At the celebration, the choir gave a performance that featured songs that include ‘Shosholoza’, originally sung by Zimbabwean migrant miners to the rhythm of swinging axes digging for
diamond and gold in South Africa’s mines, and songs about how the immigration and asylum system separates families ('Changu Chimwe Chana' (My Other Child)).
Also among the songs was ‘Leicester Yedu iNhamba Hwani (Our Leicester is Number One)’ in which the choir sang about how Leicester, their city, their Queen, their St Martins [House], their association, and their association’s leader were all ‘Nhamba Hwani’(No. 1) when choir and association members arrive at things that are hard, things that are difficult.
If the choir lived in your village, town or city and were performing there, the things they say about Leicester, they would say about you.
A few weeks after the performance, the choir received word that Her Majesty The Queen commended them for the carnivalesque atmosphere they and other groups created at Leicester Cathedral with their performances.
A few years later, a number of the choir's members were deported after the Home Office turned down their asylum applications.
In 2026, as I write this, one of the association's members - an amazingly talented artist - is still in the immigration and asylum system, and is slowly being ground down by the hostile environment.
She needs to raise £800 so that her solicitor can make representations to the Home Office on her behalf.
To support her, the Africa Migration Report Poetry Anthology Series is donating all proceeds from August 2026 sales of
Japa Fire and
From Here to There to our friend's fundraising effort.
If you would like to, you can also support the effort by donating through
Buy Me a Coffee. If you reference the donation, "No. 1", I will make sure it gets to her.
And please spread the word if you can.
Kind regards,