Film Full Episode

[Eugene Aubry]

With the advent of CGI, this may come off as foolish, but I really want to know how the episode "Fly" (S03E10) in Breaking Bad was directed, particularly regarding how the fly itself was so realistically controlled/filmed.

Often regarded as one of the greatest and most influential films ever made, the film became a pop-cultural phenomenon, launching an industry of tie-in products, including novels, comics, video games, amusement park attractions and merchandise such as toys, games, and clothing. It became one of the first 25 films selected by the United States Library of Congress for preservation in the National Film Registry in 1989, and its soundtrack was added to the U.S. National Recording Registry in 2004. The Empire Strikes Back (1980) and Return of the Jedi (1983) followed Star Wars, rounding out the original Star Wars trilogy. A prequel trilogy and a sequel trilogy have since been released, in addition to two standalone films and various television series.

Amid a galactic civil war, Rebel Alliance spies have stolen plans to the Death Star, a colossal space station built by the Galactic Empire that is capable of destroying entire planets. Princess Leia of Alderaan, secretly a Rebel leader, has obtained the schematics, but her ship is intercepted and boarded by Imperial forces under the command of Darth Vader. Leia is taken prisoner, but the droids R2-D2 and C-3PO escape with the plans, crashing on the nearby planet of Tatooine.

The droids are captured by Jawa traders, who sell them to the moisture farmers Owen and Beru Lars and their nephew, Luke Skywalker. While Luke is cleaning R2-D2, he discovers a recording of Leia requesting help from a former ally named Obi-Wan Kenobi. R2-D2 goes missing, and while searching for him, Luke is attacked by Sand People. He is rescued by the elderly hermit Ben Kenobi, who soon reveals himself to be Obi-Wan. He tells Luke about his past as one of the Jedi Knights, former peacekeepers of the Galactic Republic, who drew mystical abilities from "the Force" but were hunted to near-extinction by the Empire. Luke learns that his father, also a Jedi, fought alongside Obi-Wan during the Clone Wars until Vader, Obi-Wan's former pupil, turned to the dark side of the Force and murdered him. Obi-Wan gives Luke his father's lightsaber, the signature weapon of the Jedi.

R2-D2 plays Leia's full message, in which she begs Obi-Wan to take the Death Star plans to Alderaan and give them to her father, a fellow veteran, for analysis. Luke initially declines Obi-Wan's offer to accompany him to Alderaan and learn the ways of the Force, but he is left with no choice after Imperial stormtroopers murder his family while searching for the droids. Seeking a way off the planet, Luke and Obi-Wan travel to the city of Mos Eisley and hire Han Solo and Chewbacca, pilots of the starship Millennium Falcon.

Before the Falcon reaches Alderaan, the Death Star commander Grand Moff Tarkin has the planet obliterated by the station's superlaser.[5] Upon arrival, the Falcon is captured by the Death Star's tractor beam, but the passengers avoid detection and infiltrate the station. As Obi-Wan leaves to deactivate the tractor beam, Luke persuades Han and Chewbacca to help him rescue Leia, who is scheduled for execution after refusing to reveal the location of the Rebel base. After disabling the tractor beam, Obi-Wan sacrifices himself in a lightsaber duel against Vader, which allows the rest of the group to escape the Death Star. Using a tracking device placed on the Falcon, the Empire locates the Rebel base on the moon Yavin 4.

Analysis of the Death Star schematics reveals a weakness in a small exhaust port leading directly to the station's reactor. Luke joins the Rebellion's X-wing squadron in a desperate attack against the Death Star, while Han and Chewbacca leave to pay off a debt to the crime lord Jabba the Hutt. In the ensuing battle, Vader leads a squadron of TIE fighters and destroys many of the Rebel ships. Han and Chewbacca unexpectedly return in the Falcon, knocking Vader's ship off course before he can shoot Luke down. Guided by the voice of Obi-Wan's spirit, Luke uses the Force to aim his torpedoes into the exhaust port, causing the Death Star to explode moments before it can fire on the Rebel base. In a triumphant ceremony, Leia awards Luke and Han medals for their heroism.

Phil Brown and Shelagh Fraser appear as Luke's Uncle Owen and Aunt Beru, respectively,[20][21] and Jack Purvis portrays the Chief Jawa.[22] Rebel leaders include Alex McCrindle as General Dodonna and Eddie Byrne as General Willard. Imperial commanders include Don Henderson as General Taggi,[b] Richard LeParmentier as General Motti, and Leslie Schofield as Commander #1. Rebel pilots are played by Drewe Henley (Red Leader, mistakenly credited as Drewe Hemley),[25] Denis Lawson (Red Two/Wedge, credited as Dennis Lawson), Garrick Hagon (Red Three/Biggs), Jack Klaff (Red Four/John "D"), William Hootkins (Red Six/Porkins), Angus MacInnes (Gold Leader, credited as Angus McInnis), Jeremy Sinden (Gold Two), and Graham Ashley (Gold Five).[26] Uncredited actors include Paul Blake as the bounty hunter Greedo,[27] Alfie Curtis as the outlaw who confronts Luke in the cantina,[c][30] and Peter Geddis as the Rebel officer who is strangled by Darth Vader.[d][33] Heavily synthesized audio recordings of John Wayne (from his earlier films) were used for the voice of Garindan, an Imperial spy.[34]

Lucas had the idea for a space opera prior to 1971.[35] According to Mark Hamill, he wanted to make it before his 1973 coming-of-age film American Graffiti.[36] His original plan was to adapt the Flash Gordon space adventure comics and serials into films, having been fascinated by them since he was young.[37] Lucas attempted to purchase the rights, but they had already been acquired by producer Dino De Laurentiis.[38] Lucas then discovered that Flash Gordon was inspired by the John Carter of Mars book series by Edgar Rice Burroughs, the author of Tarzan. Burroughs, in turn, had been influenced by Gulliver on Mars, a 1905 science fantasy written by Edwin Arnold. Lucas took the science fantasy concept and began developing what he would later call a "space fantasy".[37]

In May 1971, Lucas persuaded the head of United Artists, David Picker, to take a chance on two of his film ideas: American Graffiti and the space opera.[39] Although Lucas signed a two-picture deal, the studio ultimately declined to produce Graffiti. Universal Pictures picked it up, and Lucas spent the next two years making the coming-of-age film, which was immensely successful.[39] In January 1973, he began working on the space opera full-time.[37] He began the process by inventing odd names for characters and places. By the time the screenplay was finalized he had discarded many of the names, but several made it into the final script and later sequels.[40] He used his early notes to compile a two-page synopsis titled Journal of the Whills, which chronicled the tale of CJ Thorpe, an apprentice "Jedi-Bendu", who was being trained by the legendary Mace Windy.[41] He felt that this story was too difficult to understand, however.[42]

Lucas began writing a 13-page treatment called The Star Wars on April 17, 1973, which had narrative parallels with Kurosawa's 1958 film The Hidden Fortress.[43] He later explained that Star Wars is not a story about the future, but rather a "fantasy" that has more in common with the Brothers Grimm than 2001: A Space Odyssey. He said his motivation for making the film was to give young people an "honest, wholesome fantasy life," of the kind his generation had. He hoped it would offer "the romance, the adventure, and the fun that used to be in practically every movie".[44]

While impressed with the innocence of the story and the sophistication of Lucas's fictional world, United Artists declined to fund the project. Lucas and Kurtz then presented the treatment to Universal Pictures, the studio that financed American Graffiti. Universal agreed it could be a successful venture, but had doubts about Lucas's ability to execute his vision.[36] Kurtz has claimed the studio's rejection was primarily due to Universal head Lew Wasserman's low opinion of science fiction, and the generally low popularity of the genre at the time.[45] Francis Ford Coppola subsequently brought the project to a division of Paramount Pictures he ran with fellow directors Peter Bogdanovich and William Friedkin, but Friedkin questioned Lucas's ability to direct the film, and both directors declined to finance it.[46] Walt Disney Productions also turned down the project.[47]

Lucas completed a second draft in January 1975 entitled Adventures of the Starkiller, Episode One: The Star Wars. He had made substantial simplifications and introduced the young, farm-dwelling hero as Luke Starkiller. In this draft, Luke had several brothers. Annikin became Luke's father, a wise Jedi Knight who played a minor role at the end of the story. Early versions of the characters Han Solo and Chewbacca were present, and closely resemble those seen in the finished film.[54] This draft introduced a mystical energy field called "The Force," the concept of a Jedi turning to the dark side, and a historical Jedi who was the first to turn, and who subsequently trained the Sith. The script also included a Jedi Master with a son who trains to be a Jedi under his father's friend; this would ultimately form the basis for the finished film and, later, the original trilogy.[51][55] This version was more a fairy tale quest than the action-filled adventure story of the previous draft, and ended with a text crawl that previewed the next story in the series. According to Lucas, the second draft was over 200 pages long, which led him to split up the story into multiple films spanning multiple trilogies.[56]

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