Go Goa Gone 2 Full Movie Watch Online
Ogier Dudley
Apparently the menu for Roku channel has been changed. Went to continue watching a series and the "continue watching" option is completely gone. Different series I had been watching at different times all gone right along with "continue watching" menu option. Very annoying. Now I have to do a search just to find the programs. Would you kindly put it back!!
Recently my list of shows which I've been watching on Roku has disappeared. I have no idea what season or episode I was on. Hate to have to recreate this. I have tried uninstalling/re-installing the Roku channel, re-setting my device...nothing works. Currently only the shows I have watched since this situation arose are on my "continue watching" list. Using Roku Express HD Streaming device. Can anyone help?
It's definitely a Roku problem. Last night "continue watching" was back as it should be. Tonight it's gone again. Don't know what's going on, but it is really annoying. To continue watching a series I have to do a search for the program, then remember which episode I was on. Whatever it is Roku needs to look into it.
The same thing just happened on out Roku Ultra. The entire "Continue Watching" list disappeared. All of the series we were watching sre still available, but all of the info about which season and episode we've already seen is lost. What a PITA! Sure hope they fix this.
Thanks for the suggestions about correcting the problem. However, like others, our "continue watching" list reappeared the next day, though some of the shows we were watching are missing, and a couple of shows that we've never watched are now on the list.
In recent times, Paramount Plus has been the place to stream all the "Star Trek" content you could want, with all the shows and movies in one place. However, As of June 26 2023, "Star Trek: Prodigy" has been pulled from the platform.
Fear not though, if you're wondering how to watch Star Trek: Prodigy online, you still have options. Naturally, the decision to pull the show came as a shock, especially as it was given the green light for a second season and season one was received positively. While Paramount Plus is still the home for everything else in the Star Trek universe, you will now have to look elsewhere to stream Prodigy.
We do have a Star Trek streaming guide that's worth checking out if you want to watch the Star Trek movies in order or enjoy the purple patch of TV shows we're currently in, including "Picard," "Strange New Worlds" and "Lower Decks."
However, in the guide below, you'll find out the best way to watch Star Trek: Prodigy depending on where you're based. If you want even more Star Trek content you can also check out our Star Trek Gifts guide but, for where to watch Star Trek: Prodigy, read on below.
In order to stream Star Trek: Prodigy, you used to need a Paramount Plus subscription. However, those days are behind us. Following the show's sudden exit from the streaming platform, if you're based in the US, you will have to purchase season one from Amazon Prime Video. Other options also include Apple TV, Vudu and Google Play, but you may not be able to purchase the full season on all of them.
It's a similar story if you're a Trekkie from the UK, Paramount Plus has been only been available in the UK for a short period of time, but now that Star Trek: Prodigy has been erased from the platform, you can't stream it there anymore. Amazon UK or the Sky Store are the best places to purchase season one now. Other options also include Apple TV, Youtube TV and Google Play.
I downloaded the IOS10 for my apple watch the other day and I can't find the flashlight feature. After checking online, everyone said about using the control center like I used to, when I realized I can't get that either. It brings up my widgets now. Anyone else having this issue?
His next record, 1978's Stranger in Town, would go platinum within a month. I bought all three at once that year, because they were the ones Columbia House offered. But I knew there were others. As a budding, 13-year-old music obsessive, every record in the canon triggered a cascading need for several more. Some might be content with Elton John's Greatest Hits, but I wanted the entirety of Goodbye Yellow Brick Road, and then some way to prioritize the rest of his back catalog. Destroyer was not enough KISS; At Budokan was not the sum total of Cheap Trick.
But there were always more records than money to buy them with, even if you stocked your initial collection with 13 titles for the mere penny Columbia House demanded. So every few weeks, when I'd scrounged together $10, I'd flip through the stacks in my local record store, starting at A (Aerosmith's Toys in the Attic was the must have, then the self-titled debut, which had "Dream On," but was Get Your Wings worth the $4.95?) and ending at Y (so many Neil Young albums besides Harvest), trying to decide which one or two LPs were the next to be added to my shelves.
Bruce only had four LPs then, whereas Bob seemed to have a new old one every time I returned to the S rack: Ramblin' Gamblin' Man, Mongrel, Back in '72, Smokin' O.P.'s, Seven, Beautiful Loser. They weren't all there every time (though I didn't know it then, two others, Noah and Brand New Morning, had already fallen out of print), so it was hard to tell whether one going missing meant it was a good one I should have grabbed when I had the chance, or simply wasn't worth restocking because so few people wanted it.
In those pre-Internet days, we relied on magazines such as Rolling Stone and Creem to fill us in on artists' back stories, and every new piece about a given performer came with an obligatory summary of their career to date. Reading these all in a row in 2017 can be grimly amusing, as it's clear Seger was well-regarded by the cognoscenti from his very first Cameo-Parkway single (1966's "East Side Story," credited to Bob Seger and the Last Heard, recorded at the behest of manager Eddie "Punch" Andrews, who still oversees Seger's affairs today). But writers greeted every new release with some variation of "Bob is great; hopefully this record will put him over the top." As the years went by, each new review then felt obliged to explain why the last LP hadn't done so after all. Here's a small sample of that pattern, all taken from back issues of Rolling Stone:
1/21/71, Ben Edmonds, reviewing Mongrel
"It's easily his best overall work to date, but there are still some crucial musical problems he must come to grips with if he is to realize the tremendous potential he displayed on his earlier Cameo-Parkway singles ... why recognition has been so long in coming to one so obviously talented is beyond me."
7/4/74, Dave Marsh, reviewing Seven
"Bob Seger has been touted for years as a Detroit-based John Fogerty but has never had the monster hit needed to break out nationally ... what he really needs is a good producer."
6/17/76, Dave Marsh again, reviewing Live Bullet
"...because of poor recording, lack of record company support and what has at times seemed like willful career mismanagement ... Seger remains anonymous ... he still has not been properly produced."
By 1976, Marsh was not the only observer blaming Seger's inability to become a household name on odd management choices. In a small Rolling Stone feature that year headlined, "A Star in His Own State," Patrick Goldstein repeated the mantra that "Seger's lack of national prominence is viewed as something of a mystery," ascribed some of the responsibility to Andrews' "ill-considered decision to release Seger's string of Warners albums on his own label, Palladium," then quoted "a local publicist" who expressed frustration with Punch Management: "'They just seem to reflect his attitudes .... They've got to convince him to tour the coasts more often if he really wants to break nationally.'"
But the surprise success of Live Bullet, Seger's ninth album, quickly silenced such sniping. Despite Marsh's quibbling about production, Bullet gained Seger the national audience all those writers had been sure he deserved. Like most of Seger's other recordings, which could reliably sell 10,000 to 50,000 copies in Michigan and Ohio, if nowhere else, Bullet began as a regional hit, selling its first 300,000 copies in Detroit before finally getting Seger spun elsewhere in the country. Maybe he could have toured the coasts more often, but regular airplay in Los Angeles and New York quickly accomplished the same thing: He was no longer just a local hero.
It's tempting now to draw a line in Seger's career: a variety of noble commercial and artistic misfires prior to Live Bullet, then a string of increasingly successful exhibitions of his craft thereafter. But all the ingredients that made the albums after Live Bullet sell millions were present from the beginning.
The main thing that distinguishes the albums from '76 on is just how much better he got at distilling his various inspirations. Spending more time in better studios with more accomplished producers certainly helped, but so did the fact that Bullet, which was nothing but live versions of the most fully realized songs from his first eight records, had already proven there was a wider audience for Seger's particular mlange.
1980's Against the Wind continued Seger's platinum streak, and savvy licensing deals extended Seger's presence far beyond radio and record stores. The iconic scene in Risky Business where Tom Cruise lets the audience know just how liberating having your parent's mansion to yourself can be by lip-synching Seger's "Old Time Rock & Roll" while dancing around in his underwear rocketed the movie, the star and the song into the broader pop cultural firmament. In 1991, Chevrolet's use of "Like a Rock" to advertise their trucks proved so powerful that the campaign, which was planned to last three to six months, ran for 13 years.
Fast forward to this decade. I hear someone singing "If I Were a Carpenter," which reminds me Seger did a surprisingly heavy version of that song on Smokin' O.P.'s, which I haven't heard for a while. I reach for my copy, only to find that it's gone. This is bothersome, but correctable, I imagine. I am a gainfully employed adult, living in a city with multiple wonderful used record stores, plus there's an entire Internet at my fingertips. I decide to go on a spree, replacing not just the missing album, but finally adding the several I never purchased to my collection.
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