morkur breeanne palmelyna
Mireille Kreines
In folklore, a revenant is a spirit or animated corpse that is believed to have been revived from death to haunt the living.[6][7] The word revenant is derived from the Old French word revenant 'returning' (see also the related French verb revenir 'to come back').
Revenants are part of the legend of various cultures, including Celtic and Norse mythology,[8] and stories of supposed revenant visitations were documented by English historians in the Middle Ages.[9]
Archaeologists have found revenant graves throughout Europe, characterized by bodies that had precautions taken to prevent them from rising up and causing mischief for the living, such as stones placed over the legs, stones placed in the jaw so it could not speak, bodies lodged with bricks, or body parts removed. The oldest known graves are as old as 4,000 years BP from the Bronze Age. Roman literature contained writings about revenants, they were common throughout the Middle Ages, and 17th century Poland was reportedly a hot-bed of revenant superstition.[10]
The term "revenant" has been used interchangeably with "ghost" by folklorists.[11] While some maintain that vampires derive from Eastern European folklore and revenants derive from Western European folklore, many assert that revenant is a generic term for the undead.[12]
Augustin Calmet conducted extensive research on the topic in his work titled Trait sur les apparitions des esprits et sur les vampires ou les revenans de Hongrie, de Moravie, &c. (1751) in which he relates the rumors of men at the time:[13] Calmet compares the ideas of the Greek and Egyptian ancients and notes an old belief that magic could not only cause death but also evoke the souls of the deceased as well. Calmet ascribed revenants to sorcerers who sucked the blood of victims and compares instances of revenants mentioned in the twelfth century in England and Denmark as similar to those of Hungary, but "in no history do we read anything so usual or so pronounced, as what is related to us of the vampires of Poland, Hungary, and Moravia."[11][14]
In the folklore and ghost stories of Eastern Scandinavia, Finnish "dead-child beings" are described as revenants animated by restless spirits that could be laid to rest by performing baptism or other religious rites.[15]
Revenant-like beings in Caribbean lore are often referred to as "the soucouyant" or "soucriant" in Dominica, Trinidadian and Guadeloupean folklore, also known as Ole-Higue or Loup-garou elsewhere in the Caribbean.[9]
William wrote that stories of supposed revenants were a "warning to posterity" and so common that, "were I to write down all the instances of this kind which I have ascertained to have befallen in our times, the undertaking would be beyond measure laborious and troublesome."[17] According to William, "It would not be easy to believe that the corpses of the dead should sally (I know not by what agency) from their graves, and should wander about to the terror or destruction of the living, and again return to the tomb, which of its own accord spontaneously opened to receive them, did not frequent examples, occurring in our own times, suffice to establish this fact, to the truth of which there is abundant testimony."[17]
One story involves a man of "evil conduct" absconding from justice, who fled from York and made the ill-fated choice to get married. Becoming jealous of his wife, he hid in the rafters of his bedroom and caught her in an act of infidelity with a local young man, but then accidentally fell to the floor mortally wounding himself, and died a few days later. As Newburgh describes:
A Christian burial, indeed, he received, though unworthy of it; but it did not much benefit him: for issuing, by the handiwork of Satan, from his grave at night-time, and pursued by a pack of dogs with horrible barkings, he wandered through the courts and around the houses while all men made fast their doors, and did not dare to go abroad on any errand whatever from the beginning of the night until the sunrise, for fear of meeting and being beaten black and blue by this vagrant monster.
Thereupon snatching up a spade of but indifferent sharpness of edge, and hastening to the cemetery, they began to dig; and whilst they were thinking that they would have to dig to a greater depth, they suddenly, before much of the earth had been removed, laid bare the corpse, swollen to an enormous corpulence, with its countenance beyond measure turgid and suffused with blood; while the napkin in which it had been wrapped appeared nearly torn to pieces. The young men, however, spurred on by wrath, feared not, and inflicted a wound upon the senseless carcass, out of which incontinently flowed such a stream of blood, that it might have been taken for a leech filled with the blood of many persons. Then, dragging it beyond the village, they speedily constructed a funeral pile; and upon one of them saying that the pestilential body would not burn unless its heart were torn out, the other laid open its side by repeated blows of the blunted spade, and, thrusting in his hand, dragged out the accursed heart. This being torn piecemeal, and the body now consigned to the flames...
In another story Newburgh tells of a woman whose husband recently died. The husband revives from the dead and comes to visit her at night in her bedchamber and he "...not only terrified her on awaking, but nearly crushed her by the insupportable weight of his body." This happens for three nights, and the revenant then repeats these nocturnal visits with other nearby family and neighbours and "...thus become a like serious nuisance," eventually extending his walks in the broad daylight around the village. Eventually the problem was solved by the bishop of Lincoln who wrote a letter of absolution, upon which the man's tomb was opened wherein it was seen his body was still there, the letter was placed on his chest, and the tomb sealed.[18]
the very same day in which they were interred they appeared at evening, while the sun was still up, carrying on their shoulders the wooden coffins in which they had been buried. The whole following night they walked through the paths and fields of the village, now in the shape of men carrying wooden coffins on their shoulders, now in the likeness of bears or dogs or other animals. They spoke to the other peasants, banging on the walls of their houses and shouting "Move quickly, move! Get going! Come!"
The chronicler Walter Map, a Welshman writing during the 12th century, tells of a "wicked man" in Hereford who revived from the dead and wandered the streets of his village at night calling out the names of those who would die of sickness within three days. The response by bishop Gilbert Foliot was "Dig up the body and cut off the head with a spade, sprinkle it with holy water and re-inter it."[20]
Nordic-style revenants appear as barrow wights in Tolkien's Lord of the Rings, and L. Sprague de Camp and Lin Carter's "The Thing in the Crypt" is essentially a retelling of Grettir's encounter with Kar the Old.
The Revenant is a 2015 American Western action drama film[5] directed by Alejandro G. Irritu. The screenplay by Mark L. Smith and Irritu is based in part on Michael Punke's 2002 novel The Revenant, which describes frontiersman Hugh Glass's experiences in 1823, and which is based on the 1915 poem The Song of Hugh Glass. The film stars Leonardo DiCaprio and Tom Hardy.[6] The film is considered a remake[7] of the film Man in the Wilderness (1971).
In August 2001, Akiva Goldsman purchased Punke's manuscript. Irritu signed on to direct The Revenant in August 2011; in April 2014, after several delays due to other projects, Irritu confirmed that he was beginning work on it and that DiCaprio had the lead role. Principal photography began in October 2014. Location and crew concerns delayed production from May to August 2015.
The Revenant premiered at the TCL Chinese Theatre in Los Angeles, California on December 16, 2015. It had a limited release on December 25 and a wide release on January 8, 2016. It was a blockbuster, grossing $533 million worldwide. It received positive reviews, with praise for the performances, particularly for DiCaprio and Hardy, Irritu's direction, and Lubezki's cinematography; however, some criticism went to its runtime.[8][9][10]
It won three Golden Globe Awards and five BAFTA Awards, including Best Film at both ceremonies. At the 88th Academy Awards, the film received 12 nominations, including Best Picture and Best Supporting Actor (Hardy). It won the Academy Awards for Best Director (Irritu, his second consecutive in that category), Best Actor (DiCaprio, his first after 5 previous nominations), and Best Cinematography (Emmanuel Lubezki, his third consecutive in that category). DiCaprio also won the Golden Globe Award, the Screen Actors Guild Award, the BAFTA Award, and the Critics' Choice Award for Best Actor.
In late 1823, during the Arikara War, fur trapper Hugh Glass guides Captain Andrew Henry's trappers through the territory of the present-day Dakotas. While he and his half-Pawnee son, Hawk, are hunting, the company's camp is attacked by an Arikara war party which is seeking to recover its chief's abducted daughter, Powaqa. Many of the trappers are killed during the fight, and the rest of them escape onto a boat. Guided by Glass, the survivors begin a trek to Fort Kiowa on foot because Glass believes that traveling down the Missouri River will make them vulnerable. After docking, the crew stash their pelts near the shore.
While he is scouting game, Glass is mauled and left near death by a female grizzly bear that is guarding her cubs. The trapper John Fitzgerald, fearing another Arikara attack, argues that the group must mercy-kill Glass and keep moving. Henry agrees, but he is unable to pull the trigger. Instead, he offers money in order to pay someone to stay with Glass and bury him after he dies. When the only volunteers are Hawk and the young Jim Bridger, Fitzgerald agrees to stay for money, in order to recoup his losses from the abandoned pelts.
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