1
I try here to fill-in some of the blanks in the discussion, which may
be unconventional.
2
EVEN ARCHITECTURE COURSE is elitist, not only the IITs and IIMs,
whether the rich or the poor or the SCs/STs/OBCs join it, with or
without reservations. The elite are a feature of all civilised
societies throughout time and places. Coomaraswamy mentioned that
royal courts elevated 'Shudra', an untouchable, who became 'Sthapati',
Master Builder, in India in the past. The word in recent times has
gained some derogatory shade, for obvious reasons. It is not that
architects are rich.
3
In the (modern) global village of the corporate society, the
architects, even those who receive honours, titles and international
awards, always remain on its periphery, like Shudras live in Indian
villages. Thankfully they don't have heirs (or Schools) as do Shudras
have to their traditional family arts and crafts, since the corporate
society has no word "posterity" in its dictionary other than "profit".
It is like hybrid seeds have no third generation that germinats;
farmers have to buy new seeds from the market.
4
Prof. Jaisim has said many things in a few words, which the academics
- students - faculty - management - know well (See Para 11).
5
Ar. Sabu has enlightened me on many things of which I was indeed
ignorant. Thanks. From what I gather is the RTI Act is one more tool
in the government's hands to make money. It is a well-intentioned tool
like ULCR Act. We are law-loving people. While we talk-talk-talk about
'transparency' and 'governance', 'accountability' and 'social
responsibility', while in action we need to be told by a law "behave
yourself' and we chuckle 'Catch-me-if-you-can'. After all the people
in the government and we belong to the same stock! RTI Act is an
abstract concept made by the authority against itself that blocks the
information. RTI Act is a tool that empowers the government to make
money (See Para 8).
6
My point is limited to Housing, Building Technology, and the Autonomy
of the so-called ordinary citizens. (In the classless US society they
are called "Underclass".) They are intelligent and skilled enough to
look after themselves provided law/ the authority and the experts do
not sit on their neck. I wish to cite a couple of examples here.
7
SHANKAR NIVRUTTI KANADE, my classmate, and friend for fifty years, is
based in Bangalore and practices architecture and planning with his
brother Navanath. He has been teaching since 1960s, first at the
Ahmedabad School of Architecture (now CEPT), later in various colleges
in Karnataka. He, with others, founded department of architecture in
Hassan in Karnataka. He also set up a course/ curriculum for another
college.
8
Kanade, on his own initiative, developed an indigenous construction
technology, known as "Chhapadi" in Karnataka. It is highly labour
intensive and uses local resources - people and materials. He worked
on this system without any institutional support or finance. He
designed and built several houses including his own, and mass housing
for public sector. Despite his friends' advice he never took a patent
for this product. Now others are using it. I heard that someone got an
award for her/his design that used the technology. But the important
factor is the unskilled/ skilled workers have learnt something new and
benefited. His "pro-poor" product empowers the poor to earn livelihood
(See Para 5).
9
I have seen and experienced some of these houses. When I visited
Lohitashwa's house, my spontaneous response was "I am reminded of
India's rock cut architecture". I had also visited the house when
Lohitashwa had hosted art workshop there, where other arts also
flourished. Several artistes - potters, painters, and sculptors - were
passionately working: I feel this may be a best, and the most
appropriate tribute Kanade ever received for his work.
10
I also visited his high-density township - Vayu Sena Nagar, not built
with the same technology mentioned above. At its 'core' is the
'primordial image' of Indian towns, but it's not a prototype. It has
gates, shaded lanes, and multi level open spaces, which give relief
visually and physically from high-density development. Kanades use and
mould the Fifth Dimension of light of the tropical India, as building
material. When returned there were friends gathered. Sanjay Mohe
asked, 'What did Remi see?' Absentmindedly I replied, 'Remi saw tiny
honeybees busy'. There were honeybees smaller than flies. They are
harmless, and like common sparrows they make their homes in the
snitches. Unlike beehives, they build small vessels to store honey,
supported with wax tie bars. I was reminded of Aldo van Eyck who said,
"... City is a big house".
11
When Kanade came to Mumbai to study architecture, from his village in
Solapur district on the border of Maharashtra - Bijapur states, for
some time he, with two other friends, lived in a slum in Santacruz.
They called their home, "Chandramauli", meaning a hut where moonlight
penetrates through its roof (so also rainwater). Sounds romantic while
reading!
12
In some other country, Kanade would have received invitation form
every college and association of architects. But who takes notice
here? He is neither a foreigner nor foreign returned. Perhaps there is
no budget provided for such luxury. What about his students and
apprentices, who might have joined teaching?
13
Kanade never mentioned in decades that there is some research in
'Building Technology' going on in some college. While teaching the
juniors in Ahmedabad, he gave exercises that took them to carpentry
workshop. Crores of Rupees are invested in establishment,
infrastructure and running the colleges, besides the youth energy and
their creativity that is spent on the campuses. [I raised this issue
in my article, "Letters and Number plus Things to Make", published in
the JIIA, January2000 (edited version), and in ARCHeFUNDA, September
2000, (full text) edited by Prof. Harimohan Pillai. It is now
available online link: http://www.archetypesindia.blogspot.com/2007/01/letters-and-numbers-plus-things-to-make.html
]
What is the result? I heard that some highbrow management students
asked the Nobel laureate Mumhammad Yunus to give them a model of
"social banking" like his "Gramin Bank". So that they could 'copy-
paste' - 'cut-paste' in their dissertations and theses, to add to
their credibility. They want ready answers! That's education, youth
creativity and energy!
14
While closing this discussion, I take liberty to mention one of my
experiences. When I went to the First Year (at Academy of
Architecture, Mumbai. 1991) to teach basic design and design subjects,
I introduced 'clay' to work with at the studio. Prof. Subodh
Dhairyavan vehemently opposed it -the dirty material. When gave my
dirtiest laughter, at last he accepted. He was a coordinator. I
believe and advocate 'Clay' and 'Bamboo' not only as building
materials, but also as "Basic to Basic Design" as they facilitate to
work at a tiniest size and scale in the studio. Professional and the
urban elite laypersons, even those who are connected to NGOs working
in rural areas, laugh at me. They think (of course, after the West)
that these are non-conventional building materials. In India, however,
the majority people live in mud and bamboo houses.
15
Now, with the blessings of the New Generation Teachers, "Computer
Animation" may emerge as a "Basic to Basic Design". And perhaps as the
old-timer Lewis Mumford predicted, "...lead finally to loss of
sensitivity".
Regards
Remigius de Souza
(19 February 2007)