Phir Milenge Chalte Chalte Translation

[Mireille Kreines]

YashRaj Films, Aditya Chopra and Shah Rukh Khan. The stakes were definitely high when Rab ne Bana Di Jodi was announced, but I knew I would love it, even before I saw it. I think this is a movie that you either love or hate, without much room for middle ground. For me it will, without a doubt, always be special for the simple reason it was the first, and so far the only, Hindi film I've seen in a theatre (interesting side note: I was told by the ticket counter lady that the tickets were non-refundable as I purchased them. That was a first for me.) Even with all it's questionable theories and overacting, I love everything about this film.

For me, there's nothing better than to watch Shah Rukh work his cinematic magic. Surinder Sahni was a refreshing and sympathetic character. Even behind the glasses and moustache (which, let's be honest, what was the big deal really with the look? It's not like he hasn't changed his appearance for films before - Paheli, Hey Ram, Chak De!), there was a sincerity to Suri's character that appealed to even the most hard-hearted I'm sure. Raj, on the other hand, was a hilarious and spot on portrayal of someone who tries to be what he thinks is cool, resulting in a total over the top characterization. I loved Raj for his exaggerated facial expressions, his flashy and too tight clothes (which were also at times a little to small exposing a little bit of skin. Sigh!) and his melodramatic dialogues, because underneath it all was still our sweet Suri. I think Shah Rukh shows his seasoned talent by being able to portray two such very different characters, and when I watch Suri especially I don't see SRK at all. His mannerisms are distinctively and uniquely Surinder Sahni.

Anushka Sharma (Taaniji), gives an amazing debutante performance. I am blown away by the professionalism and artistry of recent first-time leading ladies. While she doesn't appear to possess someone like Deepika's megawatt glamor, she fills the girl-next-door requirements of this film admirably, while singing, dancing and emoting like a filmi veteran.

What to say about Vinay Pathak? His portrayal of the loud-mouthed and agreeable Bobby was believable. He had some great dialogues to boast of and was a good match for SRK's Suri - the two share great comic chemistry resulting in plenty of fantastic situational comedy.

Characterizations aside, what I truly loved about this film were the little moments. Be it the scene on the dining table with the rose, the Biryani meal and the consequent self-conversation afterwards, the changing room dialogue, the celebratory dance at the salon, each left a lasting impression on me. Ultimately, the core of this film is it's message: that there is nothing stronger in this world than unconditional love, and, for a die hard romantic like me, there's nothing better. No matter how many times I watch it, the ending gets me every single time!

Not to sound like a broken record, but I adored the music in Rab Ne. I remember hearing Tujh Mein Rab Dikhta Hai on Saavn.com well before I even saw a promo and was instantly smitten. Salim and Sulaiman did a fantastic job with the songs, and they all played an important part in the progression of the story. Haule Haule is my favorite - the yellow tiffin box and the endearment with which Suri bestows upon it is sweety enchanting and the sequence where Suri experiments with several 'hero' looks is hilarious. Even Phir Milenge Chalte Chalte is enjoyable as it pays homage to Bollywood legendary actors Raj Kapoor, Dev Anand, Rajesh Khanna, Shammi Kapoor and Rishi Kapoor and actresses Nargis, Nutan, Helen, Sharmila Tagore and Neetu SinghSadly.

Despite it's most obvious flaw (how can Taani not recognize Suri?), I will do as Shah Rukh Khan suggests and take a leap of faith and enjoy it for what it is meant to be. My only real criticism is with post-production and the complete elimination of subtitles during the closing credits. Suri's narration of their honeymoon to Japan, which I've read was actually penned by SRK, is supposed to be hilarious (I know the theatre was full of chuckles). As my Hindi has yet to reach that level, I sure would like to find someone to translate for me.

As you said there are no middle grounds, but i actually found this movie hard to bear, i watched it in the cinema and i almost fell asleep, OOPS

But then i remembered i paid about $15 for it, which i believe is what kept me awake as i didn't want my money to go to waste, my best thing about the movie were the Songs, especially Hum Hain Rahin....as it references old bollywood, and i really really love old bollywood

Bollywooddeewana - I heard the songs in the background and was trying to figure out if I knew them. Where in the film was Hum Hain Rahin?

Jules - I'm so glad you enjoyed it. For an SRK fan, I think he truly delivered.

Great review... love the pictures and your enthusiasm.

I totally agree with you on the performances - SRK did a great job with this film, and Anoushka (I agree, a fantastic debut) and Vinay complemented him so well. But somehow the film as a whole didn't work for me - and I blame that on the scripting (good in parts, lame and boring in others) and the directing (it felt to me like it was being directed by a schizophrenic who couldn't quite decide where he was taking the film). But yes, for an SRK fan, he does not disappoint in RNBDJ at all. And I share your frustration re the honeymoon pics! I think I kinda got the gist of what Surinder was saying, but I wish there had been subs - it was such a cute and sweet part of the movie!

I do know what you mean about the first Bollywood movie you see in an actual cinema - there's a certain magic about that experience - I will always love Don (2006) for that reason (actually I would love it regardless - SRK as a sexy bad boy was really all it took!)

Oh, and I believe 'hum hain rahin pyar ke' (mentioned by bollywooddeewana) is the same song referred to as 'phir milenge, chalte chalte' in your review.

Sonu Nigam's 'Phir Milenge Chalte Chalte' is a melodious tribute to the timeless journey of love. The song's lyrics weave a narrative that celebrates the enduring nature of love, capturing the essence of romantic relationships that transcend time and space. The recurring line 'hum hain raahi pyaar ke, phir milenge chalte chalte' translates to 'we are travelers of love, we will meet again as we go along,' emphasizing the cyclical and eternal nature of love.

The song is rich with metaphors and cultural references that resonate deeply with the audience. Phrases like 'pyaar hua, iqraar hua' (love happened, acceptance happened) and 'jeena yahan, marna yahan' (live here, die here) reflect the deep emotional commitment and the inevitability of love in one's life. The lyrics also touch upon the idea of love being a journey, with lines like 'har janam mein rang badal ke, khwaabon ke pardon pe hum khilte' (in every birth, we change colors, we bloom on the curtains of dreams), suggesting that love evolves and transforms across lifetimes.

The song also pays homage to classic Bollywood themes and iconic moments, creating a nostalgic atmosphere. References to famous songs and dialogues, such as 'yahoo' from Shammi Kapoor's 'Junglee' and 'jai jai shiv shankar' from the movie 'Aap Ki Kasam,' add layers of cultural significance. These elements not only enhance the song's appeal but also connect it to the rich heritage of Indian cinema, making it a celebration of both love and Bollywood's golden era.

'Phir Milenge Chalte Chalte' is more than just a song; it's a poetic exploration of love's enduring journey, filled with hope, nostalgia, and a deep sense of connection. It reminds us that love is a constant companion, guiding us through the various stages of life and beyond.

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