where they would work but not to hip as we always must respect the songs and audience. When writing out the arrangements, since again I needed to move quickly, I used the first ideas that came to mind and most likely wrote out most of what was going to be played on the tracking date that included some hook lines. I was not concerned with the guitar parts when writing out the arrangements since I would overdub the guitar parts and did my best to come up with hooky sounding lines.
In conclusion, you will hear how we all played during that time and the beginning of my production work. I remember we had fun and as always, a learning experience. I hope you like the album and have fun reflecting as to the era. - Jay
Sadly musicians are obviously in the group of people who have taken a hard hit like it was not bad enough Spotify and like have destroyed what was left of the music business! Heres hoping when Covid 19 is under control, we can get back to normal making people happy through our music!
There is a bit of good news, which is pop music is starting to return to quality music with melodies that are using more notes beyond the pentatonic scale! Further chord structures beyond very simple stock progressions are making a return! The best part for guitarists is the guitar playing is very similar to the rhythm guitar and single note parts almost identical to last golden era of music (mid 70s through mid 80s)! Even the sounds are reverting to that era such as the new Maroon 5 song, which features a Fender Rhodes! The famous E Electronic piano was not yet released when they recorded the song but the keyboard players in the band (such as Sam Farrar) now have the famous "E"! If I have not explained how the E was discovered and what made this instrument in demand, let me know and I will tell the full story, which is fluke of events!
Hey everyone, check out this video with a Jarreau medley. I can't believe how great Stefan is playing! Also Peppe did an excellent job on the programming! These demos are the best of the best as the songs are from the era! Stefan has become such an outstanding player on all levels and plays the songs exactly like they should be played for pitching! Keep the demos coming as you cats are doing better demos than anyone!!!! These guys are playing great and they're really really really great demos!
Musicians, keyboardists, gearheads, lend us your ears! Jay Graydon is back to tell us the story of the famous E Electric Piano which was a sought after session instrument in the early 80s and how it's been sampled and is now for sale. He also discusses a new Youtube channel is starting where he will share tricks of the trade and we hear stories about David Foster, Ray Parker Jr. his approach to production, guitars, perfect pitch, and a million other things. Get to know how the mind of a musical genius works!Episode 271 - Jay Graydon
Jay Graydon is one of rock's most wildly successful multi-hyphenates. He was a first call session guitarist in LA for most of the 70s with one of his biggest claims to fame being the solo on Steely Dan's "Peg". He also wrote huge hits for artists like DeBarge, George Benson, and Earth, Wind and Fire, formed the fantastic, but short-lived band Airplay with burgeoning mega-producer David Foster, and then he produced huge albums by Al Jarreau, Patti LaBelle and Kenny Rogers. Not to mention, if you've seen him in the great doc Hired Gun, you know what a funny, honest guy he is. In this loose and sprawling conversation, we cover all of this and much much more including his interest in magic and bowling. Stories abound!
You can hear a few demos on our specific page for the "E" - The Famous E Electric Piano as well as many demos on the - Orange Tree Samples page. BTW Orange Tree Samples is the company, which is selling our product and for the first two weeks, it is on sale, so please tell anyone you think would be interested!
The main version is 96k 24 bit as that was the sample rate in which we sampled. The "E" uses Kontakt (version 5.7 or higher) or Kontakt Player made by Native Instruments. Kontakt Player is free and can be downloaded on the Native Instruments site.
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