Apple Serial Number Decode

[Gracia Bradshaw]

Touse this decoder, simply type in your Mac's serial number in the decoder below. Click the decode button to decode your Macs serial number. Any asterisks can be left out, as they are not considered to be part of the serial number. The decoder supports Classic Macs from 1984 to 1999 like Macintosh, Mac SEs, Mac IIs, Mac LCs, PowerBooks, Performas, Quadras and PowerMacs serial numbers.

Please note: if what you think is the serial number starts with "BCG", you've found the FCC ID. You can not decode FCC ID numbers with this decoder. A classic Mac Serial number looks like this: C6310ROM0001AP (Macintosh Plus) - where to find the Serial Number ? If you have problems reading the number because the number 0 and the letter o look the same, read this Forum Topic solving this problem.

If you get an "undefined" value, please e-mail me the serial number string you put in, along with as much data as you know about the Mac. This includes the specific kind of Macintosh it is, approximately when it was made, etc.

"1PT" "CF07" "KAT" "D04" "M0422" [Joey] "MO421" [Jim] "V23" [Peter] "B47" & "M3459" [Applefreak] "D10" "M5880" [Sungjin]

"SQ" country Ireland (PB 100) [Tjabring] "M1542" [Jim] "M3548 & 9CL" [Jim] "KH1" [Applefreak] "D22" [JC] "492" [Eric] "M5880X" [Dick] "M5404" [David] "K02" [William] "M5910X" [Dean] "K01" [Gary] "AK02" [CJ] "0001WP" [Howard] "M5392" [Monty]

The software was designed to assist forensic examiners in identifying and decoding timestamp data during a forensic investigation. It will also allow the reverse process where timestamps can be encoded into a number of different formats and data types.

When the Select Time Zone button is clicked, the following window is displayed showing a breakdown of all the parameters for each Time Zone. You can also select the No Adjustment button. This allows each timestamp to be decoded without applying any translation.

Are there any other date encoding formats we could add? Have we missed any timestamp formats you decode on a regular basis and would like to see in DCode? Please let us know in the comments below. Are there any other features you would like to see? Please let us know.

I just downloaded it and installed it on my Surface Pro running W10. It launches in a rather small window so the input fields are overlapping. It does not allow me to resize the window. Are others having this issue? I tried rebooting the computer but it did not correct the issue.

Just tested on another laptop and the window size is much better. The issue seems to be when you use zoom in the display settings. The screen on the Surface Pro is smaller, but higher resolution. The recommended zoom setting is 200%. On the larger laptop the screen resolution is less, and the recommended zoom setting is 125%.

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Note that this is less a problem with Decimal and more a problem with floating-point literals (and more precisely the lack of a decimal literal). Which isn't to say that it isn't a problem, but rather that we shouldn't blame Foundation for it. =)

The actual underlying issue here has nothing to do with Decimal at all. It's because JSONDecoder uses JSONSerialization under the hood to decode JSON, and JSONSerialization does so eagerly. At decode time, JSONSerialization has no idea what type might be "desired" on the receiving end, and prefers to decode Double values where possible. When JSONDecoder receives the value to decode, it's already a Double (at which point the "damage" has been done), so even if Decimal were perfect, it's already too late.

There are solutions to this (e.g., JSONSerialization could theoretically vend an NSNumber subclass which contains both the parsed numeric value and the underlying string data, which JSONDecoder could use based on the actual type being requested), but it'd be up to the Foundation team to decide on a direction and implement it.

and would need to authorize that exact amount, lets say with Apple Pay, how would one decode that message so that there is no floating point precision error whatsoever? Changing the response from number to a string is not an option.

X Lossless Decoder(XLD) is a tool for Mac OS X that is able to decode/convert/play various 'lossless' audio files. The supported audio files can be split into some tracks with cue sheet when decoding. It works on Mac OS X 10.4 and later.

Other formats supported by Libsndfile are also decodable. XLD uses not decoder frontend but library to decode, so no intermediate files are generated. All of the supported formats can be directly split with the cue sheet. XLD also supports so-called 'embedded' or 'internal' cue sheet.

XLD version 20080812 and later can be used as a CD ripper. You can convert each track in your audio CD into the desired format. Also XLD supports output a CD image with cue sheet (wav+cue, flac+cue, etc).

Frontend and backend of XLD are perfectly separated, so the frontend is able to access various encoders/decoders with the same interface. If we provide a plug-in interface in the future, you can easily develop the plug-in of the new format. If you are interested in this, please see XLDDecoder.h in the source files.

You can specify the following options:-c cuesheetSplit file into tracks with cue sheet. If 'TITLE or 'ARTIST' is described in the cue sheet it affects the name of the output file.-eExclude pre-gap from output file. Pre-gap is appended to the last of tracks by default. This option is ignored when '-c' option is not specified.-f formatSpecify the format of the output file. You can specify the following formats:wavMicrosoft WAVE format. This is default output format. Extension is ".wav".aifApple AIFF format. Extension is ".aiff".raw_bigBig-endian raw(linear) PCM format. Extension is ".pcm".raw_littleLittle-endian raw(linear) PCM format. Extension is ".pcm".-o outpathSpecify the path or name of the output file. If outpath is a directory, output file is saved in that directory.-t trackIf you specify "1" as a track, only the track 1 is decoded. Likewise, Track 2 and 4 are decoded when you specify "2,4" as a track.--rawRead input file as Raw PCM. Following 4 options can be specified.--samplerate nSet samplerate of input file to n Hz when --raw option is specified. Default is 44100 Hz.--bit nSet bit depth of input file to n bit when --raw option is specified. Default is 16 bit.--channels nSet number of channels of input file to n ch when --raw option is specified. Default is 2 ch.--endian little/bigSet endian of input file when --raw option is specified. Default is little.

Note: I've received some reports that StuffIt Expander does not handle these archives correctly.

For OSX Lion users: use Apple's Archive Utility to extract the archive. Due to the bug in OS, some 3rd party unarchiver utilities prevent app from launching. See 1, 2, 3, 4

Note that the verification process requires an offset correction, so both read/write offset value (in CD Burn pref) should be set correctly for the exact match. Otherwise the verification will fail. If you are not sure about the write offset of your drive, burn AccurateRip verifiable image with the write offset 0, and rip the burned disc with the correct read offset. Then, the AR report will suggest offset values, and the relative one will be the write offset.

Last week I wrote about Dolby Atmos downloads. Shortly after publishing the article I was reminded of Bert van der Wolf from The Spirit of Turtle. Bert is a recording engineer and producer based in The Netherlands, who has long been involved in immersive audio at the highest levels of quality. I first visited Bert at his studio way back in September of 2011, as part of a trip for a dCS event at Rhapsody Sound & Vision, where dCS showed DSD over PCM (DoP) for the first time.

Bert's studio was full of dCS and Spectral Audio components, and Avalon Acoustics loudspeakers, among other well respected brands. I remember sitting at his mixing desk to hear some multichannel music, and it was so different that I just couldn't process it at the time. I was so used to stereo, that more channels threw me for a loop. Also visiting the studio with me was Alan Sircom, who upon 30 seconds of listening said, "We've got it all wrong." He was so impressed by the multichannel presentation that he referenced audiophile stereo playback as "wrong."

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