On 10 Jul 2012, Glennbo <
vdrumsYourHe...@cox.net> wrote in
cakewalk.audio:
> None of those are "Brickwall" limiters, which is what you're
> looking for.
Hmmmm... I guess I don't know the difference. What are these used for,
then?
What I usually do is render my files at 24- or 32- bits, then using
Adobe Audition's Hard Limit function to boost the level and shave off
the occasional peak that's way greater than average. I don't squash the
whole thing flat. I like this method because I can be pretty surgically
precise about it, but I'd like to do the whole thing in Reaper, if
possible, to save myself a step
I'd like to set the Limiter to -1dB and use the Master Track Volume to
boost the signal so that just the biggest peaks get shaved. After
playing some more with the JS limiters in Reaper, they do seem to be
doing something, but since there's no documentation, I'm not sure what
the controls do. But the main problem seems to be that all effects in
the Master Track seem to be *post* fader and that doesn't seem to be
changeable. That means I have to set the final level from within the
plugin, and not touch the Master Volume. I'm finding that to be hard to
do.
> The three primary brickwall limiters I use are
>
> 1. PSP Vintage Warmer
> 2. Timeworks CompressorX
> 3. dB-Audio Mastering Limiter
>
> The dB-Audio Mastering Limiter is on my master bus in every song.
> It's kind of getting on in age, but is transparent, and does what
> it does well.
>
>
http://www.db-audioware.com/db-l-mastering-limiter.html
>
> The other plugs will sometimes be present on my master bus, but
> are more frequently used on individual tracks. All of them can
> hold a line that won't be crossed though.
Unfortunately, I don't have any of those. I'll look into them, though.