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Gerarda Zmuda
A group show conceived as a mixtape of songs gifted to a lover, Love Songs features photographic projects about love and intimacy from 16 contemporary photographers, including Nobuyoshi Araki, Ergin Çavuşoğlu, Motoyuki Daifu, Fouad Elkoury, Aikaterini Gegisian, Nan Goldin, René Groebli, Hervé Guibert, Sheree Hovsepian, Clifford Prince King, Leigh Ledare, Lin Zhipeng (No. 223), Sally Mann, RongRong&inri, Collier Schorr, and Karla Hiraldo Voleau.
Through the myriad lens of intimate relationships, Love Songs brings together series dating from 1952 to 2022 by some of the leading photographers of our time that explore love, desire and intimacy in all their most complex and contradictory ways. The exhibition is the U.S. museum debut for work by Aikaterini Gegisian and Lin Zhipeng (aka no. 223), the first New York City museum presentation of the work of Sheree Hovsepian and Motoyuki Daifu, and the U.S. debut of the work of Karla Hiraldo Voleau.
Quincy Jones almost nabbed this slice of loved-up electrofunk for Michael Jackson, but it ended up becoming a signature tune for R&B diva Khan when she sang it with her old band Rufus in 1983. When Frankie Knuckles gave it a piano house remix in 1989, a new generation went crazy for the song: now artists ranging from Mary J. Blige to KT Tunstall have recorded versions, but none of them reach the thrilling heights of Chaka as she hits the final chorus.
This essential emo/alt-rock love song was Dashboard Confessional's first Billboard Top 10 hit, and rightfully so. "Hands Down" captures the youthful crush stage of love and lust with lyrics perfectly suited for an AIM away message.
Most dance pop songs churned out by producers these days won't stand the test of time, but there's a magic in "We Found Love" that keeps people returning even a decade later. The gleeful build up and Rihanna's vocals will put a lush and loving glow on any dance floor.
"Always gon' be a whip that's better than the one you got / Always gon' be some clothes that's fresher than the one's you rock / Always gon' be a bitch that's badder out there on the tours / But you ain't never gon' be happy 'til you love yours," he raps.
Taylor Swift cemented her role in pop culture with her heartfelt guitar ballads, and "Love Story" bridges the gap between her country roots and modern pop music. The song epitomizes the blissfully ignorant days of idyllic young love.
This simple love ballad was sung gorgeously by country star Allison Krauss. "When You Say Nothing at All" captures the comfort and unspoken love language shared between partners with a timeless message of devotion.
This ballad is a simple, sweet ode to lazy afternoons spent in the company of a loved one. "Hold You in My Arms" was one of Ray LaMontagne's first breakout singles, and remains a staple heard at wedding venues around the country.
It would be a list of love songs without a serious dose of '80s melodrama, and "Total Eclipse of the Heart" is everything we could want in a glam rock ballad that fits into our "pining but still a love song" category.
You probably don't think much about "Vision Quest," the movie for which this song was made, but "Crazy for You" is one of Madonna's best love songs. It also earned Madonna her first of many Grammy Award nominations.
We dare you not to start tapping your foot and grinning upon hearing Jackie Wilson's number one R&B hit song "(Your Love Keeps Lifting Me) Higher and Higher," which has rightfully earned a place on any list of the happiest and catchiest love tunes.
Keeping in our uptempo, groovy streak, "Best of My Love" is a classic found on movie and TV soundtracks across the decades for good reason. You'll be humming "Oh-o-oho, you've got the best of my love" all day after revisiting this track.
Queen's discography is chock-full of classic hits, but none fits best on the "love song" category than this tune. "Crazy Little Thing Called Love" is an uptempo, genre-bending single that stands the test of time.
"Crazy in Love" remains one of the best pop songs of all time, iconic in both its beat and the unforgettable music video that went along with it. As Beyoncé continues dominating the world as the goddess of the arts, it's hard to pick just one of her best hits but this has to be the contender for greatest love song.
Prince's greatest hits are peppered with a joyous and infectious sense of love, but perhaps none more than the devoted single "I Would Die 4 U." The extra inflection Prince added for the line "darlin' if you want me to" is pure starlight energy.
Like others on our list, The Smiths are music legends. "There is a Light That Never Goes Out" is a beloved bittersweet song that stands the test of time thanks to the before-its-time emo message delivered with an English rock vibe.
Since we're including love songs about devotion and pining (but trying to avoid wholesale break-up ballads), "We Belong Together" is the perfect place to start. Mariah Carey's hit single from "The Emancipation of Mimi" remains is a classic modern love song with a fantastic pop diva music video to match.
"The Power of Love" is among the most heterosexual of all our love songs, and we love Celine for the sheer force she brings to this declaration of woman-on-man bonding (which was originally a 1984 Jennifer Rush song).
This follow-up hit to "End of the Road" is the perfect ode to doting upon a loved one. Blending the romantic and physical aspects of love, this sexy "Boyz II Men" '90s jam belongs on every love playlist.
Detailing the story of her romance with Bob Marley's son, Rohan, and the subsequent birth of their child, the album's 12th track, "Nothing Even Matters" featuring D'Angelo, sees Hill sing about love and how it can make everything else seem irrelevant.
Sliding into the category of "love advice," this Otis Redding track needs no introduction. It was already considered a classic, and was solidified in pop culture history when Donkey belted it out in "Shrek" and then sampled for Kanye West and Jay-Z's "Otis."
The art of parenthetical song titles has truly been lost. Candian singer-songwriter Bryan Adams crafted the love song to end all love songs with "(Everything I Do) I Do It For You," and we'll never forget him for it.
"God Only Knows" finds itself at the top of most "best songs of all time" lists for good reason. Visionary Brian Wilson crafted some of his best work on the 1966 album "Pet Sounds," and this heart-melting track is one of the record's highlights.
Funk group Earth, Wind, and Fire crafted one of the best songs of the century in "September," and the bonus for us is that it's a delightful love song to boot. Half the song is simple, joyful belting of "Ba de ya," and we wouldn't have it any other way.
Sir Elton John's sweet tune was inducted to the Grammys Hall of Fame, and easily earns its place in our list of the best love songs. The pure poetry of the piano ballad will bring out the romantic in anyone.
Roberta Flack's hauntingly beautiful version of "The First Time Ever I Saw Your Face" was slower and more sensual. This love song rightfully won Flack a Grammy in 1973, and a place in our top 20 list.
Over an unforgettable seven minutes, Vandross both exudes vulnerability and explodes with passion as he begs his partner to remain in love with him, urging them not to let "one mistake keep us apart."
Few other songs can captivate a room with just the first several notes, but "At Last" does just that. This Etta James beauty has remained an unmovable classic love song for the ages, and we hope the spell lasts forever.
Yet another ballad made iconic by a film, "I Will Always Love You" has transcended its meaning in "The Bodyguard" and become the root of Whitney Houston's legacy. Her unrivaled vocal ability and intense emotional performance makes Houston's "I Will Always Love You" (which was originally a Dolly Parton hit) the greatest love song of all time.
Sometimes you get songs where the verse is already written or the chorus is already written, so when I came in the chorus wasn't written so Bey was like "Girl, you gone have to write a bridge!" I was like "Okay!", so that's fun where you can have a contribution...[3]
Ten Love Songs is the fourth studio album by Norwegian singer-songwriter Susanne Sundfør, released on 16 February 2015 by Warner Music Norway.[3] Sundfør began writing the album in 2012 with the intention of it being about violence, but as she noticed themes of love and relationships coming into place of all the songs she was writing for the album, she titled it Ten Love Songs.
Sundfør initially intended to make a record mainly about violence.[6] Writing of Sundfør's fourth album began shortly after the release of The Silicone Veil,[7] her first plan being to make a "universe" out of two songs she wrote before: "Accelerate" and "Trust Me."[8] She initially visualized the tracks to consist of scenarios involving statues, buildings, and weaponry.[8] When she wrote "Fade Away," however, she decided to go for a more romantic theme different from "Accelerate" and "Trust Me."[8] The material she wrote later on for the album involved subject matter relating to the connection between love, relationships, and hatred; thus, the record ended up as a set of Ten Love Songs,[6][9] titled as such after more than half of the songs that appear on the album were written.[10] While most of the writing of Ten Love Songs took place in Norway, Sundfør also stayed at an apartment in New York for two months where she tried to write songs; however, she felt too uninspired to write much material, blaming it on the city she was in, and the attempt was unsuccessful.[11]
Sundfør garnered inspiration from the works of Philip Glass, Carly Simon and Roy Harper in making Ten Love Songs.[12] While Ten Love Songs retains the same "cold" and bleak feel of her previous records such as The Brothel and The Silicone Veil,[18] it is different from said previous records in terms of production and music style; Ten Love Songs was the first time Sundfør was majorly involved in every part of producing an album, including writing, recording, mixing, orchestration and audio editing.[12][17] This independence led her to execute her ideas much better on Ten Love Songs than on her past albums.[17] In order to keep herself creative and inspired while producing the album, she read the David Lynch book Catching the Big Fish (2006).[19] In an October 2015 retrospective interview, she suggested the huge amount of work she did for the record, as well as the album's concepts about love and violence that were a part of her life, caused her to feel sick and suffer through depression after production of the album was finished in March 2014:[12][8] "Joni Mitchell says it's like peeling your own onion, and that's how it is. I felt naked. Without skin."[12]
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