Re: FULL Media Entertainment Collection 2007 Download
Jahed Stetter
Action! Horror! Comedy! Romance! The Entertainment Video Collection offers hundreds of films ranging from lighthearted popcorn flicks to thought-provoking dramas, providing Films On Demand subscribers access to movies intended to be viewed for pleasure and entertainment. Plus, students looking for entertaining movies while on summer or winter break can enjoy this commercial-free streaming video source from off campus, ensuring steady usage throughout the year.
This collection is available as a single-subject collection or as part of the Films On Demand Master Academic Video Package. Some Entertainment Video Collection titles contain mature themes or content; viewer discretion is advised.
Autodesk Media & Entertainment Collection is software for creating 3D animations and effects. This donation provides a one-year subscription to the Media & Entertainment Collection for one user to install and run the software on a single computer and 25 GB of A360 cloud storage. This collection includes Maya, 3ds Max, Mudbox, and other applications. See a full list of software included with this collection.
If you have experience with 3D modeling, sculpting, motion capture editing, advanced character animation, and visual effects, you can use the Media & Entertainment Collection to design and create 3D entertainment content and provide entertainment creation training to constituents.
This product provides enhanced access to technical support resources, including priority phone assistance from Autodesk support specialists. Account support is available on Autodesk Account. Additional learning resources and community forums are available through the Autodesk Knowledge Network, the Autodesk YouTube Channel, Autodesk University, the Autodesk Sustainability Workshop, and Autodesk Design Academy. The Autodesk Authorized Training Center (ATC) provides fee-based support including courses and certification.
You may request this product through Charity Digital Exchange each year to receive additional one-year subscriptions. Wait until your original subscription has fewer than 30 days left before you request this product again.
Organizations that have purchased an Autodesk product directly from Autodesk within the past three years will need to request an exception from Autodesk before requesting this product from Charity Digital Exchange. See the Autodesk FAQ for more information.
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Quick Search: Articles, newspapers, books and ebooks, videos and more. Results primarily available online but may also include books available in the library or articles that can be requested for email delivery from ILLiad.
In her final blog post, Doris Morgan Rueda considers the issues and problems that occurred in this initial foray into Collections as Data work with Thomas Padilla, and discusses what she wishes she would have known prior to beginning her research. This exploratory research used over a thousand scanned images of costume designs and photographs that were digitized as part of our LSTA entertainment grant project.
As the Collections as Data project comes to an end, it is helpful to review the frustrating dilemmas that we encountered. As previously mentioned, file naming conventions proved to be a bigger issue that I would have imagined. The process of renaming files to reflect their date pushed us to ask why having chronology was so important. Was it possible to learn something new from the data if we ignored dates for the purpose of visualization? In a larger sense, we were debating the issue of how much focus should be given to context versus an individual item. Should items be looked at individually rather than as a small piece of a larger historical narrative that the collection reveals? Ideally, the process should be somewhere in the middle of these two perspectives. However, there is great benefit to enriching metadata and our understanding of the collection by visiting these extremes.
As a historian, it was difficult to let go of chronology. As we experimented further with different forms of data visualization it became apparent that separating the items from their context often revealed new information about each item and its original context. For example, creating a visual montage of the photographs from the digital Entertainment Collection (which came from a variety of different archival collections), revealed information about where and when the majority of the photographs were taken, which subjects appeared with more frequency, and even which colors seemed to epitomize Vegas entertainment (yellow and red). Looking at the photographs in this way, as a massive whole without any respect to time, origin, or context, gave us the opportunity to form new questions and gather more information that could be used to enrich their individual metadata.
Another problematic issue was the technology itself. ImageJ, developed by the National Institutes of Health, was designed with biomedical researchers in mind, but was able to provide us with the flexibility to do the various data visualization projects we wanted. Being new to the software, it took time to learn, and I often ran into issues when the terminology and intent of the software did not line up with the intent of digital history. Although frustrating, it demonstrates that digital history can and should look beyond its field for technology and ideas about what is possible.
While I came to this project as a historian first, this process pushed me to think as an archivist or librarian. Digitization, which has made remote research possible, forces archivists and librarians to make a decision between volume or value. Access is usually thought of as being as simple as making everything digital. However, what good is access to a digital archive if it is not searchable or understandable? Mass digitization without the cataloguing and creation of metadata is therefore no different that traveling to a physical archive. We need to rethink what digital collections are, a collection of items and independently created metadata, as opposed to just a digital archive. Rather than just approach collections with a view as to what they can do for our project, we need to consider what the collection can tell us about itself as a continually evolving dataset.
Doris Morgan Rueda is a doctoral student in the UNLV History Department. Her research focuses on the development of juvenile justice systems in the American Southwest with a special interest in international juvenile justice and race in the twentieth century. Her work uses interdisciplinary methods and a transnational approach to explore the representation and racialization of juvenile delinquency in border towns through legal systems and popular images.
Freeway Production Accounting brings together decades of expertise with local production accounting, CAM, and financial administration of entertainment assets, extensive and in-depth industry knowledge, combined with an unparalleled network both inside and outside Hungary, and service delivery in strict adherence to the same values that gained Freeway the trust of the global entertainment industry.
Since 2001, we have been supporting thousands of clients all over the world with the international exploitation of IP, management of entertainment assets and rights data, and the transparent, impartial, and secure collection, administration, and disbursement of their royalty income.
Collection Summary: Collection consists of 24 film reels, 8mm and 16mm, of World War II propaganda, including a segment from Frank Capra's Academy Award-winning documentary series Why We Fight, training films, newsreels, and entertainment pieces by performers Jack Benny and Pete Smith.
Copyright: The literary rights to this collection are assumed to rest with the person(s) responsible for the production of the particular items within the collection, or with their heirs or assigns. Researchers bear full legal responsibility for the acquisition to publish from any part of said collection per Title 17, United States Code. The Ward M. Canaday Center for Special Collections may reserve the right to intervene as intermediary at its own discretion.
The use of newsreels and documentaries in movie theaters, where ninety million people went every week, meant they had the farthest reach of any other media. Commissioned by the U.S. government, they were a psychological weapon of war that reminded Americans of their fighting spirit and encouraged them to do more for the war effort. The films in this collection represent a piece of that arsenal.
The collection consists of 24 rolls of 8 mm and 16mm film dating back to World War II, and include single titles as well as multiple segments of a series that include propaganda newsreels, documentaries, and entertainment. They are first arranged chronologically, then alphabetically.
Founded in 1934 in New York City, the Academy of American Poets is the nation's leading champion of American poets and poetry, with members in all fifty states. Its mission is to support American poets at all stages of their careers and to foster the appreciation of contemporary poetry. The Academy of American Poets launched National Poetry Month in April 1996.
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