All
The Centre for Research in New Music is hosting an online conference 9-11 June: Rethinking the History of Technology-based Music.
The schedule is below and the link to register for free can be found on this page:
https://research.hud.ac.uk/music/conferences/technologybasedmusic/
Many thanks
Monty
CONFERENCE SCHEDULE |
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THURSDAY 9 JUNE |
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09:00-09:30 |
Monty Adkins, Jøran Rudi |
OPENING, WELCOME |
09:30-10:00 |
Andrew Knight-Hill |
Convergence Potential in Parallel Praxis: Electroacoustic Music and Sound Design |
10:00-10:30 |
Joseph Hyde |
Tracing Music Technology to its Interdisciplinary Roots |
10:30-11:30 |
Simon Waters |
KEYNOTE: Observations and entanglements: The early stages of the analogue-digital shift in music’s infrastructure and organisation |
11:30-12:00 |
BREAK |
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12:00-12:30 |
Arild Boman |
Antinomies of Net/Satellite Communication: Strategies of Musical Interaction |
12:30-13:00 |
Hans Kretz |
Networked performance as a space for collective creation and student engagement |
13:00-13:30 |
LUNCHBREAK |
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13:30-14:00 |
Rose Dodd |
Shifting modalities in electronic-based and instrumental notated music: Sketching an alternative approach to their historiography, to include contemporary instrumental performative practices, outlier aesthetic resistance, and posthuman intentionality within the black box performance space |
14:00-14:30 |
Leila Adu-Gilmore |
Critical Sonic Practice: Inclusive Research through Global Electronic Music |
14:30-15:00 |
Amit Dinesh Patel |
Exploring Cultural Diversity in Experimental Sound |
15:00-15:30 |
BREAK |
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15:30-16:00 |
Philipp Ahner |
Didactic changes in sound compositions with synthesizer apps |
FRIDAY 10 JUNE |
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09:00-09:30 |
Per Magnus Lindborg |
Re-scaling Beethoven: very long, very short |
09:30-10:00 |
Treya Nash |
An Analytical approach to voice processing and the carefully constructed sound world in Alice Shields’ Apocalypse. |
10:00-10:30 |
Irine Røsnes |
Tracing ecosystemic virtuosity in performance of Simon Emmerson’s Stringscape (2010) for violin and electronics |
10:30-11:00 |
BREAK |
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11:00-11:30 |
Annie Jamieson |
The expanding fields, practices and histories of technology-based music |
11:30-12:00 |
Dylan Burchett |
Theatrical Objects: Towards a Relationally-Defined Organology |
12:00-12:30 |
Nemanja Radivojevic, Damian Keller, Victor Lazzarini |
Issues of Ubimus Archaeology: Creative Processes in Risset’s Little Boy |
12:30-13:00 |
LUNCBREAK |
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13:00-13:30 |
Simon Crab |
Exploring the mystical origins of Electronic Music |
13:30-14:00 |
Towards a Civil Engineering of Music, a critical perspective on cultural and the military use of the computer for music |
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14:00-14:30 |
Marcel Zaes Sagesser |
Rethinking Drum Machine Histories: Mechanical Time Grids as a Cultural Logic |
14:30-15:00 |
BREAK |
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15:00-15:30 |
Finding the female users: A feminist historiography of the Fairlight CMI |
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15:30-16:00 |
Electroacoustic Composition Process as a Process of Com-position |
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SATURDAQY 11 JUNE |
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09:00-09:30 |
Ulf Holbrook, Jøran Rudi |
The expanding fields, practices and histories of technology-based music |
09:30-10:00 |
Raise the Curtain, A critical perspective on the idea of Post-Acousmatic |
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10:00-11:00 |
Linda OKeefe |
KEYNOTE: Representing Alternative Histories of Sound in the Arts |
11:00-11:30 |
BREAK |
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11:00-12:00 |
Jaehoon Choi |
Max - Expansion From a Programming Paradigm to a Distributed Lab |
11:30-12:00 |
Neil O Connor |
Reconnections: Electroacoustic Music & Modular Synthesis Revival |
12:00-12:30 |
Manoli Moriaty |
Upsetting the controls: controllerist practice in electroacoustic music performance |
12:30-13:00 |
BREAK |
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13:00-13:30 |
Brenda Hutchinson |
Socially engaged art reflects ‘an interest in producing effects and affect in the world rather than focusing on the form itself.’ |
13:30-14:00 |
Angela McArthur, Brona Martin, Emma Margetson, Nikki Sheth |
Women in Spatial Sound - Working with the IKO Loudspeaker |
14:00-14:30 |
Notto Thelle, Bernt-Isak Werstad |
Co-Creative Spaces |
14:30-15:00 |
Monty Adkins, Jøran Rudi |
CLOSING OF THE CONFERENCE |