Anni And Jasmin Show Name
Ceola Roefaro
If you're talking about the lesbian couple from gute zeitenschlechte zeiten, I love them! and you can watch a lot of clips ofthem on YouTube but only a few have subtitles. The only place Iknow of to watch anni and jasmin's full story with englishsubtitles isallgirlfantasy.blogspot.com/2014/12/anni-and-jasmin.html. There arealso a few videos of them on dailymotion.
Princess Jasmine is the deuteragonist of Disney's 1992 animated feature film Aladdin. She is the independent and rebellious princess of Agrabah, a Middle Eastern kingdom ruled by her father, the Sultan. As the future Sultana, Jasmine has a strong sense of obligation to her kingdom. Because of outdated laws, however, she was forbidden to go beyond the palace walls and was forced to follow unjust practices. Refusing to be treated like a sheltered object, Jasmine desperately aspires to diverge from her societal confines, to live a life where she is free to make her own choices.
Jasmine is loosely based on the character of Princess Badroulbadour from the Aladdin fairy tale featured in the One Thousand and One Nights storybook collection. She is also the sixth official member of the Disney Princess line-up, and the first to be of non-Caucasian descent.
Jasmine is the daughter of the Sultan of Agrabah and his late wife, residing in the kingdom's lavish palace alongside her father and loyal pet tiger, Rajah, whom she found several years before the events of the film. She believed him to be a spiritual gift from her mother, who would tell her stories about the "star tiger" named Rajah.[1] It is revealed in the book Tales from Agrabah that, whenever Jasmine would long for her mother, she would sit on her balcony and stargaze for a period of time.
Because of her status as a princess, Jasmine was unfortunately forbidden to ever leave the palace walls, spending her life sheltered within the confines of the royal home. She often felt suffocated by the laws of her kingdom, which restricted her from socializing with her subjects, and forced her to constantly meeting suitors to possibly arrange marriages. This situation ultimately prevented Jasmine from making any connections, as she had never had any true friends (aside from Rajah), and left her with the desire to see the world and experience life outside of being a sheltered princess, which would eventually result in meeting Aladdin.
Loosely inspired by the Aladdin folk tale, Howard Ashman's 1988 treatment for an animated adaptation of Aladdin included a shallow, spoiled, and materialistic princess named Jasmine, whose "brattiness" served as comic relief in the story. Her personality was fleshed out in the song "Call Me A Princess", in which she arrogantly flaunts her royal status. There was also another female character, a tomboyish street urchin named Abbi, who joined Aladdin on his quest to rescue the princess. At the end of Ashman's treatment, Aladdin is offered the princess' hand in marriage, but he ultimately refuses in favor of his true love, Abbi. However, as development on an Aladdin film furthered at the studio, Ashman's screenplay saw major revisions. The Abbi character was cut, while Jasmine was given a larger role as Aladdin's love interest. Furthermore, Jasmine's "spoiled brat" persona was scrapped in favor of a character that was more endearing and sympathetic.[2]
In Linda Woolverton's screenplay, the relationship between Aladdin and Jasmine served as a driving force of the narrative, slowly replacing Aladdin's desire to make his mother proud (as was the case in Ashman's treatment). Woolverton also gave the princess a human handmaiden for a friend. Although Ron Clements and John Musker enjoyed the love story blossoming between Aladdin and Jasmine, they believed Woolverton's script featured too many human characters and seemed better suited for a live-action format as a consequence. They sought to remedy the issue by adding characters that were "animation-friendly", thus, the handmaiden was replaced with a pet tiger.[3]
Even with Musker and Clements on board to direct, there was still work to be done with the story. While observing preliminary sketches of Aladdin and Jasmine (the former of whom was portrayed as a young boy, while Jasmine was a young woman), Jeffrey Katzenberg believed that a love story between the two would be seen as unrealistic, as a woman of Jasmine's age and beauty would never fall for a juvenile like Aladdin. Screenwriters Ted Elliott and Terry Rossio called for an aged up and redesigned Aladdin, while also expanding Jasmine's character to be "stronger".[4]
A complex and multilayered person, Jasmine is introduced as feisty and no-nonsense, with zero tolerance for anyone who dares to belittle her. Having been sheltered most of her life due to her social status, the princess spent her childhood in misery and loneliness as she was denied any friendships, with her social interactions being restricted to the royal court but because of her gender she was frequently disrespected by the Agrabah elite. The emotional and psychological impact of having her entire life controlled and her existence reduced to nothing more than an object of desire caused Jasmine to become blunt, assertive and rebellious during her adolescence as she started to resent her role as a princess. With each passing year, Jasmine became more frustrated with all the traditions her role demanded her to uphold, including being forced to remain within the palace at all times, forced to marry for political gain rather than love, and being valued only for her beauty rather than her individuality.
The girl's feelings were bottled up until, eventually, Jasmine could bear no more and rejected her position as princess altogether. However, she was quickly introduced to the harshness outside the palace life and when Aladdin was arrested, she forced herself to embrace her princess role again in hopes of saving her new friend, showcasing that she puts the needs of others before her own. When Aladdin was supposedly executed, the devastated Jasmine decided to use the little power she would have as future queen consort to get rid of all the corruption within Agrabah's elite, starting with Jafar.
When her father finally agreed to abolish the outdated laws, Jasmine was free from the old repressive customs and as such she developed a new ambition: to take an active role in her community. Jasmine is later shown to be very much a ruler of Agrabah alongside her father, instead of merely sitting around on the sidelines. She takes part in most political disputes and garners an amount of respect equal to her father. This makes her a trailblazer for women's rights in Agrabah as she will be the one-to-one day rule her nation with Aladdin as her consort.
Strong-willed and defiant, Jasmine is not afraid to speak her mind, nor will she hesitate to stand up for what she believes is right. Her open resentment towards Agrabah's outdated laws, and her belief that people should be judged solely by their character rather than their background, shows that she is progressive. Jasmine is also a free spirit. She spent most of her life isolated from people, much like the birds caged up in the beginning of the film, but during the A Whole New World sequence, she is just like the freed birds, finally being able to be her true self, and to soar to her heart's content.
In addition, Jasmine has a strong sense of independence. Upon finding out who Aladdin really was, she became outraged by how unfair it is that they cannot be together. She does not want to sacrifice her heart's desire and wants nothing more than to live her life on her own terms without interference from anybody. She demands to be treated like a person and does not hesitate to put people in their place when they treat her as anything less. Despite that, she approves of righteous authority when she feels it is necessary. When the guards arrested Aladdin, Jasmine revealed herself and commanded them to let him go. She did not hesitate to use her status as the princess to get the men to release him, and was very firm to the guards to the point where she knocked down their attempt to question her. This shows that Jasmine is direct, decisive and bold.
Jasmine is also remarkably intelligent. She is known to be quick-witted, tactical, pragmatic and resourceful. She primarily displays her intelligence through cunning and artfulness. An example of this is in the episode "The Vapor Chase", where she quickly figured out how to defeat the smoke demon Sootinai. She is also very shrewd and an excellent judge of character. This mentality allowed her to see the goodness in Aladdin, despite his background as a street urchin. Moreover, she was not only able to weed out "Prince Ali's" intentions, but also quickly deduce his true identity and trick him into revealing it. In the same vein, Jasmine was able to see through Jafar's feigned sympathy when he told her he supposedly executed Aladdin. In "Garden of Evil", she was able to see the humanity in the plant creature Arbutus and realize that he sees plant life as sacred for the same reason she sees human life as sacred, whereas others assumed that he was a soulless monster. Unlike other Disney Princesses, Jasmine is fully aware of her sex appeal and is known to cleverly use it to her advantage when she needs to. Indeed, her emotional intelligence, shrewdness and sex appeal not only prove that she is cunning, but also a talented actress. A prominent example of this occurred when Jafar took over Agrabah; when Aladdin tried to steal back the lamp, she took advantage of Jafar's lust for her by seducing him to cover for Aladdin. Another example of her acting skills is when she pretended to be Aladdin's insane sister in order to fool an unhinged vendor that tried to amputate her.
Although she appears meek, Jasmine is fiery and can carry a commanding and sometimes downright menacing presence. The most famous example is when she called out the Sultan, Jafar and "Ali" for having the audacity to dismiss her agency before she reminded them that she is not a prize to be won. Another example is how she marched right up to Jafar to get in his face about Aladdin's arrest; the princess wasted no time on pleasantries, demanding answers and admitting no resistance, successfully intimidating the Grand Vizier. Even when Jafar took over Agrabah and took Jasmine as his slave, the girl remained feisty and refused to comply with any of his demands, showcasing that Jasmine has an iron will that is not easily dominated. Although she was visibly horrified when Jafar revealed he intends to use his last wish to strip her off her free will and make her love him. Nevertheless, Jasmine is incredibly brave as showcased when she refused to bow to an all-powerful Jafar, prompting him to force her to bow by means of sorcery. Another example is how quick she was to aid Aladdin in the final battle against Jafar by grabbing hold of the latter's snake staff, despite knowing she is no match for him in a fight.
c80f0f1006