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Veer-Zaara (.mw-parser-output .IPA-label-smallfont-size:85%.mw-parser-output .references .IPA-label-small,.mw-parser-output .infobox .IPA-label-small,.mw-parser-output .navbox .IPA-label-smallfont-size:100%Hindi pronunciation: [ʋiːr zaːɾa]) is a 2004 Indian Hindi-language epic romantic drama film directed and produced by Yash Chopra, from a screenplay written by his son Aditya Chopra. It stars Shah Rukh Khan and Preity Zinta as the eponymous star-crossed lovers: Veer Pratap Singh (Khan) is an Indian Air Force officer, and Zaara Hayaat Khan (Zinta) is the daughter of a Pakistani politician. Veer is imprisoned on false charges, and 22 years later, a young Pakistani lawyer, named Saamiya Siddiqui (Rani Mukerji), fights his case. Amitabh Bachchan, Hema Malini, Divya Dutta, Manoj Bajpayee, Boman Irani, Anupam Kher and Kirron Kher play supporting roles.
Chopra expressed his desire to make a comeback to the film industry after a gap of seven years, as he was unsatisfied with the scripts he had been offered. It was during this time that Aditya narrated a few scenes from a story he had written, which intrigued Chopra and sparked his interest to direct it. Chopra envisioned the film as a tribute to Punjab, aiming to capture the essence of the region. It was to be titled Yeh Kahaan Aa Gaye Hum, based on an eponymous song from Yash Chopra's Silsila (1981). Set in India and Pakistan, principal photography took place in Punjab and various locations in Mumbai; parts of the film were also shot in Pakistan. The soundtrack album, based on old compositions by Madan Mohan with lyrics by Javed Akhtar, was the highest-selling album of the year in India.
The government of Pakistan decides to review unsolved cases pertaining to their Indian prisoners as a gesture of goodwill. Saamiya Siddiqui, a budding Pakistani lawyer, is given the defense of prisoner 786 as her first case. The prisoner, documented under the name Rajesh Rathore, has not spoken for twenty-two years. However, when Saamiya addresses him by his real name, Veer Pratap Singh, he breaks his silence and opens up to her about his story.
Twenty-two years earlier, Zaara Hayaat Khan is a lively young Pakistani woman whose family is of political background and high standing in Lahore. Her engagement is arranged to Raza Shirazi, a wealthy, influential lawyer. Zaara travels to India to fulfill the last wish of her Sikh nanny: to have her ashes scattered in the Sutlej River. Her bus meets with an accident. Veer, then an Indian Air Force pilot and a Punjabi Sikh, rescues Zaara and helps her complete her nanny's final wish. She accompanies him to his village to celebrate the festival of Lohri, where she meets his loving aunt and uncle, who raised him.
The next day, Veer takes Zaara to the train station for her return to Pakistan and is shocked to see her fianc Raza there to accompany her. Veer confesses that he has fallen in love with her, accepting that they cannot be together. Both depart, believing they will never meet again. Amidst her wedding preparations back home, Zaara realises that she too is in love with Veer. Her mother, however, is against this, as marrying Raza will further her father's political career. Zaara's friend Shabbo secretly calls Veer, begging him to take Zaara away. He promptly quits the Indian Air Force and arrives in Pakistan. Zaara tearfully runs into his arms, causing her father to fall ill of shock and anger.
Zaara's mother begs Veer to leave Zaara, fearing for her father's reputation and health. Veer respects this and attempts to return home but Raza, outraged and jealous, has him arrested by Pakistani police. He blackmails Veer with two choices: be imprisoned for life on charges of being an Indian spy, or walk free knowing that Raza will make Zaara's life a living hell. Veer sacrifices his freedom out of his deep love for Zaara and is imprisoned in Pakistan. Meanwhile, his return bus falls off a cliff, killing all the passengers, so he is presumed dead to the world.
Veer requests Saamiya not to mention Zaara whilst fighting the case, believing that she must be married by now; he does not want to ruin her reputation or make her settled life difficult. Saamiya travels to his village to find someone who can prove his true identity. She is shocked to find Zaara and Shabbo at his home.
Shabbo explains that after Zaara thought Veer died, she broke off the marriage with Raza with her father's support. Her parents and Veer's aunt and uncle all eventually passed away within a few years. With the Hayat Khan family basically perished, Zaara and Shabbo left Pakistan and settled in Veer's village in India to fulfill Veer's dream of developing their village further.
Zaara is shocked to learn that Veer is alive. She accompanies Saamiya back to Pakistan, where the old lovers share an emotional reunion. Her statement and evidence in court prove Veer's innocence and true identity. The judge frees him, apologizing on behalf of Pakistan. Veer and Zaara marry, bid goodbye to Saamiya at the Wagah border crossing, and return home, finally able to live their life together.
Yash Chopra was due to return to directing after 7 years since Dil To Pagal Hai (1997).[4] After his son Aditya completed filming for Mohabbatein (2000), they started to look for a new script for Chopra's return as a director. None of the new scripts excited Chopra; he expressed his disdain at the new trend of the films of the time, stating, "I was tired of television promos. All the semi-clad girls look the same." Chopra stated he was as nervous of his return as he was while directing his debut Dhool Ka Phool (1959). He then finalised another script and began casting for roles.[5] Aditya then provided a narration of a few scenes of a new script, but conveyed that he would be unable to direct it. Chopra was interested and began to work on the new project.[5]
According to Aditya, the story of Veer-Zaara was written as a medium for his father to return to his Punjabi roots. Chopra was born in Lahore, Punjab (present-day Pakistan) and later moved with his family to Jalandhar when he was young. He travelled to Bombay (present-day Mumbai) in 1951, when he was introduced to the film industry.[6] Speaking about the film's theme, Chopra said, "Veer-Zaara is a humble tribute to my home in Punjab. It is my tribute to the oneness of people on both sides of the border."[5] In preparation, Chopra watched videos of Pakistani marriages and consulted Nasreen Rehman, a professor of the Cambridge University for the film's portrayal of Pakistani culture, their courts and dialects.[7]
While completing the film, Chopra and Aditya had a discussion about the film's title. Yeh Kahaan Aa Gaye Hum was one of the contenders for the title, but Veer-Zaara was ultimately chosen. Chopra said, "The film's lovers are not bothered with the strife around them. For them, love is the only religion."[5] The title Veer-Zaara was initially hinted to mislead audiences.[8] The film's titled was officially confirmed by Sanjeev Kohli, CEO of Yash Raj Films, who stated that the title was chosen after "much deliberation".[8] Chopra stated that he used to have constant arguments with Aditya while filming Veer-Zaara.[5]
Zaara's role was first offered to Kajol, upon her rejection, the role went to Zinta.[11] According to Chopra, Zinta was a person whose "looks and personality could be transformed." He wanted to break the Western stereotype characters played by Zinta.[5] Zinta was interested in being a part of the film due to Chopra's finesse as a director. She also felt that it was time to move on from war-oriented films with Pakistan, saying, "I thought that was a great message to have in a film and I think what our governments can't do... what our government cannot do, our cinema can do and this film is truly doing that."[12] Zinta had to attend various lessons for improving her diction for speaking Urdu.[12] Though excited at first, she later "got knots in her stomach" worrying about her performance, but Chopra assured her.[13]
Based on the Pakistani human rights activist Asma Jehangir, the role of Saamiya Siddiqui was initially offered to Aishwarya Rai Bachchan and Pakistani actress Nadia Jamil, but upon their refusal, it went to Rani Mukherji.[14][15] Amitabh Bachchan and Hema Malini were cast as Veer's foster parents.[16] Manoj Bajpayee was cast as Zaara's fianc, a role which was originally offered to Ajay Devgn.[17] In 2017, while promoting Aiyaary, Bajpayee revealed that Chopra used to often worry about the film's possible failure.[18] Boman Irani was cast in the supporting role of Zaara's father.[18] Real-life couple Anupam Kher and Kirron Kher appear in the film as Saamiya's mentor and Zaara's mother respectively, though they do not share the same frame.[14] Other cast members included Divya Dutta, Zohra Sehgal, Akhilendra Mishra, and Tom Alter.[19] Chopra denied the existence of a rivalry between the co-actors in the film, when asked about it in an interview with The Quint.[20]
In addition to writing the story and screenplay, Aditya co-produced the film along with his father under the banner Yash Raj Films.[19] The film's costumes were handled by Manish Malhotra.[21] Khan's costumes were specifically designed by Karan Johar.[14] Mandira Shukla was the film's costume designer.[22] Anil Mehta, the cinematographer, was requested by Chopra to give the scenes a feel of olden times, in contrast with other films of the time like Kal Ho Naa Ho (2003).[17] Sharmishta Roy, daughter of art director Sudhendu Roy, was chosen as the art director.[20][23] Saroj Khan and Vaibhavi Merchant were the choreographers.[19] Allan Amin was the action director.[24]
In October 2004, Rediff.com published an exclusive "On The Sets" report for Veer-Zaara. The website reported that the cast members wore expensive costumes, one being Zinta, who wore a flurocent green lungi outfit; Khan was late for the shot.[25] Parts of the film were shot in various locations in Mumbai.[25] In 2004, the National Geographic reported that a folk festival sequence was being shot in Film City, Mumbai. An set that represented Punjab was created and Sikh dancers were brought in, whom, according to the report, look like peacocks due to their colorful turbans.[6] All scenes which featured Khan in a prison were shot in a single day,[17] at a jail in Pakistan.[26] The court scenes were shot in a Pakistani law court.[26]
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