Sade Full Album Diamond Life
Trinidad Baltzell
So here is the Lauryn Hill album that Apple music says is the number one album of all time but there is a little controversy regarding the last few songs! And we talk about Bob Newhart on this one for sure.
Hey folks. I wasn't able to get an episode done this week. Why? It's not important. You want to know? Ok. I am at the cabin but I normally use my dad's computer when I am here but he wasn't here. No big deal? I have my wifes computer. I record on it but there is no GARAGE BAND so I was not able to edit it until my dad came up. I am 44 years old.
This is the episode on the Fugees. Apple music just declared this album as the number one album all time but when we release Sade on Tuesday, we talk about how there is a little discrepency with what songs are included on the album.
These podcast episodes are like our children; we'll never admit which one we like more. But for all you Venmo cheapos that cashed at the loser table, we'll admit that this is the best podcast about the B-52s and their self-titled album.
But before we get to the music, we prove that we're not completely tone-deaf and hold the final four for the best DVD tournament. Fuck you, Jobu, we'll do it ourselves. We also talk golf, tipping on a gift card, and explore life's possibilities like we are skinny and jacked!
Then at (51:00) we cover one of the first albums you could have been conceived to, the B-52's. We discuss new-wave rock, the isolated vocals from Love Shack, and Fred Schneider's famous character on SNL, the Fredmeister. Freeeeeddddd. The Fredmeister. Fredalama. Freedddddddd making top 500 albums and making copies. Fredaroooonie! Fredalamdingdoing. It's called the Moon. Moonorama!! But eventually, we must say Aloha to this bit.
In preparation for the album, we reveal which Beatles member wrote most of the band's hits or some derivative of that question. Then we talk about apricot mallow plants, the proper way to eat a chicken wing, and Hulk Hogan's Real American Beer...brother! We also pulled a Home Alone at the baseball game and took the podium as the best Olympics podcast by discussing Olympic costumes.
Reeee-LAX, it won't be long until (53:00) minutes into this episode when we let Beatlemania run wild on you and Meet the Beatles. We discuss the Beatles' perspective on music, Smokey Robinson's influence on the Beatles, and the best songs from the British Invasion.
If you were looking for a podcast episode full of hero worship, it's not this puppy. But next week will be a new wave when we become the best podcast about the B-52s and their debut self-titled album.
"I only make records when I feel I have something to say," Sade Adu asserted in 2010 upon the highly anticipated release of Sade's GRAMMY-winning Soldier of Love album, which arrived after a 10-year hiatus. "I'm not interested in releasing music just for the sake of selling something. Sade is not a brand."
By mid-1984, Michael Jackson, was riding high off of winning the most GRAMMYs in a single night (including Album Of The Year) for his blockbuster album Thriller, Madonna celebrated her first top 10 hit with "Borderline," and Prince's Purple Rain was just days away from its theatrical release. Duran Duran, Culture Club, Billy Idol, and the Police were mainstays, while "blue-eyed soul" in particular had also hit an all-time high thanks to Hall and Oates, Wham, Simply Red, and others. What's more, many Black artists like Lionel Richie and Whitney Houston opted for more of a pop sound to appeal to broader audiences during MTV's golden era.
Even non-Sade fans can identify "Smooth Operator" in an instant, from Adu's unmistakable vocals to that now-iconic instrumental saxophone solo. As of press time, it boasts over 400 million Spotify streams alone, and has remained a set list staple across every one of Sade's tours.
"Frankie's First Affair" offers a surprisingly enchanting take on infidelity: "Frankie, didn't I tell you, you've got the world in the palm of your hand/ Frankie, didn't I tell you they're running at your command." And, it's impossible to resist the funky groove that carries standout track "Cherry Pie," which served as a catalyst for some of Sade's later, more dance-oriented hits, including "Never As Good As the First Time" and "Paradise." Some of Sade's most poignant statements about lost love, including "Somebody Already Broke My Heart" from 2000's Lovers Rock, can be traced back to "Cherry Pie."
Sade has sold tens of millions of albums worldwide, but Diamond Life remains the band's most commercially successful LP with over 7 million copies sold. Most of Sade's other platinum-selling LPs, including Diamond Life's follow-up, 1985's Promise, boast sales between four and six million copies.
The 7 million feat helped Sade set the record for best-selling debut album by a British female singer. She held the title for nearly 25 years until Leona Lewis' 2008 album Spirit, which has sold over 8 million copies globally.
When we first met Adu, her signature aesthetic consisted of a long, slicked-back ponytail, red lip, and gold hoops. Sade's impeccable style is front and center in early videos like "When Am I Going to Make a Living," in which she sports an all-white ensemble paired with a pale gray, ankle-length trench coat and loafers.
While most of Diamond Life leans into love's ebbs and flows, a handful of tunes deal with financial strife coupled with a dose of optimism, as evidenced by "When Am I Going to Make a Living" and "Sally." The latter song characterizes the Salvation Army as a young charitable woman: "So put your hands together for Sally/ She's the one who cared for him/ Put your hands together for Sally/ She was there when his luck was running thin."
Meanwhile, Adu, a then-starving artist, scribbled down portions of "When Am I Going to Make a Living" on the back of her cleaning ticket. The soul-stirring "We are hungry, but we won't give in" refrain emerges as a powerful mantra in the face of adversity and still holds relevance in 2024. Similar themes appear throughout Sade's later work, including unemployment ("Feel No Pain"), unwanted pregnancy ("Tar Baby"), survival ("Jezebel"), prejudice ("Immigrant"), and injustice ("Slave Song").
Diamond Life closer "Why Can't We Live Together" is a well-done cover of Timmy Thomas' 1972 hit about the staggering Vietnam War deaths. The band wisely doesn't veer too far from the original recording, but Adu's distinctive contralto voice brings a haunting quality that's reminiscent of Billie Holiday.
In 2022, reports circulated that Sade was recording new music at Miraval Studios in France. But upon Diamond Life's 40th anniversary, "Flower of the Universe" and "The Big Unknown" from the respective soundtracks to 2018 films A Wrinkle in Time and Widows stand as Sade's latest releases.
Whether fans get new music anytime soon remains to be seen, but the impressive repertoire of Adu, Denman, Hale, and Matthewman is one that aims to be truth-seeking and inspiring while exploring life's peaks and valleys. Diamond Life in particular holds up as one of the purest representations of the group's creative legacy, both commercially and musically.
In 1997, all-female R&B groups were thriving: TLC already had seven Top 10 hits on the Billboard Hot 100, En Vogue had numerous platinum singles, and Xscape reached No. 1 more than once. Soon, a quartet of teenagers would burst upon the scene and leave an indelible impact.
"Even at the time, Beyonc would produce a lot of their background vocals, and she was a leader even at a young age," Xscape's Kandi Burruss said in a Vice interview, reflecting on her work as a songwriter and producer on The Writing's On the Wall. This heightened presence enabled the group to develop lyrics that boldly reflected their opinions and youthful energy. In turn, The Writing's On the Wall netted a run of iconic hit singles.
"For me, it is about amplifying the beauty in all of us," Beyonc said in a 2019 interview with Elle when asked about the importance of representation. Even before her solo work, the importance of spotlighting Black culture was evident in Destiny's Child's music videos.
In addition to its global presence, the festival pours millions of dollars into the local New Orleans community, which has served as the festival's home for 30 years (with the exception of 2006, when the festival was held in Houston, because of Hurricane Katrina). In 2020, the festival was canceled because of the COVID-19 pandemic. Despite this, the annual festival continues to be one of the most sought-after and attended festivals in the United States.
Janet Jackson and Victoria Mont will headline the festival's final night, while Frankie Beverly and Maze close out the festival with the return of All-White Night. Other performers include The Roots featuring Mickey Guyton, Ari Lennox and T-Pain, Busta Rhymes, Raphael Saadiq, D-Nice featuring Shelia E, Big Boi, and many more.
Barkue Tubman Zawolo: I'm originally from Liberia. And even being in Liberia, prior to my family moving to the U.S. in 1980, Essence was always a thing for my mom and my aunts. When we came here, fast forward to me, as an adult, [after] graduating college, I got into the music industry. I've managed artists that have gone through the Essence stages and pages in different ways.
Essence Fest has always been something that we were familiar with. I have to say, I had not really experienced Essence Fest until 2019 when Essence was actually a client. One of the things that I was doing [at that point] was integrating the Diaspora and African creatives within the festival in fashion and music.
Essence is something that I don't think anybody in our community takes lightly. Even our partners understand the value of it. We certainly understand that we serve the Essence-inverse and, and we are in service to this community. It is a huge honor to be able to be a part of the team that brings this to life and, and, and constantly hear what it means to the community globally too.
Michael Barclay: As somebody who's worked in experiential, creating gatherings and experiences for almost 25 years now, the venue is always important when you're trying to set the box where you are creating for your community, for your audience. New Orleans has been that backdrop for us for almost 30 years now.
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