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Brahmins, who had overcome the challenge of Buddhism, increasingly became vegetarian, along with the Banias (who were strongly influenced by the Jains). Why this happened is not yet very clear.
Fulbright Scholar,
Research Scientist, IIT-B, EI-Certified Therapist, Consultant, Trainer & Life Coach.
"the origins of the epic probably fall between the 8th and 9th centuries BCE"
"Research on the Mahābhārata has put an enormous effort into recognizing and dating layers within the text. Some elements of the present Mahābhārata can be traced back to Vedic times.[14] The background to the Mahābhārata suggests the origin of the epic occurs "after the very early Vedic period" and before "the first Indian 'empire' was to rise in the third century B.C." That this is "a date not too far removed from the 8th or 9th century B.C."[2][15]"
//Mahabharata is older than Buddhism and Jainism is undisputed and well established//
Sri Nagaraj garu, The commonly assigned date for Mahabharata is 400 BCE to 400 CE. These dates are post-Buddhistic/post-Jainic. However, I am not sure how these dates are arrived at. If you have other dates that lead to your conclusions, please feel free to share. Thanks.
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I wonder if there any difference between the 'nucleus' of the text and the text as we have it (either Vulgate or CE). If the 'origins' of the text (or events?) are dated to the eighth century BCE, does such dating eo ipso prove that the text as we have it is equally old?
If Adluri is arguing against the "accretion and redaction theory" it is because his teacher Alf Hiltebeitel believes the Mbh to be a 'unitory' work written by a coterie of authors over a couple of centuries. To quote him: 'I suggest, then, that the Mahabharata was composed between the mid-second century B.C. and the year zero.' For Ramayana he says, ‘I think the Ramayana must have been written at about the same time as the Mahabharata, or if anything a little later’ (Rethinking the Mahabharata: A Reader’s Guide to the Education of the Dharma King. Chicago and London: The University of Chicago Press.2001, pp. 18–19. By the by, there is no “year zero”.)
We have on one side the ‘analysts’ and ‘unitarians’ on the other (to borrow these terms from “Homer”ic scholarship). Both the groups have their different data, different arguments and different epistemologies. When we naively club them together, we commit epistemic violence. Goldman, for instance, dates the kernel of the Ramayana before the Buddha (in his Introduction to the English translation of the Balakanda), but then he is an analyst (believe in accretions, interpolations, etc.); Hiltebeitel, on the other, takes these epics to be without any growth over the centuries but dates them post-Maurya.
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Our objective should consequently not to be to arrive at an archetype (which practically never existed)...To prevent misconception in the mind of the casual reader, it is best to state at first what the constituted text is not. […] this edition is not anything like the autograph copy of its mythical author, Maharṣi Vyāsa. It is not […] a reconstruction of the Ur-Mahābhārata or of the Ur-Bhārata […]. It is also not an exact replica of the poem recited by Vaiśampāyana before Janmejaya. It is further wholly uncertain how close it approaches the text of the poem said to be recited by the Sūta (or Sauti) before Śaunaka and the other dwellers of the Naimiṣa forest.It is but a modest attempt to present ‘a version of the epic as old as the extant manuscript material will permit us to reach with some semblance of confidence. It is, in all probability, not the best text of the Great Epic, possible or existing, nor necessarily even a good one. It only claims to be the most ancient one according to the direct line of transmission, purer than others in so far as it is free from obvious errors of copying and spurious additions.(1933/1944: 128-129; original emphasis)
= Sukthankar, Vishnu Sakharam. 1933/1944. Prolegomena to the Ādiparvan. P. K. Gode (ed.) Sukthankar Memorial Edition, Vol. 1, Critical Studies in the Mahābhārata, pp. 10–140. Bombay: Karnataka Publishing House for V. S. Sukthankar Memorial Edition Committee.
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Vishnu Sitaram Sukthankar was a great scholar. He had a great sense of humour too. Since I lack both, scholarship and humour, I quote him.
In his Meaning, Sukthankar refers to certain Professor Thadani, professor of English at the Hindu College of Delhi who thought that the Mahabharata is “but an account of the connection and conflict between the different systems of Hindu Philosophy and Religion”. The learned professor further assumed that the Great Epic is not a mere story of the deeds of mythological or historical gods or heroes ; but “a wonderful explanation of all systems of Hindu Philosophy and Religion ... which, when examined in the light of ancient method of Letter-analysis, reveals the great secret of its real meaning and mystery.”
On Professor Thadani’s original and ingenious views Sukthankar writes:
“This ‘letter-analysis’ is a real magic wand in the hands of .Professor Thadani. With the help of this mysterious instrument, the learned Professor gets the most astounding results. People have so long considered the Gambling Match as the most realistic and heart-rending scene of the Whole Mahabharata, and some soft-hearted people must have even shed surreptitiously a few tears when reading the pathetic scene of the denudation of the noble Princess of Pancala by the vicious Dushasana. Professor Thadani brushes away all this shallow and misplaced sentimentality. “The word for gambling in the text”, argues Professor Thadani, “is Dyuta (d, y, u, ta) meaning, (d) giving, (y) Buddhi, (u) woven with (u) the
senses of knowledge, and (ta) the senses of Action. The Gambling Match is thus a discussion between Buddhi on the one hand (Yudhishthira), and the senses of Knowledge and Action, the basis of Jainism (Shakuni) on the other.” A foreign critic has ungenerously remarked about the book that it is confusion worse confounded. I will not criticize this theory. Professor Thadani is right in insisting that for debate or discussion there must be a common ground of agreement between opposing views, without which a discussion is impossible. I have none with the learned Professor, nor have I had the good fortune of coming across anybody who had. Professor Thadani stands unchallenged.”
Best,
H.
PS: As an aside I may point out that in इतिहासपुराणाभ्यां वेदं समुपबृंहयेत् by Veda the Mahabharata is meant as shown by Professor M. A. Mehendale.
Then what is his point?Critical Edition is a unitary text is his point.What is he arguing against?He is arguing against the view that the text is a compilation of mutually incoherent ideas.In what way is it relevant here?Ahimsaa paramo dharmah is integral to the text.
"A foreign critic has ungenerously remarked about the book that it is confusion worse confounded. I will not criticize this theory."
PS: As an aside I may point out that in इतिहासपुराणाभ्यां वेदं समुपबृंहयेत् by Veda the Mahabharata is meant as shown by Professor M. A. Mehendale.
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