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Valentino [Blu-ray]: Customer Reviews
Ken Russell's "Valentino" was released in 1977 to the condemnation of most of the critical populace as well as the Catholic Church.Most of this disapproval was due to an ignorance of Ken Russell's artistic method,his intentions,and the extreme nature of some of his work.Over twenty years later with baroque directors more common and sexual and violent imagery less outre, "Valentino" deseves to be recognized as the undeniably flawed yet vital work of art that it is. Influenced by "Citizen Kane",Valentino's narrative is presented in a series of flashbacks by the people who admired,pitied,despised and loved the silent screen superstar.Ken Russell weaves tragedy and satire together to criticize the absurdities and nightmares engendered by the pursuit of the American Dream.The film dissects the obverse and reverse of stardom with its mindless and volatile adulation on one side and jealous hatred and contempt on the other."Valentino" also depicts the ethnocentism and homophobia of the 1920's-and by implication,as in most of Ken Russell's films,depicts ours as well.The film's tone is mercurial and constantly challenges you to think about what is being depicted as you are affected by its power.It enthralls as it provokes. Yet the film is not without its flaws.Rudolph Nureyev in his first acting role displays charm,grace and sex appeal-but he is sometimes stiff and lacks emotional depth.The great actress Alla Nazimova is savaged (in a very funny performance by Leslie Caron)as a pretentious and vain phony.Natasha Rambova(a very beautiful Michelle Phillips)is depicted as a shrill,grasping shrew.The screenplay as written by Ken Russell and his co-scenarist sounds unduely influenced by films of the early 1930's(though this does give the film atmosphere,you sometimes feel as if you were watching an R-rated Lloyd Bacon picture). Yet the film's merits make it worth experiencing.One can mention its exquisite art direction and costumes,its tour de force cinematography by Peter Suschitsky.But its Ken Russell's direction of its many great setpieces -choreographed with great intensity that are the ultimate proof of its genius.Not every setpiece works-one involving an empty-headed starlet brought to orgasm through sheer fantasysing while going through the motions of having sex with Valentino falls flat.But others such as Valentino's revenge on Fatty Arbunkle or the Nijinsky photo session with Nazimova and Rambova are emblematic of Ken Russell's use of images rather than words to achieve poetic comedy.Much more disturbing are Rambova's seance turned nightmare as well as the jail sequence in which various lowlifes sexually taunt Valentino and force him to urinate on himself.It is one of the most horrifying scenes in film history. "Valentino's" faults(such as its occasional historical inaccuracies and the aforementioned depictions of Nazimova and Rambova)seem irrelevant when you begin to understand that Ken Russell's intentions were not to tell Valentino's life story but to explore satiric and tragic themes based on his and his contemporaries' lives.His method is similiar to Shakespeare's Macbeth.Macbeth's raison d'etre was to enact corruption through ambition.The biographical or "real" Macbeth is of no significance to the play.Ken Russell's method is the same.This is not to say that he willfully distorts history for distortion's sake-but that he presupposes his audience will have prior familiarity with his subjects and will be able to reference both his fidelities and his departures from fact. Is "Valentino" a great film?I think it is, despite its uneveness-though I don't think it is one of Ken Russell's best films.But other great works of English art such as "Women Beware Women","Paradise Lost" and "David Copperfield" are all admittedly uneven and hopefully one day "Valentino" will be judged upon its strengths and not weaknesses -as they are.
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