Thorns and Thistles Review
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Liz Busby
Oct 15, 2007, 12:11:30 PM10/15/07
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As you may have heard, we're trying
an experiment this year at BYUAML where members can review Mormon arts
related events they attend. If you send a review to me, I'll post it on
the blog. To jump start things, we gave out two sets of free tickets to
the New Play Project's fall religious play set Thorns and Thistles. Here's our first review from Elizabeth Obreza.
The New Play Project's "Thorns and Thistles" series of short plays made me consider the significance of Mormon culture. During the first two years of my membership in the Church I was able to avoid Mormon culture almost completely. I focused so much on learning about my new faith and commitments that I didn't usually notice the oddities and complexities of LDS culture. Now I realize that the LDS faith is not in a vacuum, but rather directly tied to Mormon culture, for better and for worse.
"Thorns and Thistles" equally explored the irritation and anguish associated with various forms of human trials. The writers also complicated LDS culture in a way that I have never seen in a dramatic performance, or even in literature. The Church can polarize people of different opinions inside an outside of the faith. It was refreshing to examine those polarizations head on. It was also interesting to see dramatic responses to the Sunday school answers to questions about faith, missionary work, and God's will. New Play Project writers were bold in that way.
The audience was disappointing. One short called "Based on True-ish Stories" showed the spiritual quest of a Catholic girl trying to understand her own belief in God. There were several characters of different faiths explaining their beliefs. The audience laughed at inappropriate moments, when the characters were explaining their "untruish" beliefs. Maybe this was the writer's intention. Maybe she wanted to make the audience feel like laughing and then wonder "why did I laugh?" Therein is the reason the world, especially the LDS world, needs more exposure to LDS plays. One character in another short was a bishop, and as part of his monologue he bore his testimony. The woman sitting next to me said "amen" at the end and then laughed at herself. When considering Mormon culture, we have to ready and willing to laugh at ourselves before laughing at anyone else.
--
Liz Muir Busby
Blog: http://lizmuir.blogspot.com
"Don't hit me; I'm an English major!"
No trees were destroyed in the sending of this email. However, a whole lot of electrons were terribly inconvenienced.
The New Play Project's "Thorns and Thistles" series of short plays made me consider the significance of Mormon culture. During the first two years of my membership in the Church I was able to avoid Mormon culture almost completely. I focused so much on learning about my new faith and commitments that I didn't usually notice the oddities and complexities of LDS culture. Now I realize that the LDS faith is not in a vacuum, but rather directly tied to Mormon culture, for better and for worse.
"Thorns and Thistles" equally explored the irritation and anguish associated with various forms of human trials. The writers also complicated LDS culture in a way that I have never seen in a dramatic performance, or even in literature. The Church can polarize people of different opinions inside an outside of the faith. It was refreshing to examine those polarizations head on. It was also interesting to see dramatic responses to the Sunday school answers to questions about faith, missionary work, and God's will. New Play Project writers were bold in that way.
The audience was disappointing. One short called "Based on True-ish Stories" showed the spiritual quest of a Catholic girl trying to understand her own belief in God. There were several characters of different faiths explaining their beliefs. The audience laughed at inappropriate moments, when the characters were explaining their "untruish" beliefs. Maybe this was the writer's intention. Maybe she wanted to make the audience feel like laughing and then wonder "why did I laugh?" Therein is the reason the world, especially the LDS world, needs more exposure to LDS plays. One character in another short was a bishop, and as part of his monologue he bore his testimony. The woman sitting next to me said "amen" at the end and then laughed at herself. When considering Mormon culture, we have to ready and willing to laugh at ourselves before laughing at anyone else.
--
Liz Muir Busby
Blog: http://lizmuir.blogspot.com
"Don't hit me; I'm an English major!"
No trees were destroyed in the sending of this email. However, a whole lot of electrons were terribly inconvenienced.
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